Stil vor Talent

SVT336 | Lunar Plane, Sezer Uysal – Waiting

Cover Artwork Lunar Plane, Sezer Uysal – Waiting

The beloved identical twin duo, Lunar Plane makes their highly awaited return to Stil vor Talent with a new EP, aptly titled 'Waiting.' This EP serves as the highly anticipated follow-up to their previous collaboration with Daniel Rateuke, released in 2019. A throwback to their early steps in the music scene, this new EP connects the dots between the uplifting artlessness of their juvenilia with the full-grown precision of their most recent pieces. After a string of contributions to the catalogues of Anjunabeats, Disco Halal and 2DIY4, then followed by a few months turning their attention to digital art as a way to get their second wind during the pandemic, Emre and Mert serve up an EP that sums up their all-embracing, dance-focussed paradigm. Fevered and adventurous to the bone.

Fleshed out with big room-ready muscle and sustained tension throughout, the title-track and lead single 'Waiting' is a slice of catchy, dreampop-infused EBM bound to satisfy both the raver and escapist in you. Featuring their own vocals on a track for the first time, this one fuses everything you'd expect from a quality dance floor roller: high impact and elevation laced into an epic narrative. A versatile weapon which may as well be your ideal companion for a run out in the woods, as it obviously proves deadly in peak-time club context.

'Je Danse' extrapolates the darker facet of Lunar Plane's musical genius, enhanced by the mystique-imbued vocals that contribute to a deeper, powerfully hypnotic experience. Sezer Uysal adds an eerie mystery and a seriously thunderous punch to this ghoulish hybrid of a track. Zombie workout mode activated. Topping off the journey, 'Above' encompasses both the melancholic and energetic sides of Lunar Plane's dual signature sound to a T. A melodic crescendo that keeps on gaining momentum as bar go by, complete with the exotic flute bursts, poignant piano chords and robust sub-bass swashes. Back to where it all started.

released May 26, 2023

SVT334W | Oliver Koletzki, Niko Schwind, Talmirage, Biesmans, Gespona – Stay Until The Light

Cover Artwork Oliver Koletzki, Niko Schwind, Talmirage, Biesmans, Gespona – Stay Until The Light

With "Stay until the Light" Oliver Koletzki reveals the first high-impact sneak peak of his forthcoming tenth studio album "Trip to Sanity" – a monumental milestone in the seasoned Berlin producer's career at the forefront of contemporary electronic music, to be released on Stil vor Talent this autumn.

On "Stay until the Light" Koletzki collaborates with fellow label stalwart Niko Schwind and the San Francisco singer Talmirage, masterfully melding Oliver's penchant for dramatic neon synths, rolling bass lines and captivating vocal hooks into a gripping indie-dance hymn that seductively beckons the listener to "stay until the light, hold me until the sunrise".

Accompanying the to-the-point "Radio Mix", Oliver and Niko each deliver their own "Extended Mix", both firmly focussed on the floor. While Koletzki opts for a psychedelic rendition which strips down the vocals and amps up the drama by way of a teasing arrangement, Schwind beds Talmirage's voice on a bass-heavy italo framework to ecstatic effect. Rounding off the single, we are treated to two additional remixes: First up, Watergate hotshot Biesmans crafts a powerfully pumping reinterpretation weaving elastic synths and jazzy breaks around the original's vox. The Barcelona-based talent Gespona then shines by way of the chugging percussion and funky fluorescent licks of his rework – bringing a heavy-hitting package to a close that wets the appetite for more.

released May 5, 2023

SVT333X | Almost Falling – Trace Your Steps

Cover Artwork Almost Falling – Trace Your Steps

Joining forces as Almost Falling, KaterBlau resident Esther Silex and Kotelett channel a good many-sided energies on their exciting first single, 'Trace Your Steps', first extract taken from their forthcoming debut album to be released on 14th Juli, 2023. Ethereal and transporting, their heavily pop-influenced sound is a perfect encapsulation of our time, of which it fuses that sense of gravity-defying abstraction and up-to-date nostalgia. Very much connected to its era and environment (the material was recorded in their home studio of Holzmarkt during the pandemic), 'Trace Your Steps' offers a suspended moment in time, not quite picking a side between the thought-provoking nature of spoken word and the urge to exorcise its demons through a good old boogie session.

Draped in layers of melancholic synths and a kaleidoscope of slo-unfolding, origami-like envelopes, 'Mountains of Madness' blends in a minimalistic tang of pop sensuality with that of low-slung, pensive electronics to exquisite effect. The rolling cascades of spaced-out keyboards and Esther's smooth timbre make for a superb musical encounter, brushing a fascinating picture of today's universal issue of coping with a world that goes too fast and finding your place in it. Shifting the angle onto trap motif'd programming, which it injects with a healthy dose of LA beat music vibrations and hypermodern voodoo, 'Trace Your Steps' highlights Almost Falling's unique approach and vibrant mix of society-questioning lines and straight out fire rhythms built for the dance floor but not strictly limited to it. Or how dance music can transcend its mere "entertaining" characteristics to establish a lasting and stimulating vision.

released April 21, 2022

SVT332 | Space Food – Odyssey

Next up on Stil vor Talent is production outfit Space Food, all set at getting the vibes pouring and hips swaying with their newest, 'Odyssey' EP. Cutting a path of abstract-leaning elation and forthright danciness, the St Petersburg-based pair has us covered with four-tracks spanning a wide range of styles and tropes, seamlessly connecting the dots betwixt zero-G bass manoeuvres, sensually overwhelming prog build-ups and a sheer touch of quirky and immersive otherworldliness.

Fusing the ubiquitous horsepower of thunderous subs with the narrative edge of the finest deep-house epics, 'Epsilone' gets the ball rolling with outstanding rhythmic verve and transfixing flamboyance, as it eases us in a suspended headspace, halfway utter euphoria and melancholy-drenched atmospherics. An earwormy Italo racer, 'Hope' trades the opener's breaksiness for upfront fast-lane-ready, floor-it attitude. A trouble-brewing combo of steely oddity and synth-splashed ebullience, this one packs a serious punch and some indomitable floor-destroying FX.

A bespoke roller-coaster of a tune, 'Metamorphosis' attacks pedal to the metal and doesn't relent throughout seven minutes of an assertive shelling of hi-intensity bass moves and 16-bit-like machine funk bound to crush everything in its wake. Final number and title-track 'Odyssey' comes as a culmination of Space Food's bumpy riding, trance-inflected style, delivering the kind of fun and focussed club voodoo you can't stay cold to. Geared up for big-room traction and cinematic synchronisation, this is club music at its most strikingly boisterous and enveloping, high-powered yet euphonic.

released March 24, 2023

SVT331 | Elif, Gespona, Stil & Bense – Letting Go

Cover Artwork Elif, Gespona, Stil & Bense – Letting Go

Due for worldwide release on Friday, February 24, Letting Go marks Elif’s eagerly anticipated return to the long-standing German imprint, following her contributions to the Stil Vor Talent 300 VA back in 2021 with Juno and the label’s 15 Years VA compilation with Entanglement back in 2020. Kickstarting the EP with the arresting opener Let Go, Elif joins forces with German duo Stil & Bense for an emphatic debut collaboration, as the three producers christen the EP with a sinister, underground juggernaut. Layers of industrial synths and intricate beats combine with rolling basslines and intermittent vocal drops and within seconds you’re locked in, riding the wavelengths until you reach the mind-bending breakdown.

Next up, Elif lowers the intensity for a more playful second single, Sombre. Created alongside long-time friend and recent production partner ,Gespona, the pair toy with melody, texture and tonality across the frisky seven-minute cut, cultivating a unique sonic palate that explores an array of minimal, underground timbres. Last but by no means least is the resounding finale On My Own, as Elif takes the reigns for the aptly-titled closer. A dynamic solo offering delivered by an artist whose creativity in the studio seems to know no bounds, rolling grooves, shuffling rhythms and warped synthesizers shine front and centre, as Elif pulls out all the stops to conclude another extraordinary release on Stil Vor Talent.
Born and raised in the cultural hub of Istanbul, Turkish producer Elif is rapidly earning her rightful place amongst dance music’s elite. Laying claim to an abundance of internationally celebrated releases on the likes of Anjunadeep, Kindisch and Gardens of Babylon over the past few years, the prolific Barcelona-based talent has managed to carve out her own unique sonic path since emerging onto the scene in 2019, and is rapidly making a name for herself as one of the most exciting, in-demand artists in electronic music today.

Now a seasoned regular at some of the most prestigious festivals and events the world over, her consummate calmness in the booth is a stark contrast to the frenzy she kicks up on the other side. With a trademark sound of flowing melodic floor fillers perfectly translating her raw emotion and intention, Elif pulls her audiences between hypnotic drum patterns, intricate arps, thumping kicks and driving bass lines; her selections both thought provoking and timeless. In the studio and behind the decks, Elif’s talents are clear for all to see and hear and her rapid rise to global acclaim is so rightly deserved. As much of a storyteller as she is an artist, this is only just the beginning for Elif.

released February 24, 2023

SVT330 | SKALA, Dom Fricot – Any Reason Why

Cover Artwork SKALA, Dom Fricot – Any Reason Why

Hot on the heels of her latest release for Stil vor Talent, "Beide Alleine", SKALA returns to us with her anticipated followup "Any Reason Why". A decisively singular voice in today's techno landscape, SKALA keeps on carving out her lane aside from typical club wares, injecting her floor-ready blends with a pop sensibility that infuses through all compartments of her sound, from EBM-derived muscularity to abstract ethereality, via sequences of mind-expanding dreaminess and a louder-than-loud, industrial-adjacent punch that make her truly stand out from competition.

Fusing a straight out martial groove with impeccably integrated piano chords painstakingly drilling their way across thick strata of raucous drum processing and layered machine thunder, the hair-raising "Any Reason Why" featuring Dominique Fricot's velvety vocals encapsulates the greater part of SKALA's signature synthesis of heart-rending melodicism and profuse amplitude of energy, continually counterbalancing force with scope, ruggedness with nuance. Support track "Dare" follows a similar course as it ushers us in the midst of a spiralling synth-feast tweaked to brooding effect, swells of modulated keys weaving their tortuous chassis alongside grim subs and aggro bass salvos to shape a monster DJ tool of a tune.

released January 27, 2023

SVT329 | Gespona, Abuk, Altho – Magota

Cover Artwork Gespona, Abuk, Altho – Magota

Hot on the heels of his acclaimed debut EP released a few months ago on the label, Barcelona-based producer Gespona reemerges on Stil vor Talent with his eagerly-anticipated followup, "Magota". Comprising four tracks that move the cursor from stealth bass percolation to exotica-fuelled swagger, via injections of tendinous hip-hop-laced prog and heavily processed machine funk, this sophomore incursion from the Spanish talent does way better than simply keeping its promises: it opens on dimensions that were hinted at, but yet to unfold on Gespona's previous efforts.

Lead-single "Magota" fractures its way in through a well-balanced blend of powerhouse subs and brittle piano chords. Remaining subtle in his approach, keen to explore further that grey area between neo-classical mellifluousness and proper club-focused firepower, Gespona treats us to a masterly orchestrated slice of poignant electronics, culminating through a prismatic climax of heart-broken synth swashes and finessed clavier expression. More of a functional DJ tool, "Umbra" heads straight for the jugular with its sweatbox-ready bass attacks, Egyptian-like melody and ominous buildup, tailored for nothing else but flinging the dance floor into a state of never-ending euphoria.

Joining forces with Abuk on the breaksy, old-school house-inspired "Stat Out There", Gespona fires off yet another perfectly integrated mix of forward-moving dynamics and Chicagoan soulfulness. Riddled with melancholic keys and Abuk's haunting vocals, the track cuts a path truly its own, slacklining adroitly between classic piano house sensuality and a hi-intensity electro punch. Capping it all proper EBM-style, the aptly-titled "Jigsaw" featuring Althoff is what you'd call a hard-churning workout, progressively evolving from a rather straightforward momentum onto jagged 4x4 mechanisms to floor-devastating effect. Superior focus and execution from a producer who's undeniably on the cusp of even greater things.

released December 30, 2022

SVT328 | Various Artists – Stil vor Talent RISING

Cover Artwork Various Artists – Stil vor Talent RISING

First in a series of mini-compilations bound to shed a broader light on rising and under-represented talents, "SVT328" puts on a savorous menu of techno-friendly grooves and big-room busters from a diverse cast of up-and-coming producers.

Punching the clock in first position, Hamburg's SUZé gives us a spitting glimpse of her vivid, exotica-infused universe. Sitting halfway laser-guided minimal tech wares and retro-laced EBM artillery, "Between The Lines" is a straight out compelling slice of conscious body music, equally enjoyable on and off the dance floor. Stephanie Raschke picks up the torch and runs the hoodoo down on a further heavy, sludgey note with "Talk" - an electro-rock hybrid that beams a wild mix of neonized synth talk, raucous bass riffs and thrashed disco vibes as one.

Kaufmann takes over with the hi-NRG "Twee", a seriously infectious slab that'll get all tickers in the room swinging at equivalent rate. Nurtured on sci-fi-infused sound design and a stadium-sized sense of raving extravaganza, this one's got peak time-belter written all over it. A stealthier affair, Spada's "Tantrum" sneaks its way in the shadow. Merging an inch-perfect programming with luscious middle-eastern harmonics and seesawing synths on a mission, its catchy hook keeps etching deeper into the listener's mind as bars roll by. Kasbah-rocker all the way.

released December 9, 2022

SVT327Z | Hidden Empire – Alright

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Third and final number in the thrilling cascade line-up preceding the drop of Hidden Empire's eagerly-awaited newest long-player, "Momentum", there goes the standalone burner of a tune, "Alright". Encompassing all of the pair's idiosyncratic merger of styles - from pop-laced Italo to spaced-out techno wares, through jagged motorik and heavily mecched-out jacking house, this new single shows off Hidden Empire's wide arsenal of pyrotechnics under the most compelling of lights, equally at ease busting the limits betwixt wave-ready electro material and more DJ-focussed functionalism, either way stacking maximum energy to squeeze dance floors under irresistible levels of funky disruption, sensual vocal drifts and an ever impressive intuition as to what ravers need in the heat of the moment. Treat yourself.

released March 10, 2023

SVT327Y | Hidden Empire – Last Call

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Second chapter on the way towards the anticipated release of their third studio album on Stil vor Talent, "Momentum", here comes Hidden Empire's second single, "Last Call". Tapping in the duo's trademark seam of EBM-laced techno bound for hi-impact dancefloor hustle and further far-reaching, cross-dimensional escapology, this second instalment delivers a serious amount of craggy electro reliefs to surf and synth-splattered jack to sync your brainwaves to.

Whereas the lead number "Last Call" has us journeying to straight out Moroder-esque territories, flush with the aptly configured palette of fuzzy space disco bass, fast-paced Italo churn and vocodized talk for good measure, the second track "Avalanche" opts for a more brooding, deadlier approach. Cutting its path away from prying eyes, this one finds Hidden Empire pulling the stealth weaponry to absolute hypnotic effect - perfect for serious in-between peak time business with its thick, thriller-like tension, mist-shrouded atmosphere and surgical focus. One more to go until "Momentum" blasts its way across your woofers. Buckle your belt and brace for impact.

released February 10, 2023

SVT327X | Hidden Empire, Felix Raphael – Who We Are

Cover Artwork Hidden Empire, Felix Raphael – Who We Are

Over a year since the drop of their second long-player on the label, "Lost Spirits", German outfit Hidden Empire reemerges on Stil vor Talent with "Who We Are", the first single taken from their third album, "Momentum", to be released in early 2023. Riddled with stadium-sized emotional bursts and their genotypic peak-time readiness, Novakovic and Schäfers' latest keeps on pushing in that zenithal direction their previous efforts continuously hinted at, fusing textbook cinematic poignancy with that of the most fiery DJ-friendly tools through ambitious sound tableaux that promise to provide the raver in you with compelling amounts of poetic spaciousness and tight-wound dancy dynamics.

The first track and lead-single featuring Felix Raphael on vocals, "Who We Are", is a pop-influenced chugger that perhaps best defines Hidden Empire's ambivalent style, both hi-NRG and innervated with a melancholy that infuses down to the bass and most functional elements. Geared up for big-room traction with its seesawing synths and clinical drumwork, Raphael's moving timbre does more than offer a sensible counterpoint to the track's overall sturdy backbone, it takes it to a whole other dimension completely. Then there's "Momentum", a more openly jagged and quirky weapon that hatches into a further solar number around the half, like a flower slowly but surely finding its way to the sunlight. Roaring up the club's highway at full throttle, it proves a formidable asset when it comes to plunging dancers into a state of weird, left-of-centre euphoria.

released January 13, 2023

SVT327 | Hidden Empire, Felix Raphael, Wolfson – Momentum

Cover Artwork Hidden Empire, Felix Raphael, Wolfson – Momentum

Following in the footsteps of "Mind Palace" and "Lost Spirits", respectively issued in 2018 and 2021, Hidden Empire return to Stil vor Talent with their eagerly anticipated third studio full-length, "Momentum". Going the same route that came to define their sound throughout the years, Branko Novakovic and Niklas Schäfers cook a savvy mix of deep electroid flavours and prog techno magnitude which flourishes in the long-playing format. Orbiting the frontier between proper no-nonsense, floor-focussed effectiveness and a trademark exploratory take on electronics, Hidden Empire here delivers one of their most accomplished slices to date, which not only spans the largest span of their many-faceted influences, from tribal anchorage to hypermodern escapology, but breathes a truly epic wind into it.

Draped in luscious, silken envelopes and easternmost ambiences, "Dawn" gets the ball rolling on a mystique-imbued note, halfway meditation-friendly material and square-shouldered club busting wares. Moving into Afro-infused house grounds, "Modesty" finds Branko and Niklas heading for the deeper end of the spectrum, as they pull out a clinically precise blender of rattling percussions, opaque incantations, lush synth swashes and verbed-out machine talk, tailored for nightly boogie rituals in the forest. "Avalanche" opts for a more brooding, deadlier approach. Cutting its path away from prying eyes, this one finds Hidden Empire pulling the stealth weaponry to absolute hypnotic effect - perfect for serious in-between peak time business with its thick, thriller-like tension, mist-shrouded atmosphere and surgical focus. Featuring Felix Raphael on vocals, "Who We Are", is a pop-influenced chugger that perhaps best defines Hidden Empire's ambivalent style, both hi-NRG and innervated with a melancholy that infuses down to the bass and most functional elements. Geared up for big-room traction with its seesawing synths and clinical drumwork, Raphael's moving timbre does more than offer a sensible counterpoint to the track's overall sturdy backbone, it takes it to a whole other dimension completely.

"Repeat The Good" ft. Wolfson balances out a fast-ticking groove with those subtle melodic lines Hidden Empire champion to astounding vibrancy, offering a particularly satisfying glimpse into their vortical imaginarium, whereas "Last Call" has us journeying to straight out Moroder-esque territories, flush with the aptly configured palette of fuzzy space disco bass, fast-paced Italo churn and vocodized talk for good measure. All in breaks and chopped-up euphoria, "Vivid" runs the hoodoo down in muscular fashion and with impressive levels of energy throughout, all set at cranking up the heat one notch further, while "Rebel" provides us with the kind of rough-around-the-edges EBM horsepower and neon-clad synth engineering that'll get the basement in a state of alert. Encompassing all of the pair's idiosyncratic merger of styles - from pop-laced Italo to spaced-out techno wares, through jagged motorik and heavily mecched-out jacking house, "Alright" shows off Hidden Empire's wide arsenal of pyrotechnics under the most compelling of lights. A more openly jagged and quirky weapon that hatches into a full-fledged solar number around the half, "Momentum" roars up the club's highway at full throttle, proving a formidable asset when it comes to plunging dancers into a state of weird, left-of-centre euphoria.

A stroboscopic eclipse is predicted as "Dark Sun" enters the room, deploying its obscure wingspan over the ravers, not quite a bad omen as it lets more light in with every bar, its brittle piano lines and heart-wrenching vocals cutting a path into the crowd's pulsating hearts. Graceful as Hidden Empire's music can be, a moment of utter exhilarating beauty. "Savasana" wraps up the voyage with a pure slab of cyphered 4x4 seduction, as an ASMR-like voice guides us across the soul-questioning haze that blankets our pathway onto a luminous finale. A piece of elusive nature, clearly designed for the club and yet telling a tale of off-piste initiation through twelve fascinating movements, "Momentum" will undoubtedly etch on the listeners' mind as one of the German pair's most strikingly powerful emanations.

SVT326 | Various Artists – Schneeweiß 14: Presented by Oliver Koletzki

Cover Artwork Various Artists – Schneeweiß 14: Presented by Oliver Koletzki

Over the years, Berlin has been cited as Oliver Koletzki's main point of reference and, more importantly, his endless source of inspiration. His albums Großstadtmärchen and Großstadtmärchen 2 are wholehearted tributes of the German capital, as its importance is continuously hinted and charted. Friedrichshain, one of Berlin's vibrant districts, has always held a special place in Oliver's heart. This is where he started out when he first moved to the city, and this is where he lives now. Kreuzberg's wall paintings adorn Stil vor Talent's cover sleeves and host their headquarters. There are little to no corners in the city that haven't brought a spark of inspiration into the mix. The Schneeweiss compilation series, now at its 14th installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. Each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times, acting both as a reminder as well as a timeless sound capsule for the years to come.

released November 25, 2022

SVT325 | SKALA – Beide Alleine

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A few months on since the release of her long-awaited debut solo release for the label, "Liquid Gold", SKALA returns to SvT with "Beide Alleine" to round off what's been a busy and decisive year in her irresistible rise.

Carving out its own singular lane at the confines of stripped-back pop melancholy and more tribal-oriented electro/techno dynamics, SKALA's sound finds its most strikingly vivid and understatedly poignant incarnation on the title-track - here presented in both extended version and radio edit, never quite picking a side between club-readiness and abstract-leaning digressions. A compelling mix of bass-driven forge-ahead girting a heart-wrenching core of strings and acoustic piano felicity, where SKALA's voice blooms to further impressively genuine, emotional fruition.

Low-key house number "Tout Le Monde" weaves a distinct kind of headspace for your hazy mind to wander in, just as immersive in essence as its counterpart. Repurposing the piano to sustained use throughout five minutes of loungey escapism and after-flavoured hypnagogia, SKALA beckons us onto a path of meditative serenity via a superbly textured assemblage of dubbed-out chords and crisp, post-indus rattling drums; scraping at that seemingly quiet surface of glossy envelopes to better reveal the troubled waters that flow beneath.

released November 4, 2022

SVT324 | Elfenberg, Zombies In Miami – Macaros Rosas

Cover Artwork Elfenberg, Zombies In Miami – Macaros Rosas

Two years on since the release of their latest offering for the label, "Continents III", Swedish duo Elfenberg resurfaces on Stil vor Talent with "Macacos Rosas" - a four-track EP giving full room to their genre-hopping fantasies, playful persona and outside-the-box production philosophy. Last but not least, this mouthwatering package comes complete with a remix from high-profile Mexican outfit, Zombies in Miami.

Drawing first blood, "Acid Sins Ever Since" channels a vibrant mix of energies, bending the scope between crisp breakbeat traction and 303-infused psy-ops with seamless ease. A proper bouncy joint, geared up for optimal soul and body entrancement down the basement. Proper EBM stuff by the book, laced with a hint of Detroit-influenced electro for good measure, "Bambaataa" takes us on a hectic ride with its laser-guided arpeggios painting all kinds of vivid, lysergic motifs in the sky - perfect for cosmonautical loiterings and frantic boogie sessions altogether.

Taking Italo for a nocturnal stroll in the jungle, "Macacos Rosas" finds Elfenberg dishing out a melancholia-drenched disco workout, packed with enough all-night-ready oomph and dreamy vaporousness to withstand all types of DJ use and abuse. Adding their inimitably floor-efficient spin to the lead-single, Zombies in Miami pull out the heavy rave artillery for the occasion. A forward-dashing smorgasbord of processed Andean pipes, mystic forest sounds and powerhouse bass moves leading the charge, the Mexican duo's revamp summons visions so deep you'll have a hard time wriggling yourself out of their all-engulfing hoodoo spell.

released October 7, 2022

SVT323Z | CIOZ – Me Monkey (Me Manchi)

Cover Artwork CIOZ – Me Monkey (Me Manchi)

"Me Monkey (Mi Manchi)" is the final step in the staggered delivery of singles preceding the release of Cioz' longed-for debut long-player for Stil vor Talent, "Supermassive Whole", scheduled for release by the end of 2022. A standalone single this time, the track encapsulates all that which makes Cioz' stellar standards of production and uniquely soulful, non-formulaic touch stand out from the competition.

A sustained 4x4 swing laced with that trademark focus on heavily processed textures and envelopes favoured by Cioz, "Me Monkey" proves itself a pristine slab of otherworldly - almost space opera-friendly - electronics, perfect for either thrusting across asteroid fields at light-speed or roaming the vaporous peaks and summits of a euphoric night out with heightened senses. That, fellow listeners, is techno at its most poignantly honest, memorably elevating, intensely compelling.

released November 18, 2022

SVT323Y | CIOZ – Do it The Way You Feel

Cover Artwork CIOZ – Do it The Way You Feel

Second single lifted from Cioz upcoming debut long-player for Stil vor Talent, "Supermassive Whole", here comes the mischief-making "Do It The Way You Feel" - a two track slice of floor-atomizing manoeuvres all set at hocus-pocusing your heat-craving self into a solar-powered cascade of percussive house, feverish proto-breaks and jagged tech-y moves. Ready to set the hype'o-meter on overheat it is, so better buckle your belt!

Lead joint "Do It The Way You Feel" is the epitome of a muscular piano-house anthem inbound for restless soul-snatching all the way. Injecting the classic appeal of a quality Chicago jack with proper knee-buckling breaks out the 90s UK sound vault, a kosmische-friendly sense of oneiric spaciousness and distorted cowbells jingling to deadly effect, Cioz' belter of a tune oozes consenting club disintegration in the making. Delving a darker place, "Harakat" goes a more straightforward route with its immersive oriental ambience and all-terrain 4x4 adaptability, trading the main track's loping swagger for a train-like chug that keeps on delivering bar after bar, gaining an intensity that shall prove all the more fuel-efficient in the field.

released October 21, 2022

SVT323X | CIOZ, Ryan Murgatroyd – Be One Wachaka

Cover Artwork CIOZ, Ryan Murgatroyd – Be One Wachaka

About a year on since his first incursion on Stil vor Talent with the acclaimed "Cosmic Silence" EP, Italian-born Berlin-based producer Cioz resurfaces on the label with "Be One Wachaka", the first single taken from his forthcoming debut album, "Supermassive Whole", scheduled for release in late December 2022. Championing a sound tailored for extensive floor communions and soul-balancing introspection altogether, Cioz graces us with a pristine slice of his broad-spectrum explorations, bending intuitively between deep-diving dubs, big-room polyphonies and proper euphoria-inducing rave artillery.

The lead-single "Wachaka" finds Cioz teaming up with Cape Town's very own Troy Murgatroyd for a round of all-embracing electronics geared towards pure sense-awakening, floor-sweeping let go. Injecting traditional deep house with a vibrant dose of Afro-influenced templates and spacious cosmic interplays, the track swells with a blazing fire at heart that keeps on sprawling infectiously with each and every bar, inch-perfectly engineered breaks and drops providing the epic drive that'll get your feet off the ground and soul fulfilled wholeheartedly. Starting off to the austere sound of church bells, "B1" swiftly veers off into stealth floor-busting mode with its muted sub-bass onslaughts and cascading bleeps coming out of their thick reverb-shrouded squelch to extend into a more pop-friendly, drum-driven environment. In its second movement, "B1" roars with louder than loud, batucada-inspired drum lines and a relentless, sizzling-hot grit that makes it comfortable across all terrains.

SVT323 | CIOZ, Ryan Murgatroyd, Lucas Castillo – Supermassive Whole

Cover Artwork CIOZ, Ryan Murgatroyd, Lucas Castillo – Supermassive Whole

Following up to his maiden transmission for the label, "Cosmic Silence", issued a year ago, Italian producer Alessandro Cozzolino AKA Cioz resurfaces on Stil vor Talent with his longed-for debut album "Supermassive Whole" - a ten-track cosmic odyssey in sound percolating staple elements of Cioz's palette of choice, from otherworldly techno to Latin-inflected house, via the obvious injection of kosmische and electronica soundscaping.

The lead single "Wachaka" - recorded in collaboration with Cape Town producer Ryan Murgatroyd, exemplifies Cozzolino's electrifying approach to a T. An inch-perfectly balanced mix of Afro-infused polyrhythmic bravura and seesawing synth moves, the track swells with a blazing fire at heart that keeps on sprawling infectiously with each and every bar. Trading the linear buildup for most sensuous levels of syncopation, "Me Monkey" serves up a warmer kind of funk, perfect for getting snug and cozy before an avalanche of seesawing chords up the ante towards space-opera-esque amplitude. All in elusive sinuosity and processed machine talk, "Harakat" dwells the confines of wonky house templates and polyamorous EBM, while "I Always Wanted To..." goes the slo-burning, counterclockwise route, primed for languid moments in the alcove.

"B1" is perhaps the most spitting avatar of the Italian whiz's hybrid rolling-and-pounding rhythmic style, nicely embodying both its quirky, hip-swaying and fanfare-like percussive aspects. The ecstatically bouncy "Do It The Way You Feel" showcases Cioz's more rousing, floor-friendly facet with a killer combo of hi-octane electro dynamics, pop-rock motif'd hooks and slashing breaks taking the controls. The mood also happens to be melancholic at times, such as on the beautifully understated "Is This Real", which bridges the gap betwixt piano-house déjà-vu - here tweaked to distinctively soul-wrenching effect, and a prog buildup glossed under a thick sauce of FX, similar to that of "Sudpol Birgit"'s inflating saturation in the post-prod treatment. Somewhat brushed with balearic shades in mind, "Pace e Amore" follows a more classic curve, slowly veering off onto ambient-laced territories, while "Lost in Space" evokes a certain idea of gravity-defying plenitude through that ever intuitive and subtly arranged collage of tender wistfulness and endless attraction towards the groove, which defines Cozzolino's phraseology so fittingly.

released December 16, 2022

SVT322 | Moonwalk – DUNE

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Fellow Italian duo and label habitués Moonwalk are back on Stil vor Talent with a two-track revenge of an EP, "Dune", right on cue for late summer festival action. Walking in the footsteps of their latest release on the label, "Different People", Dario Vizioli and Mauro Morabito turn up with a pair of cuts built for a mix of big-room rumble and spaced-out escapism, ready to sweep over the dancefloor with an all-engulfing deluge of cosmic brainwaves and Italo-influenced glissandos that keep on cranking the heat up a notch with every bar.

Charging first, the electrifying title-track "Dune" flings us into orbit through a compelling train-like crescendo primed for large arenas and peak-time momentums. Synth-fuelled poetics blazing and entangling along powerhouse bass leads, the track cavalcades straight onto otherworldly horizons, fierce and burning with an untamed fire. The zodiac-inspired "Aries" heads for a different destination with its jacking prog and intricate construction, trading Dune's linear ride for a further jagged, breaks-friendly trip into alien territories. True to their signature hybrid touch, Moonwalk deftly swings the pendulum between no-nonsense banging assets and a certain taste for steering ravers into altered states of consciousness.

released September 9, 2022

SVT321 | Annett Gapstream – ANNETT GAPSTREAM | LOCAL DIALECT

Cover Artwork Annett Gapstream – ANNETT GAPSTREAM | LOCAL DIALECT

For our next transmission, Stil vor Talent goes meridian-crossing, traveling from Berlin to New York with the talented likes of Annett Gapstream and Big Apple-based outfit Local Dialect for an epic round of IQ-endowed, stadium-sized body music.

Following on from her contribution to the label's 300th anniversary triptych last year, Gapstream serves up two climactic tracks marked by a highly cinematic character and packed with the kind of big-room firepower that'll get everyone on their knees no matter how early or late in the set. "All Over" strikes first, and dishes out a mix of liquid-like, dynamic chug rubbing shoulders with cavernous pads out a Gotham vigilante score. "Odds Are Good" trades the spacious, forward-rolling strut of the previous for a more jagged programming, fleshing it out with layers of cosmic arpeggios and trouble-brewing sub-bass onslaughts to brush a complete tableau of otherworldly escapism.

NYC's very own duo Local Dialect pick up the torch with two joints fusing a tribal approach to rhythm with next-level engineering. A true hybrid weapon, "Yaksha" blends in strains of classic prog techno and house, forging something of a compelling momentum lushly adorned with spiralling synths, stripped back to the absolute essential for enhanced floor-sweeping effect. "Gandharva" caps off the release on a more Italo-informed, EBM-ish vibe. Tapping in the genre's typical palette of bouncy arps and fast-paced bass stunts, it evolves into a proper astronautical epic, perfect for either an improvised voguing near the Sea of Serenity or busting moves at the end of a NASA module's robotic arm.

released August 12, 2022

SVT320 | Andy Anderson – System Breach

Cover Artwork Andy Anderson – System Breach

Have you seen him/her? Who's that dude/chick? Is he/she even for reals? A new persona adding his/her mysterious spin to Stil vor Talent's wide-ranging catalogue of sounds, Andy Anderson may or may not be. Behind the curtain, away from prying stares and unsubstantial hypes, Andy's character thrives. No marketed back story to be found here, only blazing bars of music from a ghost in production. Dwelling the digital hyper-jungle, our new signing has already earned himself accolades from real-life stage heroes including Solomun. Behind the alias, a non-robotic soul obviously lies - a well-known entity with flesh and bone actuality that is most certain, but we have been pledged not to reveal, so we'll keep it at that for now.

Andy's unexpected debut, "System Breach", is now ready to hack its way into your binary digits-ruled multiverse. Drawing first blood, the title-track itself is a no-frills, electrifying EBM-laced floor-sweeper that shall miss no hit in the ballroom. Bound to maintain maximum pressure on the ravers with its hi-intensity unloading of sub-bass thunder, sizzling synth whorls and heavy-duty, forward-tugging groove, this is body music at its rawest, most effectively smacking. "Mind Frequency" follows a similar route, upping the tempo one notch higher whilst making room for a more spacious buildup and arpeggiated, cosmic-friendly harmonics to expand as bars pull all stops in rapid fire. Ultimate number "In The Sky" caps the release on a playfully ominous, big-room-oriented note. Engineering a mix of dashing Knight Rider vibrations, 8-bit-influenced stabs, neo-classical flights and vocals reminiscent of Massive Attack's most haunting compositions, this is club music that packs both a serious punch and ultimately vibrant vision altogether. But hey, that doesn't answer our question: Who is Andy Anderson?

released July 15, 2022

SVT319 | Andy's Echo – Haze

Clocking in at number 319 in our catalogue, Hamburg's one and only Andy's Echo lands his debut offering for Stil vor Talent, "Haze" EP. Through three tracks connecting the dots between propulsive floor weaponry, neon-spattered 80s vibrations and future-facing synthsmithery, Andy's Echo takes us for a cosmic jaunt across hi-NRG magnetic fields and further poignant harmonic expanses. Lead-single "Haze" feat. Propellar kicks things off pedal-to-the-metal with its cascading onslaughts of blazing arpeggios, FX-coated guitar riffs and sub-bass tectonic shifts, easing us in a distinct continuum of otherworldly pop and iron-pumping electro grooves. Euphoria-inducing, oblivion-awakening material for terranean dwellers and not.

Veering off into further country-infused sonic territories at first, "See Me Fall" starts off as a slower, more downbeat ride to better harness a wilder, big-room-oriented kind of swing as bars run by. Quite possibly the perfect after-party roller, but we'll leave you judge as to the ideal setting for it to be experienced, this one has "beach sunrise" written all over it. Just saying. Adding his spin to the latter, Berlin-based vibist Yannek Maunz morphs the original into a more subdued ballad all around, trading the exuberant build-up of the matrix for a darker, more minimal headspace flush with laser-guided arps and raucous bass calls from the deep. The epitome of a clinical, no-miss DJ weapon if anything.

released June 17, 2022

SVT318 | Township Rebellion – Doppler

Cover Artwork Township Rebellion – Doppler

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About a year on since their last incursion on the label, acclaimed German duo Township Rebellion resurface on Stil vor Talent with a fresh new three-tracker, right on cue for the busy festival season ahead. Titled "Doppler" after the EP's eponymous lead-track, this new effort also comprises two previously released cuts remastered to further compelling effect, bound to make quite the impact on the dance floor with their all new, fully revitalized sound design. Music to sync your brainwaves and jack your body to, unremittingly.

As per each occurrence, Township Rebellion show themselves eager to take over the clubs' sound systems with optimum style and firepower, and "Doppler" sure attests to their inimitably floor-efficient approach. The lead single "Doppler" is no stranger to Arthur Wagner and Marlon Mürle's signature blends, flush with tribal-infused motifs, peak time cliff-hangers and thunderous outbursts all set against a progressive epic of soaring synths and skull-crushing kick drums. Dwelling the interzone between pure big-room banger territories and unpredictable drifts into wider, open-ended electronic realms, their music eschews classification, forever that nomad sound roaming the confines of DJ functionality and frame-breaking otherworldliness.

Both presented in sharper-than-ever remastered versions, "Baud" and "About A Tribe" makes for perfect contrapuntal companions to the electrifying, broad scale epic that is "Doppler". An ominous call rallying all souls eager to sail off onto higher raving spheres, "Baud" leaves no stone unturned in its machiavellian plan to merge all dancers in one throbbing mass of energy. Meanwhile, "About A Tribe" showcases the pair's intuitive attraction towards mystique-imbued folk music and polyphonic rhythms, infusing that soulful melodic search into a blazing maelstrom of hi-tech electronic engineering, piano-house addiction and wistful, post-trancey hypnosis that will have you climbing the stairs of euphoria on your hands thru and thru.

released May 20, 2022

SVT317 | Gespona – Kune

A new talent adding his name to the Stil vor Talent history book and one bound to conquer even vaster crowds and territories in the coming months, Spanish up-and-comer Gespona lands his debut EP for us, "Kune". Comprising four expressions of his straight out addictive floor blends, hybridising the throbbing heat of bass-charged earworms and rhythms, Gespona delivers a strikingly mature maiden effort that makes the rounds betwixt epic-sized momentums and jam-packed club intimacy.

Lighting up the path, the exhilarating "Akiris" (feat. NonReal) sets the tone with a magmatic fusion of rugged EBM jack, stealth subterranean vibes and callously sensual arpeggios on a mission, primed for whipping up a frenzy across all of the club's rooms. The further syncopated "Okazi" (feat. Amadori) deftly shifts through hi-intensity martial marching, back again in the now to better feel the fast-transporting nature of Gespona's sound.

Title-track "Kune" goes for a more furtive approach, starting off like this season's umpteenth sub-bassy tech-house pumper, then rapidly morphing into an iron-and-steel body-jacker a la Woolford. All in distortions and FX-loaded wizardry, this is music to basically lose your sh*t to. Positively so. A team effort with Agustin Giri, "Rektaj" rounds off the parade with power and rage, deploying its menacing wings like a bloodthirsty vigilante in search for its next criminal prey. The result is a synth-splashed, hard-hitting churner designed to pace the streets of Gotham at fierce, breakneck rate.

released June 3, 2022

SVT316 | Kadosh – Unanimously

Preceded by the successive releases of lead singles "Sandcastles" and "My Mind", here comes the versatile debut full-length offering from Tel-Aviv-based producer Kadosh on Stil vor Talent, "Unanimously". Bridging the club universe with that of deeper, further immersive off-floor narratives, Kadosh entices us down a compelling path of rhythmic enlightenment and all-embracing togetherness. Casting mutable strains of EBM, house, pop and exotica entangled in one dizzying polyphony throughout the album, the Israeli vibist has us surfing our way across his musical headspace effortlessly.

From the stealth, neo-noir-like opening sequence of "Interstellar" feat. Marc Piñol to the epic Luso-Italo vibrations of "Sandcastles" feat. vocal hoodooist Abrão, via the exquisite Afro-informed piano house and all-round atmospheric luxuriance of "My Mind" feat. Floyd Lavine and Erika Krall's supremely smooth yet characterful timbre, Kadosh swings the pendulum with constant surprise and bravura. Aside from his compositions' obvious hooking nature, there's also great lots of textural back funk to dive in at every corner. Hauntingly transporting, "From Jaffa to Frederichshain" feat. Upon You's Marco Resmann works a more jagged programming, flush with big-room reverbs and muted drums, while the slo-evolving "Pronto" feat. Emanuel Satie morphs from a low-key DJ tool into a full-fledged, melancholy-charged peak-time burner.

Bearing both Kadosh and David Mayer's signature, "1999" lets the 80s-inherited arsenal of iridescent Casio synths and lashing percussions talk in unhindered fashion, whereas "Volantage" feat. Murat Uncuoglu goes all in on the trampling kicks, sooty claps and prismatic keyboard stabs. Sensual to the fullest, "Moran" in collaboration with Rodriguez Jr. is certainly one of the album's highlights with its impeccably laid-down melange of bassy thunder and shapely Latin rhythmic backbone ushering us down an irresistibly poignant and hypnotic tunnel of sound. A joint effort with Locked Groove, "Far Too Close" is a further loopy discoid affair reminiscent of the French filtered-house scene's heyday, while the album's closer "Think it Over" feat. Stereo MC's is that perfect pop-indebted electro chugger that'll rev up any tired engine with reinvigorated, ecstasy-inducing horsepower.

released August 26, 2022

SVT315 | Tim Engelhardt – Firestorm

Cover Artwork Tim Engelhardt – Firestorm

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Following up to his 2020-released sophomore album "Idiosynkrasia", Tim Engelhardt reemerges on Stil vor Talent with his new single, "Firestorm". Putting forth the widescreen poetic vision that has been flowing across his previous releases with an ever-fresh and adventurous approach, this Janus-faced new iteration from Tim fuses two distinct facets of the producer's output - one darker, more subdued, the other out-there and solar.

Rolling hips with unabashed swagger, "Momentary" paves the way with a balanced mix of martial marching rhythms and floating keyboard melody tinged with a touch of Oriental chords. Slowly but surely hatching into a bespoke big-room churner as bars run by, the track offers moments of graceful escapism while steadily fanning the groove's flames so the fire doesn't go out, ever. Subtle yet grandiose, a piece of masterly executed electronics that definitely lacks no emotional power of agility.

Draped in opaque shades of neo-classical harmonics, blazing with poignant violins, folk-pop-laced vocals and next-gen synth wizardry, the lead-track "Firestorm" oozes an ambiguous mix of dynamic strength and spiralling melancholy. A suspended moment unmoored by time and space, this is music to shiver and dream your life away to, equipped with the right amount of bass and club-focused assets to have any dance floor zoning out in its own cozy bubble of nostalgia-fuelled resilience.

released May 6, 2022

SVT314 | Fabian Krooss – Higher State

Cover Artwork Fabian Krooss – Higher State

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Hot on the heels of his recent "Planet D" EP, label stalwart Fabian Krooss returns to Stil vor Talent with his anticipated new release, "Higher State". Featuring all of that elementary Krooss-copyrighted sound palette, this new effort finds the Berlin producer exploring further ahead the concepts of minimal trompe-l'oeil and electro-acoustic roguishness that flowed across his previous iterations, resulting in an ever streamlined, pared-to-the-essential quartet of club-ready cuts. Surgically executed and bound to get all booties shaking in a two-mile radius.

Drenched in reverbs and machinic processes, "Unchained" draws first blood with its engineering of bubbling bass onslaughts and steel-clad percussions going hard against nostalgic swashes of brittle chimes and flat chords. One foot in a celestial paradise of sorts, the other wading in a sea of molten metal. A subdued dub affair laced with big-room focused electroid tendencies at first, "Higher State" progressively trades that chaotic opening for a steadier momentum, getting each bar tidy for the accordion-like home run to exhale its flavours with optimal results.

Hips wiggling and feet shuffling, the bouncy, tropical-hot "Frechdachs" is no straight walker but rather well a cheerful churner primed for metronome-busting action down the mosh pit. Sway, roll, shake off the dust from your shoes and repeat. Final number "In Between" caps it off in sheer mesmeric Andalusian-style. Serving up an oddball mix of FX-riddled, raucous electronics and refined Spanish guitar riffs, it's a feast for the senses that unfolds, deep and lush as it gets. Fabian Krooss in top shape, as ever.

released April 15, 2022

SVT313 | Hidden Empire – Signals

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Hot on the heels of their 2021-issued sophomore album, "Lost Spirits", German duo Hidden Empire clock back in on SVT with "Signals", their new triple menace of an EP inbound for extensive action across the dance floors this spring and summer. True to the lush and pulsating, stadium-sized vibes that innervate all of their previous outings, this new delivery puts forth the pair's nonpareil knack for weaving ambitious club narratives both intricately conceived and organically enjoyable right off the bat. A new benchmark release for an outfit that withstands the all too overused coinage of "all killer no filler" with this hard-to-resist triplet of natural belters.

Leading the way, the doped-up title-track "Signals" goes straight for the jugular with a raucous, pressurised bass paving the way and steel-clad percussions pulling out bone-obliterating punches from the blue, geared and processed to circuit-blazing efficiency. Subtler in style, "Comoja" trades the all-out nasty robotic swagger of the opener for a more spacious kind of headspace, fusing the syncopated charm of Afro-informed polyrhythmic bursts with streamlined deep house envelopes to elevate each and every molecule of your being into rapturous plenitude. Back to a less ethereal, harder-hitting EBM/Newbeat-ish state of mind, "Alright" wraps up the journey on a hi-NRG, Knight Rider-friendly type of treat, lacing it with soulful vox and church-like choirs that give the track a perfect balance between heavyweight pound and vaporous breaks.

released April 1, 2022

SVT312 | SKALA – LIQUID GOLD

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Following her maiden contribution to our 300th milestone VA issued a couple of months ago, Berlin-based SKALA clocks in on Stil vor Talent with her debut solo effort, "Liquid Gold". A three-track alchemy of sultry atmospherics, shamanic brainwaves and further spaced-out, big-room-focused momentums, this EP resounds as a statement of style from a burgeoning artist in the process of establishing her non-pareil voice in our scene.

Breaking the EP in, the mystique-friendly title-track "Liquid Gold" taps in a seam of slo-burning, folk-informed house and laces it with future-ready engineerings. Imagine stepping in a smoke-shrouded den where your body and soul make one with that of the crowd's, glowing silhouettes stretching their odd contours out convulsive tides of stroboscopic lights and steamy emanations from the jam-packed engine room.

The second cut doesn't drift much farther from that sensually dark, night-loving ambience made hers by SKALA. Out of a similar palette of ominous machine spurts and hip-swaying, metronomic swagger, the vibes pour in to incendiary effect. "Ivory" rounds it off on an even wilder, more menacingly ambivalent note, doing the splits between a brittle, melancholy-infused melody and a trampling groove, tailored to march over the club with maximal tonnage.
credits

released March 4, 2022

SVT311 | Sam Shure – Malfunction

A true driving force of the Stil vor Talent fold since the landing of his debut EP "Nandoo" in 2018, Sam Shure has cemented his position as one of today's finest names when it comes to shape shifting , polyamorous soundscapes. Using his background in traditional music to take club music into unheard directions, Sam keeps carving out a lane of his own, and his newest four-track delivery for Stil vor Talent - "Malfunction" - proves a new tour de force in his quest for time and space-transcending material.

Merging middle-eastern melodic tropes with the most cutting-edge arsenal of circuit-driven chatter, the title-track pulls out an infectious metronomic swagger adorned with EBM-friendly cascades of shimmering bleeps and raging drums that keep on swelling as bars fly by. Doped on fly, chiselled breaks and a fractalised sound design rife with fractured vocal samples, "Permutation" flings us in a furnace of flash-flowing, mangled synth ellipses and bone-bruising bass moves that'll have you hard-pressed to find your way back to the surface.

Not one to crank it down one inch for real, "Attenuator" does the very opposite of its name, except perhaps for its more understated, deep-end-friendly approach. Going the dubbier way, this one finds Shure boasting the width of his skills and ever-sharp knack for cutting riveting slabs of pared-down psychedelia. Topping it off, "Sopra il Mondo (featuring Francesca Siano)" is a straightforward roller tinged with Shure's broad palette of jazzy inflections, Latin neo-classicism and oriental harmonics. A correspondingly ambitious and inspired closer to a new master stroke from an artist in full possession of his art.
Merging middle-eastern melodic tropes with the most cutting-edge arsenal of circuit-driven chatter, the title-track pulls out an infectious metronomic swagger adorned with EBM-friendly cascades of shimmering bleeps and raging drums that keep on swelling as bars fly by. Doped on fly, chiselled breaks and a fractalised sound design rife with fractured vocal samples, "Permutation" flings us in a furnace of flash-flowing, mangled synth ellipses and bone-bruising bass moves that'll have you hard-pressed to find your way back to the surface.

Not one to crank it down one inch for real, "Attenuator" does the very opposite of its name, except perhaps for its more understated, deep-end-friendly approach. Going the dubbier way, this one finds Shure boasting the width of his skills and ever-sharp knack for cutting riveting slabs of pared-down psychedelia. Topping it off, "Sopra il Mondo (featuring Francesca Siano)" is a straightforward roller tinged with Shure's broad palette of jazzy inflections, Latin neo-classicism and oriental harmonics. A correspondingly ambitious and inspired closer to a new master stroke from an artist in full possession of his art.

SVT309 | Niko Schwind – Inner Sky

Hot on the heels of his latest Amari EP for A Tribe Called Kotori, Niko Schwind turns up on the Stil vor Talent mother ship with his next effort, Inner Sky - a shape-shifting three-track venture into the deeper end of our bespoke club music niche, featuring an array of studio collaborators, including Beacon Bloom, Deer Jade and Xique-Xique. Known for his silken production touch and impeccable tune-making savoir-faire, Schwind breathes his intuitive beat science and build-up wizardry into a triangle of cuts to dance, live and make love to.

Giving its name to the EP, Inner Sky featuring Beacon Bloom is a sense-awakening voyage, but also a quest for serenity and soul-searching depth of meaning. Triggering off a lasting sense of heightened plenitude through a minutely woven sound design and ASMR-friendly use of the vocals, Schwinds micro-odyssey encapsulates all the flavours and complexity of a true electro-pop epic, built to withstands a million listens and still bring its lot to the table.

A joint effort with SVT and Gardens of Babylon staple Deer Jade, Imhotep entangles pure euphoric prog folds alongside whorls of space-discoid escapism and 90s-infused, post-trancey chromatic distortions. Co-composed with Brazils Xique Xique, Stellar trades the all-out positivity of the previous for a more nuanced, darkness-dwelling approach. As a processed voice entices us in a dim-lit corridor where odd silhouettes and smoke-clad faces emerge from stroboscopic beams, Schwind grants us a one-way trip into the zone. Its time to cast off.

Artwork by Lisa Wassmann

SVT308 | Oliver Koletzki – Made Of Wood Remixed

Cover Artwork Oliver Koletzki – Made Of Wood Remixed

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Published earlier this year, Stil vor Talent main operator Oliver Koletzkis ninth studio full-length Made of Wood" gets the remix treatment courtesy of label staples Super Flu, Fabian Krooss, AFFKT and newcomer Kunterweiß, each of whom add their distinctively vivid and elegant spin to Koletzkis tribal-informed, drum-centric narratives.

First in line, high-profile Halle duo Super Flu takes on the desert caravan groove of Copal with a deluge of sub-heavy gunnery, processed oud, darbukas and incantatory whispers weaving a mist-shrouded tableau of hi-tech shamanic ritualism primed for climactic big-room use. SVT alum Fabian Krooss then tweaks the nostalgia-drenched Picture (feat. Judith Ahrends) into an infinitely sleek, smooth-tongued delight of whirling electronics and enticingly hypnotic pop motifs - perfect for either sunrise or sunset limb-shaking with your loved one. Or a good, healthy cry too.

Back to a hyper dynamic mindset, AFFKTs hi-octane reshape of Made of Cashmere goes straight for the jugular with its paced-up EBM meets electro-rock momentum. A savage groove paves the way and its a no-nonsense thunder of raucous riffs and cosmic arpeggios that awaits for the dance-floor. But are they ready? Going the more intimate path, Kunterweiß rounds it off with a muted downtempo revisit of La Veleta, meshing the slo-blazing suavity of the slap bass with Andean flutes and an enhanced focus on faux-organic textures and envelopes to lose yourself in.

SVT307 | Tal Fussman – Underneath The Surface

Cover Artwork Tal Fussman – Underneath The Surface

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Up with his first foray on the label is on-the-rise talent, Tal Fussman. On the cusp of real big things, the Tel-Aviv via Berlin-based producer has already seen his tracks be charted by top-of-the-line jockeys and selectors including Dixon, Âme and Trikk. His debut incursion on Stil vor Talent, Underneath The Surface, puts on offer three versatile cuts, each of which displays a distinct and fascinating facet to Fussmans richly hued musical realm.

Breaking the EP in, the title track puts forth a cold and frothing EBM signature. Built around pared-down samba-like syncopations and gridlocked drum architectonics, the track lays maximal emphasis on fluctuating layers of raucous machine spurts and sizzling portamentos geared to set the sound systems circuits ablaze.

Protocol then swerves onto further epic Italoid territories with warehouse-sized ambition, arpeggiated synths and piano stabs merging into an iridescent symphony of sorts, before Truth takes an unsuspected U-turn towards breaksy atmospherism and sleek, RnB-laced soulfulness. The perfect departure tune to an EP that finds Fussman showcasing the impressive breadth of his artistic palette.

SVT306 | Daniele Di Martino – Naos

A regular contributor to our compilations throughout the past few years, Berlins Daniele Di Martino punches back in on Stil vor Talent with his anticipated new solo effort, Naos, a four-track voyage casting its net far and wide from pared-down techno hypnotics to flat out elegiac epics, via body-jacking onslaughts he holds the secret of. Ushering us into distinctly emotional yet hyper-dynamic narrative arcs built for extensive DJ use, the EP merges Di Martinos surefire taste for deep, sunken electronics and all-engulfing swells of sound at once.

Striking first, Naos steers its listener in an EBM black mess of roaring synths arpeggios, menacing basswaves and processed incantations. Poisonously addictive floor-melter inbound. A bespoke prog-minded roller turned wild robotic hijack, Zirkon feat. Tony Casanova shifts the scope towards hi-intensity buildup engineering with clinical precision. Elbrus then veers off into further deep-diving melodic grounds, pulling out a nostalgia-based elixir of dubbed-out textures, shy synth eruptions and muted drumwork. Finally, Ablish beams us up to vaster expanses, flush with prismatic glissandos, peroxide pads and gridlocked percs beating a lush discoid pulse.

SVT305 | Yetti Meissner – Triangulum

Cover Artwork Yetti Meissner – Triangulum

Resident DJ at the infamous Sisyphos, a baroque party haven sitting on the outskirts of Berlin, Yetti Meissner returns to SVT with her debut solo EP, Triangulum, following in the footsteps of her first foray on the label, Nadir, released as part of our 15th anniversary compilation. The EP comes complete with a pair of remixes courtesy of Ravensburgs Shadym and ex-metal head turned electronic producer, exploSpirit.

Packing the hedonistic kernel and commanding voltage shes come to harness in her sets, Triangulum puts on display a wide array of Meissners skillset, starting with the unflinching pound of Centrifugal Force - a bone-bruising opener that makes every bar feel like a re-compression stop. A full-fledged hard-hitter primed for muscular floor workouts, Zenith laser-cuts a path of Dionysian frenzy amongst ravers with its hi-intensity mixture of cavernous bass, red-zone sirens and relentless hi-hat shuffle.

Taking over with a doped-up warehouse smasher of near illicit ilk, Shadym flings us in the boiler without further ado. Tempo upped to the rowdiest levels of trancey motion, bass thundering with ominous power in the background, expect a wilder-than-wild treat for - all - your senses. Enrolled to revamp Zenith, exploSpirit ushers us in a Gotham-esque sound scenario, flush with brooding delayed drums and cold hall reverbs. The result is a big-room dub hybrid, a piece of textural immersion and a real havoc-wreaker by the book.

SVT304 | Chosen Sides – Holly North

Cover Artwork Chosen Sides – Holly North

Up-and-coming talent Holly North steps in with his debut four-track EP on SVT. Having transitioned from a classical training in music towards the hypermodern potentialities of the club sound, Chosen Sides exhibits the young Berlin producers constant search for instantly impactful melodies and trance-inducing climaxes.

A case of outer spatial melancholy, 'Longing' starts off as a slo-hatching roller that aims for nothing but the vastness of greater summits. Reeling out in sustained glissandos and cascades of iridescent synth shades, the track guzzles us in a vortex of wistful grace. 'Bridges and Walls' calls in further dynamic waves of keyboard jitter and multi-level machine talk, delayed arpeggios and dubbed-out bleeps blazing from the deeper end up to the sleek surface of its vivid synth tapestries with unrestrained ease.

Off-Piste moves the cursor back to a more inward-gazing kind of headspace with its dream pop-inherited buildup, unrelenting swing and laid-back pads oozing a most idyllic late summer vibe. Tracing further downbeat motifs onto a wide-screen electronica lay-out, In My Head melds the brittleness of piano with the thunderous power of a bassy storm to come, perfect for when the after needs a bit of a groove tightening without jeopardising its smooth, frictionless raison dêtre.

SVT303X | Deorbiting – Serenity

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First extract lifted from Deorbitings anticipated new full-length, Space House, here comes the German duos lead single Serenity featuring HRRSN on vocals, complete with a surgical reshape courtesy of on-the-rise Tel-Aviv via Berlin-based floor-buster and SVT alum, Tal Fussman.

Melding the soft, smooth-tongued timbre of vocalist HRRSN with refined electro-acoustic arrangements and a bespoke, floor-friendly rhythmic construction,Serenity eases us in a spacious cocoon of sound where pop-informed wistfulness rubs shoulders with swashes of scope-expanding, meditation-friendly escapism.

Further intricate by nature, Tal Fussmans rework trades the originals linearity for polyrhythmic ambivalence without stripping it bare of its momentum and subdued wildness at heart, ushering us in a realm of symbiotic belonging and haunting hopefulness, like an ode to the impermanence of things and a feeling cry of love to cling by through the harshest of times.

Artwork by Chrisse Kunst

SVT303 | Deorbiting – Space House

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Core elements to the Stil vor Talent catalogue since the landing of their debut LP Paranorama in 2018, Berlin-based outfit Deorbiting, real name Christian Schilgen and Christoph Deckert, make an anticipated comeback with their debut album, Space House.
A fourteen-piece Moebius strip of minutely designed textural synthesis, kinetic dazzle and otherworldly evasion.

Bound for the greater limits of our world, Space House sounds out the multi-dimensional gaps and crannies between kosmische, deep house, EBM and electronica through an array of cuts operating as so many portals into the duo's trademark widescreen explorations. Setting course on uncharted territories, Deorbiting take us on a slo-blooming interstellar journey, moving from the cottony weightlessness of space operaed ambient of its interludes to smouldering floor weaponry effortlessly, tying functionality with narrative cohesion throughout.

Here, pop-informed motifs languidly rub shoulders with a sense of cosmo-symbiotic club euphoria that peeps as much towards the eerie warmth of 80s synthwave as it glances at hypermodern minimalism with an acute ear for what makes clubbers boogie to optimal effect. Suffused with robotic vox a la Space Art and spacious padwork, Das Kosmische Ballett and Spaziergang Im All" are riveting odes to intergalactic escapism, while The Journey and World Apart beam us straight back to the VHS era with their lush Casio synths and catchy riffs pouring mellifluously.

Melding the soft, smooth-tongued timbre of vocalist HRRSN with refined electro-acoustic arrangements and a bespoke, floor-friendly rhythmic construction,Serenity eases us in a spacious cocoon of sound, as Radio Radio feat. Ira Atari trades the calmer atmospheric side for soft-spoken yet incendiary club apparatus, i.e. fast-cascading keys, woofer-blasting bass and infectious whispers. All instrumental, bass-loaded combers Total Recall and the even sturdier, utterly no-nonsense Solid State grant maximal impact when they enter the melee, complete with the assets to tie the body and mind in one magic spiral of euphoric plenitude.

released March 18, 2022

SVT302 | Collective States I The Journey – Collective States I The Journey

Cover Artwork Collective States I The Journey – Collective States I The Journey

At the helm of Stil vor Talent's newest split transmission are two geographically opposed production units, Collective States and The Journey, respectively hailing from the UK and Australia. Reunited through their shared attraction towards empirically rich dance-floor experiences and ambitious big-room buildups, both outfits have been hammering out an ubiquitous sonic imprint, prodding just as much at functional floor-busting service as it cuts open widescreen vistas for spacious contemplation and further off-kilter, genre-unbound divagations.

Collective States strike first with two joints tapping in a similar seam; breaking the EP in, Chemical Reaction a collaboration with female duo Pablo:Rita that reels out as a proper warehouse-oriented epic - steeped in an effervescing bath of Moroder-esque bass surges, neck-snapping breaks and swelling prog motifs. Then comes the even nervier Resurrection, a hard-hitting comber of retro-futuristic, dark wave-laced frenzy, sure to take dance floors by storm. Nightly to the core, darbukkahs and stealth sonar bleeps blazing under the sign of stroboscopic absolution.

Dwelling the flip are two slices of slo-cooked, Afro funk-infused deep house by Melburnian duo, The Journey. The original mix of Winter lets the drums do the talk, hi-hats and snares beating a feverish tempo as iridescent pads scud over untamed beds of smoking bass and shamanic incantations billowing out in the Aether. A vibrantly immersive tableau to carefreely wander in, interspersed with lush webs of rainforest field recordings, kalimba notes and poignant tribal chants, Bebettas reshape eventually guides us out for a much emotional ride, from exhilarating heights down the wilder recesses of uncharted mystic territories.

SVT301 | Township Rebellion – 혼돈 과 질서

Cover Artwork Township Rebellion – 혼돈 과 질서

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One year on since the release of their latest EP, “Rituals”, German flagship duo Township Rebellion returns to SVT with “혼돈 과 질서” (“Chaos and Order” in Korean). Clad in some kind of sci-fi-indebted dystopian - yet no hopeless - scenario, the twofold EP summons ambiguous visions of a world caught in limbo between technologically advanced societies bound to collapse and ambitions for a brighter future through enhanced levels of empathy and understanding that long to surface.

First is “Chaos”, a slo-blooming roller that steadily swells towards proper club epicness as its arpeggios unfold. Tapping into 80s-laced, Moroder-friendly Italo with a train-like electro-swing for the main conductor, the cut reels out like the soundtrack to a bumpy otherworldly dream where shapes, colours and sounds entangle in a cosmogonic ballet of sorts. Flip sides and here is the steely, yoking counterpart to TR’s free-flowing opener, “Order”. Flexing its metal muscles and giving maximum room to martial kicks and AI-implemented programming, the track reels out like a brooding call-to-arms, merging thunderous echoes with a truly enslaving gridlocked groove.

Artwork by Dennis Müller

SVT300Z | Various artistss – Stil vor Talent 300 | Part 3

Cover Artwork Various artistss – Stil vor Talent 300 | Part 3

Over fifteen years since the launch of SVT, August 2021 will see us celebrate an important milestone with the release of our 300th instalment. For the occasion, we gathered the most solid cast of fellow music partners, either old chaps or new faces to the label’s far-reaching catalogue of sound. Covering the widest spectrum, from purely floor-dedicated weaponry to off-piste meanderings, through hybrid explorations and hi-velocity momentums, this triple package pledges to exhibit our stance and direction as a witness of our - musical - era.

Who other than SVT founder Oliver Koletzki could possibly open that third and last instalment, we’re asking you. And to say the least, things get straight out funky from the first second on. Carried by the anthemic call of its title, “Get On The Bus” urges you to join us onboard the disco ship and boogie down as it ought to be, showering the floor under cascades of trumpeting brass, outrageously sensual slap bass and heightened drums. Deorbiting’s coastal daydream “Oceandrive Miami 84” has us surfing a chill wave complete with the prismatic synths and 80s-laced arpeggios out a Miami Vice episode.

Deer Jade’s lushly forested “Perfect Place Perfect Time” knits a dreamy web for you to lose yourself in, fusing ASMR-like speech with effervescing tribal house rhythms and brittle pop harmonics. With “Godana”, Daniel Rateuke invites us to lose track of the beaten path and venture into a kaleidoscopic network of distorted percussions and Afro-futuristic minimalism. Going down a more syncopated route, Kellerkind’s sliced-and-diced weapon “Back On Track” merges the rousing power of step music, piano house poetics and vintage machinery to get its funky message across.

A finely woven slab of the non-formulaic micro house with a strong organic feel, Fabian Krooss' “Picking Nuts” paints the sky with all kinds of vibrant shades, from iridescent steel pans to tapping drums, via bewitched computer scripts. For their part, Niko Schwind and Felix Raphael contribute the slow-burning “Last Intersection” - a ghostly roller dwelling the frontier between sorrowful downtempo and mystique-imbued melodic techno. Last but not least, Polaroit's “Distortion Jungle” wraps the record on a distinctly off-beat kind of jack, throwing back to back short-lived, dysphoric piano stabs with heavily processed synth ellipses and raw bass anamorphosis.

Artwork by Ruslan Vyaltsev https://www.instagram.com/rvyaltsevvvvv/

SVT300Y | Various artists – Stil vor Talent 300 | Part 2

Cover Artwork Various artists – Stil vor Talent 300 | Part 2

Over fifteen years since the launch of SVT, August 2021 will see us celebrate an important milestone with the release of our 300th instalment. For the occasion, we gathered the most solid cast of fellow music partners, either old chaps or new faces to the label’s far-reaching catalogue of sound. Covering the widest spectrum, from purely floor-dedicated weaponry to off-piste meanderings, through hybrid explorations and hi-velocity momentums, this triple package pledges to exhibit our stance and direction as a witness of our - musical - era.

Hot on the heels of the first volume released a few days ago, here comes episode two of our special #300 triple package. Turkish outfit Lunar Plane strikes first with the big-room-friendly “Aegean”, a bespoke minimal chugger traversing various moodscapes as it unfurls; from incantatory voice samples to melancholy-soaked breaks, through enslaving synth hooks and hectic drops. Township Rebellion’s sonic uppercut “About A Tribe” picks up the torch with poise and swagger, delivering a proper hypnotic slice of Afro folk-suffused techno bound to teleport you to distant times and geography in one snap of the finger - or one clap of the hand if anything.

Going in with the sizzling and smoothly jacking “Dichotomy Of Control", Tim Engelhardt sets the course on emotionally dystopian islands and coves. Letting the light break through a dark tunnel of robotic diktat, the producer gives his track an essentially hopeful breath and drive that keep on giving bar after bar. “On The Run” finds Annett Gapstream exploring intensely epic expanses where thunderous echoes entangle with finespun melodic accents and throbbing drum programming. Swerving onto further languorous Italo-disco horizons, Elif’s “Juno” puts on a captivating mix of cosmic arpeggiator, hushed vox and subterranean groove.

Bjoern Stoerig's “KOF” could well be the brainchild of Stephan Bodzin and Pantha du Prince, with its sub-bass making waves in the low-end of the spectrum and washed-out oneirism beaming us up to a vast, barren headspace where Stoerig’s music weaves its way gently across endless pinewoods and secret clearings. Back to a hustling tempo and mood, Jiggler & Vincent Marlice “Union” tops it all off on a playfully bouncy mindset, ushering us in a dancing circle of pop-indebted vocals, laid-back oriental pads and mesmeric synth loops. A truly tripped-out jaunt, perfect for waving your arms as the sun rises past the sleepy skyline and high above the entranced crowd, you’re making one with.

Artwork by Ruslan Vyaltsev https://www.instagram.com/rvyaltsevvvvv/

SVT300X | Various artists – Stil vor Talent 300 | Part 1

Cover Artwork Various artists – Stil vor Talent 300 | Part 1

Over fifteen years since the launch of SVT, August 2021 will see us celebrate an important milestone with the release of our 300th instalment. For the occasion, we gathered the most solid cast of fellow music partners, either old chaps or new faces to the label’s far-reaching catalogue of sound. Covering the widest spectrum, from purely floor-dedicated weaponry to off-piste meanderings, through hybrid explorations and hi-velocity momentums, this triple package pledges to exhibit our stance and direction as a witness of our - musical - era.

Clocking in at first position on the triad’s debut volume, label habitué Sam Shure serves up a hi-pressure, Middle-Eastern-flavoured club epic for the opener. Oozing a strong mix of frankincense, myrrh and thick-boned EBM-friendly punch, the track reels out as a hypnotic fractal tailored to catch everyone in its sticky web of bass-heavy gimmicks. Back after their debut LP, “Symbiosis”, released earlier this year on SVT, Buenos-Aires outfit Brigado Crew joins forces with Ubbah on a monster vocodized chugger headed for outer space.

SKALA follows up with the deeply atmospheric “Voices of Eqi”, a track merging brooding spectrality, obsessive synth hooks and truly pumping dynamics. Longtime friends and collaborators Hidden Empire contribute a slice of their instrumentally rich and nuanced buildups with the hair-raising “Baba Ghanoush”, whilst Arnas D & Lake Avalon treat us to a feverish roller-coaster of a tune with the earwormy “Cordial”, all in muscular bass arpeggios, pop-infused vocals and nostalgia-drenched melodic counterpoints.

Shifting the scope towards more syncopated material, Aurka’s “Pyrolisis” sends us off into upper spheres of consciousness with a sensitive melange of keen distortions a la James Holden and Border Community fam alike, and further spacious, non-formulaic minimalism. A straight-out club-focused affair, Henri Bergmann’s "Mercura” aims for nothing but to trigger utter communicative ecstasy amongst ravers and dreamers, whereas the opening episode’s closer “Deion”, courtesy of Boy Next Door, cranks up the speed a notch further with its fast-hitting deployment of stadium-sized synth lines and end-to-end hectic, yet erogenous crescendo.

Artwork by Ruslan Vyaltsev https://www.instagram.com/rvyaltsevvvvv/

SVT299 | Alex Medina – Calma Infinita

Cover Artwork Alex Medina – Calma Infinita

Tirelessly toying and fiddling with electronic matter to better connect with his inner demon for music, chameleonic vibist Alex Medina turns up on SVT with the polyamorous “Calma Infinita”. As ever attracted towards the versatile side of electronics, which allows him to join the dots betwixt atmospheric immersion and pure floor functionality, Alex serves up a burning four-track jaunt that spans everything from paced-up electro scapes to sultry futuristic ambiences, via poetry-indebted tribalism.

Breaking into the fiery swing of the title track “Calma Infinita”, which propels us headfirst into a smouldering furnace where strident arpeggios and hi-velocity basswork entangle in a crazed ballet of sorts, the EP organically ebbs and flows between nasty club-dedicated salvos and soul-searching abstraction.

Inspired by the poetry of the late Chilean poet, “Neruda’s Breath” (featuring Alex’s wife Elna on vocals) treats us to a brooding mix of cross-pollinated syncopation and utter Latin sensuality, presented in both beat-invigorated and drumless version to better feel the flow of the words laid down over cascades of obsessive synth lines. For its part, the hot-as-gets “Entre Dos Mares” ushers us in a hedonistic floor scenario, halfway Cuban jazz and Flamenco suavity, encapsulating most of the delectably eclectic, boundary-pushing flavours attached to Medina’s ever fresh and bold take on so-called club music.

Artwork by Maxi Galgenmaier

SVT298 | Kellerkind – The Pictures

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Hot on the heels of his recent full-length “Mindtrip” issued last year on SVT, label stalwart Kellerkind turns in a fresh four-track transmission primed for open-air summer epics and extended sessions of soulful uplift. Named after his father’s band, “The Pictures” rustles across Marco Biagini’s warm sound palette far and wide, from velveteen shades to hair-raising momentums, through entwined polyrhythmic structures and incendiary synth dash.

Title-track “The Pictures” engineers a lush melange of left-of-centre guitar riffs, rattling drums and emotional piano, soon making room for jaunty keyboards to bloom with uncluttered amplitude. Second is “Dunun”, a tropical-hot joint brewing fevered batucada drums with a muscular bass, roaring electro swing and eerie demon voices surfacing from deep out a mystic forest. An overwhelmingly emotional house number, “Hope” aims for the stadium with its hectic crescendo guiding us across equally dark and luminous meanders of sound, full with a pulsating flow of piano stabs, oscillating synthlines and haunting coloratura. Scanning the gap betwixt trip-hop, nu-jazz and shuffling house, closing cut “Early Morning” drips with hazed-out suavity and soul, making it the perfect jam to bump out while serenely emerging from an all-too chill, dreamy slumber.

Artwork by Peter Feiler

SVT297 | Various artists – Stil vor Talent Berlin: Wrangelbrunnen

Cover Artwork Various artists – Stil vor Talent Berlin: Wrangelbrunnen

We’re back in the capital with the 10th installment of the “Stil vor Talent Berlin” compilation series, which brings forth a group of old and new faces exclusively contributing tracks, gathered under the umbrella of one of Berlin's refreshing delights – Wrangelbrunnen.

Every year, as the city bids farewell to the grey skies and ice-cold winds of winter, making way for the spring blossom and heatwaves of summer, Kreuzberg's many parks spring to life, with Berliners gathering even on the smallest green spaces to enjoy the sunshine and each other's company. Situated just a stone's throw from Admiralbrücke, Wrangelbrunnen is one of these beloved spots – an impressive late-classical fountain originally built in Tiergarten 150 years ago, which was then moved to Graefekiez, where it now unites the young and old looking for shade and water as temperatures rise.

As always, music is the common denominator here and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visuals.

Artwork by Peter Feiler

SVT296 | Oliver Koletzki – Made of Woods

Cover Artwork Oliver Koletzki – Made of Woods

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On 'Made of Wood', his ninth full-length album since 2007, Oliver Koletzki embodies the seasoned craftsman, carving out his deeply personal sonic sculptures with a confident, learned hand, while experimenting with a broad range of thrilling ideas and fresh textures. The result is an organically flowing, yet decisively shaped work of art, that naturally concludes a trilogy of albums Koletzki embarked on releasing with 'The Arc of Tension' and followed with 'Fire in the Jungle'.

Initially written in Tulum, Mexico, during the pre-pandemic winter of 2019, 'Made of Wood' is physically entwined with the primeval forests that continue to inspire its maker: In the subsequent year it took to complete the album in Berlin, Oliver, aided by numerous live musicians and vocalists, brought his sketches to life with a focus on wooden instruments like djembes, marimbas, santoors or duduks, sculpting a natural sound that's warm in timbre, rich in groove and literally made of wood.

Thanks to the imperfection of the human hand, the album sings with a bold vibrance that stretches from the LP's slow carnivalesque opener 'Caravana De Los Elefantitos' to the blue horns and Wennink's lamenting coos on the concluding ballad 'Turn'. Intermediately, Koletzki's rhythmic explorations take the shape of mythic odes ('Dear Mexican Jungle'), boisterous tribal dances ('La Veleta'), floor-focussed shakers ('Copal'), handpan-driven epics ('Cryptozoology' feat. Walter Scalzone) or subdued oriental belters ('Serpiente Del Ritmo' feat. ELIH) – emphasising his control over light and dark tonalities, over organic and synthetic sounds alike. Most strikingly, Oliver slowly breaks away from the album's natural feel in the mid-section, in which the disorienting, abstract stunner 'Picture' (with Niko Schwind & Judith Ahrends) rubs shoulders with the synth-crescendos of the bouncy 'Made of Cashmere', while the 14-minute long meditation 'A Starseed's Journey' makes for a powerful penultimate breather later on.

Next to the meticulous attention to instrumentation and his instinctive touch, these twists and turns underline that Koletzki feels entirely at ease on 'Made of Wood' – like the true artisan he is.

Artwork by Peter Feiler

SVT295 | Moonwalk – Different People

Cover Artwork Moonwalk – Different People

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Following up to last year’s 'Alba' EP, London-based Italian duo and label staples Moonwalk resurface on Stil vor Talent with their new three-tracker, 'Different People'.

Tapping into the very vein of melodic techno they’ve become key exponents of over the years, this new EP finds Vizioli and Morabito serving up a trio of rolling club weapons primed for hectic night rides and sweat-inducing sessions both on and off the dancefloor. Featuring da Believer on vocals, the title-cut 'Different People' engineers a clever mix of 80s Casio synths, seesawing bass and cold-wave influence, all woven under the standard of Moonwalk’s trademark minimalistic sound design.

Driven by a fevered momentum of EBM-laced arpeggios, the gravity-defying 'Lunar Field' flies us off to an otherworldly sonic journey where lusher-than-lush synth tapestries and melancholy-drenched echoes freely embrace and entangle symbiotically. Peppered with Narya’s sensuously ethereal vocals, 'Beyond The Lines' then subtly veers off into further introspective, trancey pop-informed territories.

Easing us in its own bubble of weightless chords and cottony harmonics, the track keeps on swelling and blooming, slowly but surely morphing into a steadfast, open-air fest big-mover. Lovers of streamlined techno-house with a deep melodic twist rejoice, Moonwalk are your hosts for an adventurous jaunt into the wild blue yonder.

Artwork by 11v151131_m06

SVT294 | Fabian Krooss – Planet D

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After setting the tone with two originals and one remix with us back in 2020, Berlin-based producer Fabian Krooss returns this year with his debut solo sortie, 'Planet D'. A nod to the ecological nonsense that envisages salute in departing our beloved 'Planet A' for other celestial bodies to tear down - such as a fictional 'Planet D', the EP runs the gamut from minimalistic club grooves to blissed-out tropical chuggers, via further atmospheric excursions.

Whilst 'Time To Act' serves up a dynamic symphony of FX-laden elements joining forces to fight off anxiety for our future, Theo Meier’s revamp takes the track into further functional club territory with clinical poise. The even lusher 'Night Owl' reels out as an ode to nature and its healing powers, bringing forth a vibrant mix of bassy power and refined, balearic-informed ambient scapes, whereas Midas 104’s version injects just the right amount of bounce and jazz into its hypnotic folds. 'Watatata', a collaboration with Jacob Stille, smoothly takes you on the other side with an innovative and playful touch and 'Twisted Mind' simply rounds it all up with an intergalactic bang.

Channeling earthly energies with a strongly poetic power of evocation, 'Planet D' is an invitation to refocus, carried by the hope of fuelling a new, sustainable vision for tomorrow.

SVT293 | Various artists – Schneeweiß 12

Cover Artwork Various artists – Schneeweiß 12

Over the years, Berlin has been cited as Oliver Koletzki's main point of reference and, more importantly, his endless source of inspiration. His albums Großstadtmärchen and Großstadtmärchen 2 are wholehearted tributes of the German capital, as its importance is continuously hinted and charted. Friedrichshain, one of Berlin's vibrant districts, has always held a special place in Oliver's heart. This is where he started out when he first moved to the city, and this is where he lives now. Kreuzberg's wall paintings adorn Stil vor Talent's cover sleeves and host their headquarters. There are little to no corners in the city that haven't brought a spark of inspiration into the mix. The Schneeweiss compilation series, now at its 12th installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. Each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times, acting both as a reminder as well as a timeless sound capsule for the years to come.

Artwork by: Lars Teichmann
http://www.larsteichmann.com/

SVT292 | Djuma Soundsystem, Emok – Sagas of Iziki | Chapter II

Cover Artwork Djuma Soundsystem, Emok – Sagas of Iziki | Chapter II

Norwegian DJ and producer Mikkas (aka Djuma Soundsystem) saddles up with Danish DJ and producer Emok to deliver two tracks which unite disparate styles in a cohesive journey of atypical sound in Sagas of Iziki | Chapter 2.

Smashing staccato percussion together with artful drums and vocals that wouldnt be out of place at a fireside chant, Osuga is a dancing contradiction.

The mysterious Hyenah adds a downright predatory bassline to the original cut, lending Osuga (Hyenah Remix) a persistently harder edge.

No stranger to the underground, Kellerkind takes it out of the basement and into the streets, warming up his remix of Osuga (Kellerkind Remix) with his hallmark dramatic builds and a roaring finale.

Riding the harder edge of tribal electro, deep distorted bass lines marry up with sparkling polyrhythmic samples and unhinged tribal vocals in the EPs second cut, Macai.

Youll barely have time to come up for air before Aurka delivers his rendition of Macai (Aurka Remix). Made for a steady 3AM dancefloor, this already heavy track cuts deep with its rowdy vibes.

This explosive 5 track EP is made to keep bodies moving and hearts thumping. Until the pandemic handbrake is released, youll just have to turn it up as loud as you can on your home rig.

Artwork by Maxi Galgenmaier

SVT291 | Tim Engelhardt – Idiosynkrasia Remixed

Cover Artwork Tim Engelhardt – Idiosynkrasia Remixed

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Tim Engelhardt's 2020 album 'Idiosynkrasia' felt cinematic in form and orchestral in structure, catalysing deep breaths, reflection and a different way of thinking by way of its genre-bending narrative. Now, some of the long-players most precious and tender moments get reinterpreted by a stellar cast of artists, no doubt with the intimate physicality of dancing bodies in mind. The result is a killer package of three versatile cuts that, while each setting a contrast to their source material, amplify different sides of a feeling Tim's work naturally encapsulated – the flow-state.

Melodic luminary Rodriguez Jr. reimagines the album's introspective opener 'Attached' as a progressive masterclass of deeply engulfing bass, gently cascading synths and hopeful piano variations, showcasing his one-of-a-kind grasp of subtle euphoria. In andhim's hands, the title-track 'Idiosynkrasia' then gets the b-boy treatment as the duo beef-up the original's breakbeat-driven lowend and flip Tim's idiosyncratic melodies on their head by adding a healthy dose of funk. Last but not least, Sam Shure strips 'Touch the Sky' of its organic feel, expertly rethreading Hannah Noelle's stunning vocals into a pressure-cooker of a club track.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT290 | Brigado Crew – Symbiosis

An ode to existence in a state of giving and taking; the Brigado Crew present their debut studio album ‘Symbiosis’. This 16 track long-player straddles genres, borders and eras to redefine collaborative modern sound.

Constantly reimagining the way they make noise, the Brigado Crew have experimented endlessly to construct this retro-super-futuristic dynamo.

Channeling the groundswell of optimism from the ‘good old days,’ the Brigado Crew work all kinds of collaborative miracles, using modern production techniques to lend the album some depth and tension.

From the live studio recordings made on original 80’s synthesizers to the myriad of feature artists, ‘Symbiosis’ takes a broad brush to the sonic palette.

The ephemerally haunted vocals of Jessica Zese soar over post-disco grooves in the opening track ‘Calamity’. The softly-focused synths of this cut are a balm to the propulsive, industrial heartbeat of the album.

Always upping the ante is Ubbah, who serves up his signature deep, dark techno vibes in many of the album’s peak-time cuts.

More than Human and Haptic embody futurism with a nod to 80’s acid rave, the alienesque vocals of Haptic floating through ‘Voids of Space,’ a cut which is just gagging to be played out on a really loud sound system.

You’ll be leaning into the cascading percussive shakedowns and diving deep into the chant-along lyrics of esteemed British producer & vocalist Thomas Gandey in ‘Find You’, a totally Shazamable cut.

Another secret weapon in your arsenal of dance-floor ready bangers is ‘Face the Music’. Featuring the anthemic vocals of Aves Volare, this cut commands movement, its tremulous basslines creating a sensation of motion that shimmers in the air.

8kays delivers a convincingly hard edge to ‘Robotic Destination’, a hot-blooded, club-focused track that gets all up in your face.

Dipping in and out of post-post-modernism, while reaching far into the great beyond, ‘Symbiosis’ ordains the Brigado Crew as the patron saints of future-forward throwbacks.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT289 | Cioz – Cosmic Silence

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Italian producer extraordinaire Cioz rings in the New Year with his first solo EP on SVT: Cosmic Silence. In his hands, 2021 starts out with an absolute bang as he delivers two firecracker cuts expertly crafted to lighten up those home dance floors. On 'Suddenly Silence', Cioz lets excited synths swirl over a determined, dub-induced beat, reaching a midway crescendo that keeps on giving until it has made all your hair stand on end. 'Cosmic Noise', its counterpart, explodes with a similar palette of colourful sounds that wash over a shuffling, percussive framework shining brightly by way of Cioz' playful love for detail. Let those fireworks fly!

Artwork by Peter Feiler

SVT288 | Jaquomo, Marc Holstege – Marc Holstege | Jaquomo

Cover Artwork Jaquomo, Marc Holstege – Marc Holstege | Jaquomo

On our final release of 2020, Marc Holstege and newcomer duo Jaquomo each offer strikingly tender original tracks, while remixers Moonwalk and Fabian Krooss rework them with dancefloors past and future in mind. The result is a split EP that bridges the gap between the intimate, highly personal experience of today and the nostalgia-driven hope for tomorrow.

On Marc Holstege's 'The Boy In The Garden', melancholic strings rise and fall endlessly over a slow breakbeat and shimmering synths. But it's the soulful, contemplative male vocal sitting at the song's core that reaches straight for the heart and won't let go again. 'Wolves (Sunday Morning Version)' is equally touching, as the Dutch producer guides another delicate vocal through a dazzling slow-beat arrangement with profound results. For their remix, the Italian duo Moonwalk then strip 'The Boy In The Garden' of its sentimental atmospheres, cunningly remoulding the vocals to fit their razor-sharp and cinematic peak-time sound.
Jaquomo's 'Replace Space' is sure to run on repeat. Here, Caro Mac's vocal incites our memories for those lost loves as it floats over pensive chords and a crunchy trip-hop beat. 'Close & Hide' is pitched-down piano house accentuated by another ingenious use of vox, making it just as moreish. Rounding things off with a bang, Fabian Krooss reimagines 'Replace Space' as a playful italo-disco opus of arpeggiated basslines and wonky synths.

Artwork by 11v151131_m06

SVT287 | Various Artists – Stil vor Talent Berlin: Koepi

Cover Artwork Various Artists – Stil vor Talent Berlin: Koepi

We’re back in the capital with the 9th installment of the “Stil vor Talent Berlin” compilation series, which brings forth a group of old and new faces exclusively contributing tracks, gathered under the umbrella of one of Berlin's few remaining autonomous housing projects.

The legendary Köpi, located at 137 Köpenicker Straße in Mitte, is a building complex that has become a symbol for the city's leftwing community since it was first squatted in 1990. Over the years it was legalised and has become a safe space for alternative lifestyles and autonomous viewpoints, welcoming socialists, anarchists, queers and musicians alike. Controversial to some, essential to others: Köpi symbolises the tensions inherently at play in the city since the fall of the Berlin Wall and the rise of squatting.

As always, music is the common denominator here and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visuals.

Artwork by Peter Feiler

SVT286 | Hidden Empire – Lost Spirits

Cover Artwork Hidden Empire – Lost Spirits

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'Lost Spirits' is an exploration in sounds for dancing. Catalysed by the catastrophe that was 2020, Hidden Empire step off the stage and retreat to the studio on a quest to find out what moves the people.

They seem to have found it. One out of the box, this 16 track album is designed for diversity. Hidden Empire oar their creative rudders, lending their hand from techno to deep house with a cheeky reach-around to a more downtempo vibe.

The first three tracks send you down the rabbit hole on a toe-tapping, hip-slapping aural escapade to the heavier edge of techno, the sublime vocals of Artche taking you directly back to those dancefloor moments when time stands still.

Taking the stairs two at a time in polyamorous heels, you’ll fall in love with the sassy, classy, savage vibes of ‘Resurgence’ and ‘Dark Matter’.

Transitioning to a more tribalesque vibe is ‘Organic Train’ a cut which blends the primitive, esoteric influence of the old world with the punchy, industrial sounds of the new world. Continuing on the exploratory sound voyage of downtempo, broken beaten space techno, ‘Mr. P’ stands in the forest listening to the plants talk to the people. Bebetta slips in with her inimitable style in the collectively inspired ‘All of Us’, keeping the Fun Dial turned right up.

Delving deep into the tundra, ‘Hectic Dreams’ becomes reality as the album turns towards the chunkier end of the musical spectrum. Punching out the bass-heavy bangers like 'Once Upon' (with a cameo from South African slam poet & spoken word artist The Lazarusman), Hidden Empire roll out with a flurry of cuts that are limitless in the genre and luminous in effect.

The ‘Lost Spirits’ album is a nod to the certain kind of limitless magic which happens when people come together, without preconceptions, to get lost in the music together.

Packed full of 100% pre-pandemic dance-floor approved cuts, wrap your ears around these tasty morsels, in anticipation of a live show where we can all dance together en masse.

Artwork by flowsofly https://www.instagram.com/flowsofly/

SVT285Y | Jiggler – Out of the Dark | Part II

Cover Artwork Jiggler – Out of the Dark | Part II

Getting a little hot under the collar is ‘Out of the Dark | Part 2’, the second edition of Jiggler’s latest creations. Another six-pack of luxuriously experimental sounds, these cuts lead straight to dancefloor temptations.

Glitchy hi-hats and heavy basslines launch ‘Nebula’ out into the cosmos. ‘Black Sun’ is twinkling keys, a smoke-and-mirrors ride into the sunset of tech house wonders.The Jiggler takes amore downbeat tip with ‘Sparkles,’ whomping beats underpinning a fruity, carnivalesque vibe.

‘Venom’ is sweet poison: a straight laced toe-tapper, which spirals into clapped out grooves. ´Referencing the foggy, nebulaic state where you can lose yourself, ‘Daydream’ takes you to a place where shapes and borders shift. Make the people dance! ‘Vision’ is a punchy finale, an aural experience of the shifts between light and dark.

A by-product of the deceleration experienced by Jiggler and the global music scene during the COVID-19 pandemic, the albums ‘Out of the Dark | Part 1 & 2’ bear witness to the undeniable truth that music, dancing and connection are fundamental parts of our society, which must be celebrated and cherished no matter what.

Artwork by Peter Feiler

SVT285X | Jiggler – Out of the Dark | Part I

Cover Artwork Jiggler – Out of the Dark | Part I

Stalwart of the Berlin techno scene, Jiggler channels the masquerade blessings of the socially- distanced season of 2020 into the sophisticated sounds of Out of the Dark, entrusted to you in two parts.

Out of the Dark I kicks off with Tesla: all sweeping soundscapes, with an other-worldy energetic flow. Title track Out of the Dark emerges from the shadows in a flourish of melodic techno that is equally danceable but also channels a loungey vibe.

So laid back its almost horizontal, Embrace is laced with groovy little undertones. Melting from one mellifluous form into the next, Shapes soars with a strong yet subtle undertow of chunky riffs. Jiggler pours the good vibes into the consistently uplifting Hope, an ode to positive feelings and brighter days.

Opening the doors of perception is Flyby, an experimental interlude of dreamy melodia which invites you to dream.

Born of daydreams, the first edition of Jigglers Out of the Dark albums reference distorted perceptions and the glorious possibilities of magic which happen when you lose yourself on the dance floor.

Artwork by Peter Feiler

SVT284 | Elfenberg – Continents III

Cover Artwork Elfenberg – Continents III

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Our favorite Swedish duo Elfenberg step out of the strangest summer and into the longer nights with their multifaceted EP 'Continents III'.

This four-track offering is the product of selective hearing: a journey which hits you right in the dance chakra.

Feel your eyes roll into the back of your head with 'Rebonds'. Steady as she goes, this is a dark and trancey dance floor filler.

'Skitiga Lianer' is unapologetic, edgy and slightly off-kilter, channeling subterranean dark matter with a back to the future Baltic backdrop that slides into an oh-so-subtle breakdown.

Put some pep in your step with 'Kahawa Tembo', a wavy ravey Afro-tech gravy laced tune that’s sure to get a wiggle on.

'Mozambique' is heavy on the lush, lounge exotica vibe. It’s a warm, lascivious cut with a generous dose of sexed-up saxophone and uplifting vocal tips.

Enjoy this trip into ethno-techno sound sauvage unique to Elfenberg.

Artwork by Vinzent Britz

SVT283 | Oliver Koletzki – Oliver's Hands On EP

Cover Artwork Oliver Koletzki – Oliver's Hands On EP

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It's well-known that Oliver Koletzki isn't afraid to get his hands dirty when it comes to remixes. One need to look no further than his 2019 anthology 'Remix Tales' as a testament to the fact that the Berlin-based legend can put a very personal spin on just about any track. His new 'Hands On...' EP is another shining case in point.

Here, we're treated to reworks of two recent staples of his DJ-sets: Mike Tohr & Amari's progressive-trance hymn 'Borax' and Niko Schwind & Felix Raphael's emotional masterpiece 'Circles'. While Oliver delivers a deeper, more immersive perspective in his drumming and atmospherics on 'Borax', the original synth lead shines as bright as ever.

'Circles', meanwhile, turns into a fruity groover in Koletzki's hands, without losing its emotional edge thanks to the clarity of Felix Raphael's resounding vocals and an epic crescendo. Surely made with distant dance-floors in mind, both remixes are crafted to also get lost in – whether that may be at home, dancing by yourself or during sunrise at a rave deep in the woods, you decide.

Artwork by Slawjana Ulrich

SVT282Y | Various Artists – 15 Years Stil vor Talent | Part 2

Cover Artwork Various Artists – 15 Years Stil vor Talent | Part 2

Something soulful has been not-so-quietly simmering in the heart of Berlin for the past fifteen years. Familiar yet distinctive, restorative but energizing, a solace and a storm: Stil vor Talent.

More than a label, Stil vor Talent is a family. As we reach our fifteenth year together, we honor and celebrate our artists, staff, crew, dancers and listeners.

We marvel at the thousands of hours of incredible music released. We respect the tenacity, skill and courage of our artists. We tip our hats to the community we have created over fifteen years of throwing parties and festivals. With full hearts, we reflect on the laughter, the fun, the dancing, the connections.

Strangers have become friends, nights turned into days, and millions of steps have been meted out on the dancefloor as we journey with music together, creating pure magic in streets and clubs and festivals all over the world. This is acceptance, this is diversity, this is love.

We salute you: thank you for helping us to keep the dream alive. Now we invite you to celebrate the collective evolution of fifteen years of diverse styles, innumerable talents, friendship, collaboration and community under the Stil vor Talent umbrella.

Our 15th-anniversary gift is a nod to the evolution of Stil vor Talent: we present two 11 track compilations that will scratch every musical itch. From the downright dirty dancefloor bangers to the gentler melancholic tracks more suited to the day-after-the-nights before,

The table is laid, the scene is set to continue our ode to the evolution of dance music and celebrate fifteen years of Stil vor Talent.

Part 2 of our anniversary compilation sees the somewhat elusive, always euphoric Deorbiting kick off proceedings with Spaziergang Im All, a gleaming serenade of scales meandering through a field of glinty melodic techno.

Newcomer to the Stil vor Talent fold is Berlin techno composer Tim Engelhardt, who hits all the high notes and adds a dash of exotic tropicalia with A Million Sunsets.

Mysterious Swedish duo Elfenberg have graced the decks at many of our festivals and parties, and we just cant stop loving the steady groove of the movement filled, driving soundscapes of Danny.

Elif offers us a taste of her self-taught, nomadic style of music as medicine with Entaglement, a slow-burning story told with beats and sound.

pølaroit kick it out of the park with Bound to Each Other, a melodic uptempo affair featuring the sublime vocals of HRRSN.

A deep bow to label founder Oliver Koletzki, who has carried forth the vision of Stil vor Talent to create an ever-growing coterie of music aficionados, offering them the support and the platform to share their styles and talents with the world.ose of youthful sass to the mix, sprinkling in layers of texture to create a lively, organic vibe, setting the tone for the rest of the album.

Swiss artist Kellerkinds characteristic soulful house meets the collective enthusiasm of Township Rebellion to create Bird Vision, a slowly building, heavy-hitting cut which melts into high-tech aural sorcery.

Adding a dash of her very own nu-rave vibes, Deer Jade takes us into a groove portal with the mystical melodies and spaced-out sound of Let Go.

Rising star Yetti Meissner presents her first-ever release: Nadir. Its deep, its dark and its safe to say that her energetic, gritty style of pure techno will shake the foundations.

Artwork by Ruslan Vyaltsev https://www.instagram.com/rvyaltsevvvvv/

SVT282X | Various Artists – 15 Years Stil vor Talent

Cover Artwork Various Artists – 15 Years Stil vor Talent

Something soulful has been not-so-quietly simmering in the heart of Berlin for the past fifteen years. Familiar yet distinctive, restorative but energizing, a solace and a storm: Stil vor Talent.

More than a label, Stil vor Talent is a family. As we reach our fifteenth year together, we honor and celebrate our artists, staff, crew, dancers and listeners.

We marvel at the thousands of hours of incredible music released. We respect the tenacity, skill and courage of our artists. We tip our hats to the community we have created over fifteen years of throwing parties and festivals. With full hearts, we reflect on the laughter, the fun, the dancing, the connections.

Strangers have become friends, nights turned into days, and millions of steps have been meted out on the dancefloor as we journey with music together, creating pure magic in streets and clubs and festivals all over the world. This is acceptance, this is diversity, this is love.

We salute you: thank you for helping us to keep the dream alive. Now we invite you to celebrate the collective evolution of fifteen years of diverse styles, innumerable talents, friendship, collaboration and community under the Stil vor Talent umbrella.

Our 15th-anniversary gift is a nod to the evolution of Stil vor Talent: we present two 11 track compilations that will scratch every musical itch.

From the downright dirty dancefloor bangers to the gentler melancholic tracks more suited to the day-after-the-nights before.

Part 1 of the two-part compilation certainly stirs the pot.
Stil vor Talents young guns Sam Shure and Cioz bring a dose of youthful sass to the mix, sprinkling in layers of texture to create a lively, organic vibe, setting the tone for the rest of the album.

Swiss artist Kellerkinds characteristic soulful house meets the collective enthusiasm of Township Rebellion to create Bird Vision, a slowly building, heavy-hitting cut which melts into high-tech aural sorcery.

Adding a dash of her very own nu-rave vibes, Deer Jade takes us into a groove portal with the mystical melodies and spaced-out sound of Let Go.

Rising star Yetti Meissner presents her first-ever release: Nadir. Its deep, its dark and its safe to say that her energetic, gritty style of pure techno will shake the foundations.

Artwork by Ruslan Vyaltsev https://www.instagram.com/rvyaltsevvvvv/

SVT281 | Tim Engelhardt – Idiosynkrasia

Cover Artwork Tim Engelhardt – Idiosynkrasia

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German techno and house composer Tim Engelhardt takes you on a deep dive into his peculiar-yet-relatable world of musical meanderings with Idiosynkrasia. True to the nature of idiosyncrasy, the album is more than the sum of its parts.

Idiosynkrasia is an ode to the inspiration Tim finds in all kinds of spaces and places: each cut woven from the same cloth of meticulously formed melodic structures and expertly crafted harmonies, gently amplified and unfettered by genre. From the opening track, its clear that Tim has a profound awareness of rhythm and sound, his background as a pianist lending an easy fluidity to the album as it expands and contracts to tell a story which is gentle, humble and reflective.

Using granular processed recordings of piano, floating strings and other instruments to transmute emotions like love, nostalgia, vulnerability and longing, the album shifts through meditative, flow-state inducing tracks, morphing into cuts designed for dancing it all out.

Take it straight, mix it up or down: Idiosynkrasia is cinematic in form and orchestral in structure, each track is marked with Tims unique sonic signature and careful attention to instrumentation.

Inhale the spirited and lively flow; exhale and surrender into epiphanic moments: this is an album that will catalyse deep breaths, reflection and a different way of thinking.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT280 | Sam Shure – 333

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Sam Shure needs no introduction. Emerging from a strange summer, '333' sees the German-born, Berlin-based musician step out from hibernation of sorts, to offer three fresh tracks and two remixes by Alex Medina as well as Murat Uncuoglu & Alican.

Just as the number 3 represents confidence, creativity and inspiration, Sam Shure steps it up and takes it to the power of '333' with another all killer, no filler EP. We can’t wait to hear it, loud, on the dance floor.

Taking minimal techno to the maximum, this album of moody, melodic tech-house has the signature depth and breadth of Sam’s soundscapes: turn this one all the way up.

Taking it dark and deep, 'Fae' bounces off the walls with its abrasive synths and chuggy basslines.

'Zion' is high energy, with a heavy metallic complexity and hallucinogenic ethnic-techno layers.

All good things are three: '333' brings sexy back triple-time in this spacey, synth-laden track which captures the light divine.

With a touch of far-flung exotica from his native Canary Islands, Alex Medina, who previously released on Innervisions and Transmoderna, adds a more upbeat tone to '333'. Taking the original track for a hot date on the dancefloor, expect heavy kicks and deep reverbs.

Remixed by the Turkish techno heavyweight duo Murat Uncuoglu and Alican Yuksel, as heard on Innervisions, Afterlife and Exit Strategy, 'Fae' thrashes like a slippery eel into an explosive breakdown while retaining the same full power, basement ready vibe as the original cut.

Artwork by Sandro Rybak

SVT279 | Djuma Soundsystem, NenaHalena – Sagas of Iziki | Chapter I

Cover Artwork Djuma Soundsystem, NenaHalena – Sagas of Iziki | Chapter I

Flitting effortlessly between genres, styles and tempos, Djuma Soundsystem and NenaHalena answer the call of the wild with Sagas of Iziki. Rim Jhim sees lyrical fascinations from the Old World meet the modern sounds of the New World, laced with earthy percussion and accentuated with bird-like trills and thrills. Channelling the mystical vibe is Nangarin, dialling up hearty tribal beats and ritualistic vocal samples to create a musical fairytale of melodic, deep tribal tech house. Maestro David Mayer lends his inimitable touch to Rim Jhim, laying it down thick with euphoric exotica and a carnivalesque vibe. Lunar Plane's remix of 'Nangarin' strips back the original track, to produce a more downtempo vibe while adding a layer of complexity to the already emotive ethnic melodies. A journey, a tale, a story: Sagas of Iziki is a surefire way to see the dancefloor shake what their Mama gave them.

Artwork by Maxi Galgenmaier

SVT278 | Brigado Crew & Crisstiano, Deer Jade – Elevation

Cover Artwork Brigado Crew & Crisstiano, Deer Jade – Elevation

Its getting hot in here, as Brigado Crew in collaboration with Crisstiano and Deer Jade emerge from the global pandemic to offer 'Elevation'.

True to their all inclusive, collaborative style, the Brigado Crew and Crisstiano join forces to offer two ethno-techno tracks laced with their uniquely South American flavours.

Nostalgija is consistent, with persistent driving beats which evoke a state of hypnosis. Accentuated with tribal percussion and expertly crafted builds and releases, Theramore takes the listener on a wild ride through rolling soundscapes.

The most recent addition to the Stil vor Talent roster, nu-disco queen Deer Jade bursts onto the scene in a blaze of tripped-out techno glory and her debut release.

Roswell Files peeks behind the veil of illusion, with bassy strings holding deep space as alien-esque synths and vocal samples channel mysterious, otherworldly realms.

Step it up into a higher vibe with Elevation, a chunky slice of soulful techno designed to take the body, mind and soul on a journey to freedom.

Artwork by Steffen Bewer

SVT277 | Daniel Rateuke, Kadosh, Ivory – Daniel Rateuke | Kadosh & Ivory

Cover Artwork Daniel Rateuke, Kadosh, Ivory – Daniel Rateuke | Kadosh & Ivory

Renowned for bringing a dose of groovy grit to his own style of Afro-tech, Daniel Rateuke jumps on the melodic tech bandwagon with Kadosh, Ivory and Sam Farsio to deliver an EP of stark sonic contrasts. Daniel Rateuke takes safari to the streets with 'Dami', a bouncy, percussion led track. Jungly ethno-vocals are souped up with deep, rolling bass lines, steadily reaching altitude before laying it down with cleverly layered, precipitous drops. 'Patu is a tribeadelic peak-time offering, displaying intricately percussive ponderings. Video game-esque accents meld with mysterious, organic sounding instrumentation: this is where the Congo meets the club. Kadosh and Ivory turn up the heat with 'Indian Summer', a lively, lascivious track of tight basslines and soaring strings which scale the highest of highs, taking us straight back to those hot, hazy hip-swinging daze and nights in the club. Intense, deliberate builds are carried along by an urgent melody in 'Endless', a busy, snappy cut of limitless potential, featuring Sam Farsio. Bright keys and heartfelt strings are the perfect foil to intricate yet gentle synths and robust rhythm. Pushing borders, boundaries and styles, this EP is like taking a magic carpet ride on a balmy evening ride through the ethno-sonic stratosphere.

Artwork by Lucie Lazarus

SVT276 | Kellerkind – Mindtrip

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If music was a meditation, Mindtrip sits in the realm of the liminal: traversing boundaries, borders and polarities.

An invitation to delve into the (master)mind of Marco Biagini a.k.a Kellerkind, his third studio album is a therapeutic peregrination of sorts, as the Swiss producer channels the ups and downs on the roller coaster of human experience.

And what a time to be released: as the world turns inwards for a time of solitude, reset and reflection, this must be the soundtrack.

Drawing inspiration from the radio, to days-gone-by in the club, to his much favoured hang or hand pan, Kellerkind weaves these influences into this twelve track album, displaying the full spectrum of his musical wizardry.
This is where we see Kellerkind come into his own. The album develops organically. Anthemic turbulence builds dramaturgy, releasing into gentle flow which offers a subtle sense of solace.

Multifaceted high notes ring out in spacious, almost reverent tones, with slick synths traversing soaring, monastic soundscapes. Like life itself, these highs are contrasted with the lowest of bass-heavy reverbs: grimy, resonant, deep.

Collaborations include The Mesmerising Circle, the fruit of a dalliance with maestro Oliver Koletzki - in synchronistic alignment the original melody composed by Koletzki includes the handpan, which features heavily throughout the album. Uyezwa features the divine vocals of Zimbabwean singer Oluhle.

Meditative, introspective, emotive: Mindtrip takes Kellerkind out of the club to deliver a dose of sonic space-holding.

The message? Take a trip into your own mind: let music be thy medicine, and medicine be thy music.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT275 | Jos & Eli, Julian Wassermann, Henri Bergmann – Jos & Eli | Julian Wassermann, Henri Bergmann

Cover Artwork Jos & Eli, Julian Wassermann, Henri Bergmann – Jos & Eli | Julian Wassermann, Henri Bergmann

Spring has sprung, and with it comes a split EP from Jos & Eli, and Julian Wassermann & Henri Bergmann. Coming in hot, hard and assertively is Noded, a peak-time player which channels the powerful energies of Israeli producers Jos & Eli. Drawing on every genre: psy, tech, house and trance, Red South continues on this tip with its throbbing, dark beats: a dance floor weapon which is ready to be released into the world. The EP takes a slightly more hypnotic angle with two collaborative tracks by Henri Bergmann weaving her trademark spacious and otherworldly perspectives with Julian Wassermans well-honed tech house sound, lending a certain cinematic dramaturgy to the third and fourth tracks. Ashes to ashes, dust to Dust, is laden with punchy synths, tempered with emotive vocals that offer lighter relief before dropping back into spine-tingling synths and grimier breaks. Space is in your face with Vesta: psychedelic sonic dreamscapes with soft fluffy edges are juxtaposed with harder, crispier kicks, carrying the track to the next dimension. Keep this EP in your arsenal for dropping full noise bangers onto the dancefloor.

Artwork by Lisa Wassmann https://www.lisawassmann.com/

SVT274 | Various Artists – Stil vor Talent Berlin: Blub

Cover Artwork Various Artists – Stil vor Talent Berlin: Blub

We’re back in the capital with the 8th installment of the “Stil vor Talent Berlin” compilation series, which brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of one of Berlin’s derelict treasures. Neukölln's Blub, short for "Berliner Luft- und Badeparadis", was a waterpark opened in 1985 in the Britz area. After its closure in 2002 the site fell into disrepair, waiting for housing redevelopment and revealing a fragile beauty in its decay as days go by.

Like all of Berlin's remaining ruins, Blub serves as a reminder of long-gone times, while amplifying the current tensions between aggressive gentrification and useful repurposing.

As always, music is the common denominator and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visuals.

Artwork by Peter Feiler

SVT273 | Township Rebellion – Rituals

Cover Artwork Township Rebellion – Rituals

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Roll out, roll out as the elusive duo Township Rebellion emerge from the cocoon of winter to put some spring in your step with Rituals Its time to disconnect and reconnect with Humanity Offline, a melodic tech-house banger which playfully shifts gear through punchy synths and heavy pads. The grass is somewhat greener in the Infinite Meadow. Lighting up the soundscape, this intricate track builds and releases in a never-ending reverie of sonic colour and play. Adding another layer of freshness to the signature sound of their 'Arctic Voice' collab with Oliver Koletzki. This remix speaks in sonic tongues to communicate multifaceted layers of suspensive energy. Stepping it out with an edgier vibe, Rituals carries forth the introspection of winter into a fresher and more lively offering suitable for a variety of moods and set times.

Artwork by Dennis Müller

SVT272 | Oliver Koletzki – Fire in the Jungle Remixed

Cover Artwork Oliver Koletzki – Fire in the Jungle Remixed

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‘Fire in the Jungle’, Oliver Koletzki’s eighth studio album and musical pledge for action and mindfulness in our world, goes into its next round. For this remixed EP he gathers eight like-minded and illustrious scene names to offer a remix package that doesn’t leave a foot standing still.

Next to Stil vor Talent label duos Hidden Empire and Lunar Plane, we find Ouie head Nico Stojan, Monaberry’s finest Bebetta as well as hotshots Tim Engelhardt, Iorie and RDNK on the bill. Each artist delivers a dazzling reinterpretation of Oliver's lauded source material, making for a versatile EP ready to set dance floors alight.

Artwork by Peter Feiler

SVT271 | Deorbiting, pølaroit – Depolar

Cover Artwork Deorbiting, pølaroit – Depolar

Slip out of your regular orbit as Deorbiting and pølaroit join forces to bring you Depølar. Running the gamut from spacey house into floaty organic instrumental melodic tracks, here is a sonic expedition for your listening pleasure. The Red Falcon swoops in first. Euphoric, powerful builds swirl into restrained breakdowns, ebbing and flowing on the wings of seamlessly synthesised sounds. 'Dopkeratops' is anthemic: its brooding, complex layers of compelling drums are accented with zippy strings. This track puts the tech in tectonic as it claps its way into prehistoric realms. Wander down the 'Hanging Gardens' path as snappy layers of euphoric progressive chords bloom like hothouse flowers around you. Uplifting snares shine through the foliage, panning out into luscious key-heavy interludes. Whether youre up early or late out, slide into a state of early morning bliss with 5am. This sonic elixir is a lullaby for the between-times: reflective, gentle, ecstatic vibes. A fusion of polarities, this EP is one to keep in your pocket to whip out and transmute something quite cosmic to the dancefloor, or bedroom floor.

Artwork by Lisa Wassmann https://www.lisawassmann.com/

SVT270 | Moonwalk – Alba

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Like the classic dance move, Moonwalk glide backwards while moving forward to present Alba', released on Stil vor Talent. No strangers to the world of late-night musical liaisons, this 3-track EP is a lil something for dancefloor professionals. Coming in hot, this is a late night blazer. Amidst cyclic clicks, the Phoenix rises from the ashes to set the dancefloor ablaze with a regenerative reincarnation of classic tech house. Traversing the darkest of sounds, this intricate track is balanced with flickering, glitchy glimmers. Alba heralds the dawn with its pitch perfect rise, turning the breakdown into a breakthrough. Throw some flames on the fire with Salem. From glowing embers to a raging inferno, this track leaves you gasping for air with its pulsating yet melodic riffs. This heavy hitting 3-track EP brings the heat: a must-listen for those with a penchant for dancing their way through the longest hours on the dancefloor.

SVT269 | Hidden Empire – Odyssee

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Consistent, persistent: Hidden Empire present 'Odyssee', a 4 track dancefloor fodder for big sound-systems and the longest of nights: the perfect peak time player. The year is 2091 and mankind has been taken over by laser-eyed robots: this is the soundtrack. Techy, glitchy, futuristic: take a deep breath as 'Odyssee' takes you on a voyage of high-tech sonic wizardry. Make sure youre wearing sensible shoes for this futuristic dancefloor classic. 'Palladion' tips its hat and looks over its sunglasses, wooing you with eerie vocals as it launches you on a trance-filled trip through the cosmos. The machines are having a good time in this neo-trance charger. What we have here is a little bit of slapping you round the chops like a psychedelic wet fish. Thanks, 'Vega', dont mind if we do. This neo-classic track lends from classic elements of techno with a nod to the future: 'Renaissance' bridges the gap between the middle ages and modernity. If you havent heard this track before, where have you been raving? Back to back, front to front and side to side: Hidden Empires epic Odyssee EP is music the gods might have raved to. Keep this one up your sleeve for those nights which turn into mornings.

Artwork by Aaron Auel https://www.behance.net/aaulus

SVT268 | Brigado Crew – Equilibrium

Cover Artwork Brigado Crew – Equilibrium

Step into balance with Equilibrium, and go forth on journey to harmonise the mind, heart and soul. We are certainly thankful to the Brigado Crew for offering us this 5 track EP. A kaleidoscope of sounds lends a certain dramaturgy to Swerve. This eerie electronic track gently builds and releases, effortlessly weaving classic tech-house sounds with symphonic strings. Dark, pulsating, you can almost smell the Palo Santo as Ritual burns with ceremonial flair. Moody basslines blended with shamanistic arpeggios conjure a rite of passage in this evocative track. Lending from the Sanskrit word to gather together, Gana catalyses a certain furthering of a common goal: which is to revel in the low-end rhythms and atmospheric vocals of this track. Driving snares accentuate the spooky vocals of Tribe, a distinctive and complex track which invites you to explore a common culture of textured, technicolour rhythms. On The Way steps out with intention: punchy drum beats gather momentum as atmospheric synths and twisted frequencies remind us that the pleasure is in the journey, not the destination. The soundtrack the sophisticated raver gets down to, Equilibrium is a must-listen for those who wish to strike a balance between the harder edge of techno and the softer curves of ambient euphoria.

Artwork by I am Johannes

SVT267 | Collective States – Kamino

Cover Artwork Collective States – Kamino

Fasten your seatbelts and ensure your tray table is securely stowed as Collective States take you on a Big Stormy ride. The soundtrack: melodic tech; your destination: ‘Kamino,’ a 3-track EP to be released on 27 Dec.

Get launched into the mysterious world of ‘Kamino’ with this rollicking progressive romp through space and time. A punchy, rocky ride with a molten core, this track is not unlike its namesake, the enigmatic Planet of Storms.

Spaced out melodica is accompanied by haunting vocals, as ‘Lonesome Ghost’ draws the listener back to the extra-galactic centre of the techno universe. Mildly turbulent, the track builds and releases with nebulous form, leaving stars in your eyes.

Reach cruising altitude with the mellifluous ‘Moonjockey.’ This euphonious long-player is punctuated with elevated kicks, stirring up a cosmic aural storm which will have you kicking up dust on the dancefloor.

All good things are three: this EP is a must-listen for those who know and love the classic melodic techno vibes from the Southampton-based Collective States.

Artwork by Aaron Auel https://www.behance.net/aaulus

SVT266 | Various Artists – The Last Trip

Cover Artwork Various Artists – The Last Trip

Laying the foundation for this club-ready collection of tracks is French producer Kiko, bringing a certain je ne sais quoi with the full spectral ‘Echoes of Light’ and the multifaceted ‘Panavision.’

Thousand Sirens follows up with with the driving psychedelia of ‘Kahlil,’ priming the dancefloor for an intrepid journey with ‘Humanizm,’ a trippy, bass-heavy track interwoven with powerful, thought-inspiring vocal samples.

Hot to trot VNTM commands attention with his unique riff on dark, underground techno interspersed with progressive melodies in. ‘Echoist’ packs a punch, and ‘Orange Skies’ delivers the roundhouse kick with its upbeat, squelchy synths.

Drunken Kong raises the tempo with the expansive ‘Uncovered,’ laced with exotic strings in a nod to his Asian heritage. ‘The Eye’ certain to engage the dancefloor with its charismatic tones and dynamic percussion.

You would be forgiven for expecting a genie to jump out of a bottle as you travel through the lush soundscapes of Heerhorst’s ‘Magic Carpet.’ Riding into the sunset is ‘1001,’ rounding off the compilation with its special brand of hearty, industrial darkness.

So deep you’ll choke on it, so dark it will take your retinas a while to readjust to the light, it’s safe to say this is a compilation for the dirtiest of dancefloors.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT265 | Various Artists – Schneeweiß 11

Cover Artwork Various Artists – Schneeweiß 11

Over the years, Berlin has been cited as Oliver Koletzki's main point of reference and, more importantly, his endless source of inspiration. His albums Großstadtmärchen and Großstadtmärchen 2 are wholehearted tributes of the German capital, as its importance is continuously hinted and charted. Friedrichshain, one of Berlin's vibrant districts, has always held a special place in Oliver's heart. This is where he started out when he first moved to the city, and this is where he lives now. Kreuzberg's wall paintings adorn Stil Vor Talent s cover sleeves and host their headquarters. There are little to no corners in the city that haven't brought a spark of inspiration into the mix. The Schneeweiss compilation series, now at its 11th installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. Each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times, acting both as a reminder as well as a timeless sound capsule for the years to come.

Artwork by: Lars Teichmann
http://www.larsteichmann.com/

SVT264 | Einmusik, Lake Avalon – Einmusik | Lake Avalon

Cover Artwork Einmusik, Lake Avalon – Einmusik | Lake Avalon

Invisible stitching melds this seamless 6-track EP, styled with panache and cut with finesse by Berlin-based master craftsman Einmusik and Colombia-born, Amsterdam raised Lake Avalon. Dune Suave is a real tease. A little bit dirty with a cheeky wink, this expertly woven track builds to powerful, rolling crescendos, all the while retaining an air of slick sophistication. We have lift off released from terra firma and into the star charts, Nova launches the listener into a new constellation of future-focussed tech house. The metamorphic, multi-faceted Shape Shifter flows between space time and real time: tune in and discover uncharted territory with this transformative track. Refined yet understated, Columba is an effortless fusion of percussion-rich, banging basslines and warm, etheric heights. Bask in the flow of the sound of the future. Buckle up, kick back and allow yourself to travel in an orbit of Berlin-style melodic tech house in its highest form.

Artwork by Lisa Wassmann https://www.lisawassmann.com/

SVT263 | Oliver Koletzki – Fire In The Jungle

Cover Artwork Oliver Koletzki – Fire In The Jungle

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Part homage, part prophecy: Fire in the Jungle is the 8th studio album from Berlin-based DJ, producer and label owner Oliver Koletzki, released on 15 November 2019 by Stil vor Talent. With sounds as diverse as the stamps collected in Koletzkis passport over the past 18 months, Fire in the Jungle is a statement in itself: complex, verdant, the product of years of growth. From the arid desert tundra of Australia, to the lush turquoise beaches and sacred sites of Mexico, to the dusty Playa of Burning Man: these rich and varied landscapes, people, experiences have strongly influenced Koletzki in the production of this multifaceted masterpiece. Musical maestro and storyteller Koletzki expertly weaves live instruments with a range of electronic music production techniques, with producers Sam Shure, Township Rebellion, Hidden Empire, Niko Schwind and Cioz taking listeners on an extraordinary aural peregrination of genres and styles. Lyrical and vocal collaborations with Monolink, Aparde, Temple Haze and Lisa Who are layered with Koletzkis signature sound, adding their unique influence to this distinctive 16-track album. Running the gamut from full-power, bass-heavy dance floor anthems to slower, more sultry tracks, the dramaturgy of this album is matched only by the eclectic exotica and psychedelia of the jungle. As the Amazonian jungle burns, this versatile and thought-provoking album raises important questions about what sustains us and asks us to reconsider the egoism and laziness of the human species. One thing is certain: Fire in the Jungle will set your feet, heart and mind ablaze.

Artwork by Peter Feiler

SVT262 | Raw Main, Marco Tegui – Marco Tegui I Raw Main

Cover Artwork Raw Main, Marco Tegui – Marco Tegui I Raw Main

SVT262 sees up-and-coming French producer Raw Main and Peruvian maestro Marco Tegui saddle up to lead their listeners on a cosmic ride around the electronic sphere. Le Cri de la Foret calls you to reconnect with your deepest earthly desires in this multifaceted track. Complex layers of percussion and exotic vocals give this track a certain je ne sais quoi. Ascend to the upper-world with Orphee, a beguiling ode to the god of music and dance. Quirky aural accents and powerful driving bass tones will coax even the most discerning out of the corners and onto the dancefloor. Paradoxical in its gentle power, Yira Yirar is an effortless wander through kaleidoscopic soundscapes. Anthemic, almost folklorish lyrics will light a fire in your feet and your heart. Hieronimi takes you on a gentle gallop to lands laced with Eastern promise. Elements of the sacred are perfectly tempered swirling sitars, underscored with a bouncy, hypnotic beat. Ring the alarm cos you know what time it is. Delivering the goods in his signature understated style, 3.33 is guitar-heavy and deep without a hint of darkness. Taking inspiration from a plethora of genres and instruments, this worldly EP is a must-listen for those who want to take the musical reins and steal the show.

Artwork by Lisa Wassmann https://www.lisawassmann.com/

SVT261 | Oluhle, Armonica, Santiago Garcia, CIOZ – Thatha

Cover Artwork Oluhle, Armonica, Santiago Garcia, CIOZ – Thatha

Italian duo Armonica deliver the goods with Thatha'. With remixes by Santiago Garcia and Cioz, this 4 track EP calls the people and their late-night legs to the dancefloor. Spacey, dynamic, grimy: Thatha heralds the morning: deep but uplifting, with melodic piano riffs and ceremonial vocals which travel you on an enchanting voyage to infinity and beyond. Saddle up for a hypnotic ride through the deep dark cosmos as Santiago Garcia reimagines Thatha: pensive, suspenseful drops take this persistent remix to the next level. Mysterious vocals, punchy synths, and committed pan flutes hold space as this dynamic track travels on a ritualistic journey through deep dancefloor tundra with powerful builds and releases. Cioz raises the tone yet keeps it clean and minimal, with vibrant jungly trills and thrills flowing alongside atmospheric spacey vibes in this enlivening remix of Zama. Choose your own adventure on Armonicas nomadic ride through the electronic sphere, with this multifaceted and complex EP. A must-listen for those seeking versatile tracks which traverse late nights and later mornings.

Artwork by Aaron Auel https://www.behance.net/aaulus

SVT260 | Sam Shure – Laconia

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A natural for stirring melodies, Amsterdam-based Sam Shure channels his all-around manifold array of talents into his debut album. With its versatile moods yet compact constructions, Laconia is a self-fulfilling prophecy. The album features ten tracks that draw on Sams jazzy Egyptian roots while staying grounded in his usual melodic, mood-heavy aesthetic. With its warm tones, hazy pads and smart basslines, it creates a perfect ambiance for deep set dancefloors. Laconia features collaborations with fellow producers Cioz and Cook Strummer, as well as a special apparition by Sams paternal figure playing the Oud on Mirage. The tracks explore a diverse array of dispositions, from groovy up-warmers such as Mangata or Louna to more lively dancefloor aggregators such as Kamala Bani, on to the deeply polarizing, whirlwind synth dinger Guz or the more experimental self-evident Not Much To Say. A novel detail makes an appearance on Je te vois, an acoustic electronic dance number with poetic lyrics tenderly sung in French for the first time. The artists romantic side also shows through the mystical elements interspersed throughout, from the spellbinding Encanto to the dreamy soundscapes of Atreyu, named after the famous German fantasy book character. Thanks to a modest key riff and more cosmic effects, Aubade lends its meaning of greeting in the sun to the atmosphere, rounding off the release on an incandescent note.

Artwork by Dexter Maurer

SVT259 | pølaroit, HRRSN – Particles

Cover Artwork pølaroit, HRRSN – Particles

Particles sees moody Hanover duo pølaroit and virtuoso HRRSN take matter into their own hands, to produce 'Particles' an ethereal electronic 6 track EP. A floaty retro-super-future throwback, Far From Home takes you deep without a hint of darkness. Melodic, synth-heavy grooves remind you that home is where the deep-house music is. Particles is the emotive yet relaxed fusion of pølaroit and HRRSN. Sublime soundscapes drop into moody broken drumbeats, with HRRSNs otherworldly vocals lifting this track into the surreal. Bass-heavy, uplifting percussive driven 'Vergebens' is certainly not produced 'in vain'. Driving synths melt into HRRSNs idiosyncratic lyrics, with off-kilter snares taking this track from the dreamscape to the dancefloor. Spacey and emotive: Tribute moves slowly, with minimal percussion and atmospheric breakdowns. This collaborative track is a steady, rhythmic journey, carried gently forwards by HRRSNs mystical vocal musings. Particles sees some of Stil vor Talents freshest producers collaborate to produce this eclectic and otherworldly EP. A must-listen for those seeking a slightly more down-tempo vibe laced with stirring lyrics.

Artwork by Micki Richter

SVT258 | Township Rebellion – Memorial

Cover Artwork Township Rebellion – Memorial

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Township Rebellion take us on a three-stop journey entitled Memorial, a solemn expedition that kicks off dramatically with 'Magna Terram' and switches gears throughout. Primed for peak time, the first track boasts a bright synth line, drenched in delay, that lets loose over glitchy kick drums and colossal rising strings. 'Magna Mater' subtly amps up the dramatism with subdued atmospheres atop a gritty bassline that build up to an ear-splitting crescendo, giving the energy a sharp boost. Final track 'Magna Spe' appears leaner and more restrained, making for a great tool to develop or intensify tension in any part of the set.
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Artwork by Dennis Müller

SVT257 | Various Artists – A Tribe Called Kotori - Chapter 3

Cover Artwork Various Artists – A Tribe Called Kotori - Chapter 3

A Tribe Called Kotori creates a place of spirituality. At the Berlin-based gatherings forward-thinking music and psychedelic art installations coalesce into an electric atmosphere, which all 22 carefully curated tracks of the third A Tribe Called Kotori Compilation embody. Welcome to Chapter Three.

Artwork by Marina Mueller

SVT256 | Elfenberg – Continents II

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Swedish duo Elfenberg invite you to travel deep into the sonic system with the release of Continents II on Stil vor Talent. Laced with intercontinental influences, this four track EP is sure to take you on a trip through exotic aural soundscapes. Named after the second-highest mountain in the Kilimanjaro massif, Mawenzi is a high altitude, percussion-driven track. Rhythmic and uplifting with lush vocals, this tune will take you on a multi-layered tribal journey. The sounds of the jungle hit the dance floor in the multi-layered, atmospheric Rhythm in Between. Abstracted Afro-centric beats raise the vibe, leading this energetic track forward. Like its namesake, the island of Saõ Tome, this mysterious track traverses the boundaries of night-time with suspenseful drum lines. Sao Tome is a deep, spacious, synth-driven expedition into far-flung realms. Take yourself to new heights with the vibrant Seven Summits. Rich layers of percussion-based sound combined with groovy licks and a dash of the Orient make this a versatile track for both day and night. Always organic, ever rhythmic, this diverse EP transcends borders to offer a truly global sound. A must-listen for wanderlusting souls who have a penchant for audio-phonic adventures.

SVT255 | Lunar Plane, Daniel Rateuke – Lunar Plane I Daniel Rateuke

Cover Artwork Lunar Plane, Daniel Rateuke – Lunar Plane I Daniel Rateuke

Identical twin duo Lunar Plane team up with afro house adept Daniel Rateuke to deliver six tools that nestle spacious effects in a colourful percussive palette with maximum dancefloor appeal. Starting off the journey with a steady groove, both 'Sultan' and 'Iniko' are engrossing, flexible rollers - the first one bouncing along a relentless bassline, while the latter leaps around a lush, grandiose drop. 'Kismet' stands on large, siren-like pads with ample micro-breakdowns that keep things interesting, while the energetic melody shaper 'Luar' is the perfect weapon to amp up the ambience, whether the night has just begun or is in full swing. On the flip side, 'Olappa' and 'Mapono' channel tribal percussion in a more stripped-back style of composition, where wind instrument chops and ethnic vocal chants take centre stage and add a warm touch.

SVT254 | Giorgia Angiuli – In a Pink Bubble Remixed

Cover Artwork Giorgia Angiuli – In a Pink Bubble Remixed

Giorgia Angiuli has been turning heads and moving limbs since the release of her debut album In A Pink Bubble on Stil Vor Talent in 2018. A classically trained musician, composer and instrumentalist, she has come to be viewed as a trailblazer in her own right. As her continued releases of atmospheric, emotive and distinctively electronic sounds edge their way ever deeper into the technosphere, whats certain is that were still hooked on her sound. In this remix EP, dedicated to pushing the Angiuli effect to new places, various Stil Vor Talent artists have reimagined the following tracks from her debut album In A Pink Bubble. Koletzkis driving interpretation of Nothing to Lose gives us a dose of sound that takes us forward, up and over. This ambitious story is told with hypnotic riffs and melodic licks which let us know that nighttime has finally arrived. Sobeks take on A Perfect Day in Tulum is laced with pulsating atmospheres, perfectly placed vocals and synth lines which pull the lazy out from the corners. Rolling us up into a dreamscape throwback of days gone by, we are transported to a deep and roving electronic state of mind. GusGus brings deep, rumbling, and shadowy frequencies to a new level for his take on Copenhagen. Pulling us into the future, while taking us into the mists of the night, this is serious electronica for discerning ravers. Travelling you into another dimension, with a nod to electro of the past, Henry Saiz retains the essence of Giorgias Inspiration, offering it back to the dancefloor with an often broken, but always dynamic retro vibe. The Remix EP of In A Pink Bubble pays well-deserved homage to Angiulis debut album, and adds a distinctive Stil Vor Talent flavour. A must-listen for any creature of the night with penchant for Giorgias distinctive sound.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT253 | Teenage Mutants – In Search of the End I Part II

Cover Artwork Teenage Mutants – In Search of the End I Part II

Volume two of Teenage Mutants longest release to date carries on the suspended tension from the previous volume into a melodic resolution. First track 'Organica', a collaboration with DJ and producer Heerhorst and Aves Volare showcases a new dimension of the artists style, with the low sung vocals sustaining the enchanting harmony of the main pads. Its fairly easy to see how the entire album is aimed squarely at the dancefloor, with compelling slow burners like 'Dawn' or 'Verboten' ready to arrest any audience. Meanwhile, darker cuts like palpitation-inducing Hype or undulating roller Tehdite are meant to thrust the ambiance to the next level. Joined by Bulgarian techno advocate, the duo rounds off the volume with flair, making it a great addition to the variety of moods offered.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT252 | Yubik – Sword Of Lugia

Up for their first release on the label, German duo Yubik serve up three refreshing cuts under the Sword of Lugia marquee. After its swift intro, 'Brain Depository' proves an intriguing development, as a relentless staccato-laden groove takes centre stage. Making up for a great sonic twist, the track keeps the energy afloat right into the next track. 'Sword of Lugia' showcases the same penchant for building up rhythm through alliteration, bringing a wide array of percussive elements into play. 'Schlangenmensch' rounds off the release on a tribal note, as wind instruments and exotic modulations layer and intertwine throughout the track.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT251 | Teenage Mutants – In Search Of The End I Part I

Cover Artwork Teenage Mutants – In Search Of The End I Part I

Much like in their stage presence, where they are relentless about their sets, Teenage Mutants dont mess around. Their Search for the End album, the fruit of months-long studio efforts, has led to a two-part release each comprising seven original tracks.

On volume one, kicking off with Road to Yokohama, were greeted by a slow-paced melody slung atop a synth-heavy lead, reminiscent of the artists French synthwave hero Kavinsky influence. Starting with the second track Feravartis however, Teenage Mutants own soundprint becomes less subtle. Smooth melodies at a relentless pace find their way into each of the tracks, whether its a more dub-laden groove with an ample drop like Different or a more murky, late-night-affair such as the glitchy East or the punchy kick-overcharged Past. Pentalon marks off the first half of the album on a highly energetic note, laying a solid foundation for further exploration through its gradual progression.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT250 | Various Artists – Stil vor Talent Berlin I Admiralsbrücke

Cover Artwork Various Artists – Stil vor Talent Berlin I Admiralsbrücke

As our 250th release, we return with the seventh installment of the beloved Stil vor Talent Berlin compilation series, which brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of one of Berlin's prime summer hangout spots. South of Kotti, the modest Admiralbrücke bridges the hustle and bustle of Kreuzberg with the idyllic Graefekiez beyond, transforming those few meters across the Landwehrkanal into an epicenter of casual canal beers, shared slices of pizza and mellow tunes from a wild array of buskers during the warmer months of the year. Spring has arrived sit back, relax, and let life float by! As always, music is the common denominator here and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visuals.

SVT249 | Einmusik, D-Nox – Einmusik I D-Nox

Cover Artwork Einmusik, D-Nox – Einmusik I D-Nox

Usually noted for their solo performances, Einmusik step into the studio banding together with D-Nox and Beckers for a versatile heavy four-tracker. Einmusik builds up two constructions reminiscent of his live sets, expertly crafting ambiances that drive the listener into a trance. While on Sirens the focal point is a downward winding synth that instantly grabs attention, Sweet Spot offers a perfect counter with its ascending layers. On the flipside, you might remember D-Nox from the Schneeweiss compilation, and the German performer stays true to his style. Both Escape and his collaboration with Beckers deliver an engrossing groove, with a spellbinding bassline that sets a trippy mood. While Escape sets the tone and makes for an interesting development in a set, Mechanism makes a great tool for sustaining the intensity on an unassertive yet energetic way.

SVT248 | PALMFooD, Mia Mendi – Palmfood I Mia Mendi

Cover Artwork PALMFooD, Mia Mendi – Palmfood I Mia Mendi

Label affiliates PALMFooD and Mia Mendi join forces for an energetic EP taking on themes surrounding different sound affinities, showcasing their styles in a total of four original tracks ready for the floor. Opener Sympathy bounces along to a slow string build up, as the crescent lead culminates in a mellifluous yet tense breakdown. Its a number that packs up a lot of understated dynamism, which carries onto the second track signed by the Hungarian producer. Continuing on the same mystical note, with a minimalist percussion and radiating synths carving out the melody, Jungle Adventure slows down the pace while maintaining the first tracks energy. UK duo Mia Mendi explore minimal atmospheres in Scriba, a tune thats all about its groove, a propulsive and trance-inducing journey powered by its hypnotic bassline and claps. Luxuria follows in its path, furthering the journey into deep territory, with the added power of an exotic vocal lead and percussive embellishments that keep things interesting.

SVT247 | Deorbiting – Sic Transit Gloria Mundi

Cover Artwork Deorbiting – Sic Transit Gloria Mundi

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Deorbiting explore sonic themes around impact, causality and uncertainty in their Sic Transit Gloria Mundi EP, comprising of three introspective original tracks, with remixes by fellow label mates Boy Next Door and Krink, alongside UK electronic producer duo Stereo MCs. Opener Tunguska, named after the meteoric burst event in the eponymous region centres around quivering strings and piano pads, creating the perfect backdrop for mind-bending vocals and a playful melody that builds up to a light-hearted crescendo. Stereo MCs turn the track into a less introspective, stripped down version with memorable drums and an overall minimalistic tribal flavour. On the flip side, Boy Next Door emphasises the dark wedges of the original, adding a raw bassline and metallic synths, amping up the tension into a determined, relentless slice. Sic Transit dives even deeper into the introspective waters of mystery and ambivalence. With a slow-paced escalating melody, arched with huge, glorious pads, it gives a hint of the piety associated with the Latin saying. Krink adds a layer of contemplation with brooding atmospheres and smokey elements that showcase the producers attention to detail. Gloria Mundi comes off as a resolute dispersion of the tension built up in the previous two tracks. Serene and intrepid, it rounds off the release on an understated yet heightened atmosphere.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT246 | Oliver Koletzki – Remix Tales

Cover Artwork Oliver Koletzki – Remix Tales

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While working on his next full-length album, the Berlin-based artist, DJ and label-owner Oliver Koletzki looks back onto an impressive career and a plethora of styles and moods, best exemplified by the diverse set of remixes he's been crafting for prolific friends and outstanding musicians for close to a decade. For 'Remix Tales', Oliver has now compiled his personal favourites, with some previously unreleased, high-impact material forming the icing on the cake. Stylistically, 'Remix Tales' exemplifies Oliver's chameleon-like approach in the studio, as dynamics shift from organic dreaminess to high-octane club-fare, all held together by the trademark musicality that shines through every single Koletzki production. While recent remix highlights such as Monolink's 'Swallow' or Giorgia Angiuli's 'Nothing to Lose' rub shoulders with classics like HVOB's 'Dogs' and Cassius' 'Toop Toop', it's the inclusion of Oliver's previously unreleased 2017 rework of Howling's 'We Stole The Night', as well as the freshly remixed Koletzki & Schwind track 'Camps Bay', that add unexpected and particularly precious twists and turns to this rollercoaster of an anthology. Enjoy the ride!

Artwork by Peter Feiler: https://peterfeiler.com/

SVT245 | Jiggler – Escape

On a spacious tone, Nothing Matters' atmospheres unfold as dark and minimalistic, with synth lines and beats slightly expanded for the intro, gradually swelling up into a palette of magnetic, introspective sounds. Staying true to its name, The Spell ropes you in early on, as swirling patterns take shape. Vertiginous synths accented by hi-hats and lilting arpeggios take centre stage and make for a discombobulating peak point, all arranged with a polished approach. Title track Escape lays down sturdy beats from the get-go, as its highly captivating bassline sets the tone. Intense yet playful, the plump groove and coarse synths build up an intense ambiance leading to an exhilarating release.

SVT244 | Various Artists – Schneeweiß 10

Cover Artwork Various Artists – Schneeweiß 10

Over the years, Berlin has been cited as Oliver Koletzkis main point of reference and, more importantly, his endless source of inspiration. His albums Großstadtmärchen and Großstadtmärchen 2 are wholehearted tributes of the German capital, as its importance is continuously hinted and charted. Friedrichshain, one of Berlins vibrant districts, has always held a special place in Olivers heart. This is where he started out when he first moved to the city, and this is where he lives now. Kreuzbergs wall paintings adorn Stil Vor Talent s cover sleeves and host their headquarters. There are little to no corners in the city that havent brought a spark of inspiration into the mix. The Schneeweiss compilation series, now at its 10th installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. Each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times, acting both as a reminder as well as a timeless sound capsule for the years to come.

Artwork by: Lars Teichmann
http://www.larsteichmann.com/

SVT243 | Hidden Empire – Alexandria

Cover Artwork Hidden Empire – Alexandria

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'Valhalla' opens Hidden Empire's Alexandria EP with a dynamic yet apprehensive approach, as a relentless bassline gradually unfolds along convoluted synths. Stand out track 'Alexandria' captivates from the get-go with its subdued bassline supporting a spellbinding melody, timely accented by spacious pads. What makes it so captivating is the subtle sense of dynamics and keen manipulation of energy, a common trait encountered on all the tracks in this release. Hazy groover 'Sierra' follows in the same vein, shifting energy through assorted sequences varying in dynamics and layers. Meanwhile, 'Odessa' is a straightforward, unapologetically monumental slice with big breakdowns centring on triumphant synths, closing out the soundscape in a grandiose fashion.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT242 | Various Artists – The Last Trip

Initially materialising as a fully fledged happening, The Last Trip is ultimately available in tangible sonic form, as a mini-compilation of party-friendly styles under the Techno umbrella rolled into 12 exclusive tracks.

Classically trained instrumentalist and Cocoon alum Malandra Jr. kicks off proceedings on a dynamic note with a pair of blissed-out tracks featuring blossoming synths, supple drums and whirring glitches. Citizen Kain follows suit with two energy-loaded numbers, the more dreamy and spaced out 'Crush', followed by the vocal-heavy 'Balance'. Next up is German producer Heerhorst who takes a turn for deep and pensive melodies with 'Centaurus', while 'Hydra' stands out with powerful synths and a rattling beat. Bold, intense synths are also at the core of Transcodes 'String Theory' and 'Molecular Cloud', with the former offering a massive breakdown fit for peak time, and the latter a more resolute atmosphere overall. In the releases final quarter, we find Olivier Giacomotto with two tribal-tinged constructions, the slow burner 'Moonshine', and its more unhinged counterpart, 'Bonobo'. Made in Paris rounds off the Trip with a couple of stirring slices brimful of radiating synths and spacious breakdowns.

All in all, a steady trickle of dancefloor-primed pieces setting off sparks of all the different types of energy needed to sustain a coalescent set.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT241 | Niko Schwind – Prima Lux

SVT staple Niko Schwind welcomes 2019 with a playfully moody yet light-filled release, forebodingly dubbed Prima Lux. The chiaroscuro take on the first track sets the tone for the entire release. The contrast between the light airy pads and gloomey bassline on 'Prima Lux' makes for one of the artists most captivating compositions yet. 'Ante Lucem' follows in the same vein, amping up the dynamic factor by way of glitched out synth stabs and tintinnabular bits. 'Luna Crescit' unveils a sulky collab with Lil Magdalene, a strikingly lush arrangement accented by exotic chord instrument chops and compelling rhythm changes. Hungarian producer Palmfood takes on remix duties for Prima Lux, switching up dynamics and infusing dramatism through tense buildups and ample breakdowns. Meanwhile, Hidden Empire offer up a relentless groove with their reshape of the track, emphasising on the alluring aspect of its murky bassline and its somber and commanding bassline.

SVT240 | Sailor & I – Lost In This Civilized World

Cover Artwork Sailor & I – Lost In This Civilized World

Singer, producer and multi-instrumentalist Alexander Sjödin proves his virtuosities once more under his well known Sailor & I moniker on his fresh take on electronica, the Lost in this Civilized World EP.

Opener Coming Down is a quintessential piece of dreamy electronica, radiating an ethereal atmosphere largely summoned by the artists recognizable crooning vocals. The soulful melody and evocative synths add a touch of extra sonic magic, rounding off the instrumental.

Black Monday showcases Sjödins piano mastery, as a yearning melodic loop sets the stage. Filled with suspense and tension via gleaming synths, the track leads to an intense and dramatic breakdown that leaves a lasting impression.
Melancholy-driven piano is key on Isolated Tears, a pensive downtempo composition that touches on the artists classical side, bridging it into modern day electronica with playful glitches and subtle percussion.

Kellerkind takes on Coming Down, amping up the dance factor with an energetic, standout bassline that contorts underneath bleeps and chimes, emphasising Sailor & Is croons.

Coming Down gets another remix treatment by Deorbiting, who serve up a spaced out, glitched version of the original with a suspenseful breakdown and energy-inducing sequences.

SVT239 | pølaroit – Expedition

Having previously left their mark on various SVT compilations such as A Tribe Called Kotori or Tempelhofer Feld, moody Berliner duo pølaroit take on a new sonic adventure on the melancholic four-tracker Expedition.

Opener firøye sets a relaxed tone with its ruminating ambiance consisting of airy pads, while dissonant synths elevate the track to a more intricate tier.

Brooding atmospheres await on short days & long nights, the second track of the lot. Taking the melodic expedition one layer deeper into mood-set grooves, it instills suspense and anticipation for the second half of the release.

Dew comes as a culmination of the simmering arrangements from the first few cuts, building up to the EPs apex. Midgard, on the flipside, offers a resolute last track in the shape of a steady bassline accented with wistful piano pads.

SVT238 | Palmfood I Daniel Rateuke – Palmfood I Daniel Rateuke

Cover Artwork Palmfood I Daniel Rateuke – Palmfood I Daniel Rateuke

The opening seconds of the first track Embrace suggest a tropical settingdroplets, chimerical wind instruments and organic strings trickle into earshot. Its ultimately a track for the dancefloor, so scattered broken beat loops swiftly make an appearance, along with a gleaming synth that makes for a memorable breakdown. Palmfood takes the same approach, blending organic sound patterns with dancefloor staples on second track Shove as well, which abounds in layered percussion and glitched out synths.
On the flipside, Daniel Rateuke channels equally exotic soundscapes, adding some fitting vocal loops on Yassah and marrying large, dreamy pads with zig zagging synth twists on Sambula.

SVT237 | Moonwalk – Galactic

Space meets rhythm on Moonwalks Galactica EP, brimful of intergalactic grooves in the shape of four dance-heavy original tracks. Opener Galactica sets the tone with electric pads and spacious, echo-ridden synths that create a playful yet compelling melody with a highly memorable bassline. Euplea is arguably the most stirring cut of the four, with a whirlwinding pad and incessant bass that emerge from the first bar. Nocturna brings forth equally spatial sounds, arched around a massive build up with a breathtaking drop. Its the perfect drama-infusing track, an ace in the sleeve when deployed at the right timing. Channeling huge drums in a tribal-like ambiance, Endless creates suspense through minimal layers and lofty pads, rounding off the release in a well-timed manner.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT236 | Giorgia Angiuli – In A Pink Bubble

Cover Artwork Giorgia Angiuli – In A Pink Bubble

Giorgia Angiuli's debut album In a Pink Bubble channels the artists effervescent persona and own bubbly style in a 12 track-long, honest musical expression. Drawing inspiration from her first worldwide tour, where life on the road was impacted by personal loss, the album title In a Pink Bubble captures the essence of the artists mindset, caught in between the artistic world and real life: I felt like in a pink bubble, between memories and new experiences, between darkness and colours. Brandishing an immersive sonic sphere, the classically trained musician played and recorded all instruments throughout the album, including her favourite weapons of choice, from her beloved 60s guitar to vintage analog synths like the Moog Sub37, Juno 106, the infamous O-B-6 synth and more.

The synesthesia of dark and colourful with new and old memories stands at the core of the album, as introspective airy tracks intertwine with more dynamic, bass-heavy constructions.

On its luminous side, we see cuts radiating with crystalline, microscoping sounds with sweeping ambience like the opener A Perfect Day in Tulum, leading the listener on a nervous path towards more obscure tracks such as Copenhagen and Nothing to Lose, until bringing the atmosphere to a boiling point. Music is Life encapsulates Giorgias passion for her craft, an intrinsic part of her life that brings peace and inspiration: Music is life with wings, sit in the warm water, just reflecting, being. Creation and being inspired represent another major theme present throughout the album, both in the eponymous track Inspiration, as well as A Temple Made by Air, where the artist can be heard singing: Passion means satisfaction, wrong emotions create distortion, come with me to enjoy the green, stop losing time on your screen. Channelling an overflow of emotions, a return to humanity comes as a resolution for the artist, the central idea in The Contact is a Cure. Giorgia feels that, although useful, technology is the big nightmare of our society, and we are all missing the contact with nature and human beings. Rounding off the last part of the release, the sun-drenched Pink Bubble stands as reflective and intense, managing to transfuse the same magnetism that is quintessential to Giorgias live performances.

With In a Pink Bubble, Giorgia Angiuli refines her signature sound across a range of tempos, in a project that can be appreciated both for its intricate groundings and beautiful simplicity.

SVT235 | Various Artists – A Tribe Called Kotori

Cover Artwork Various Artists – A Tribe Called Kotori

A Tribe Called Kotori creates a place of spirituality. At the Berlin-based gatherings forward-thinking music and psychedelic art installations coalesce into an electric atmosphere, which all 27 carefully curated tracks of the second A Tribe Called Kotori Compilation embody. Chapter Two starts here.

SVT234 | Township Rebellion – Balance

Cover Artwork Township Rebellion – Balance

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Township Rebellion step up with the autumnal-inspired, adventure-ridden four-track EP Balance. Opening track Romeo revolves around a sparse, dramatic bassline and similarly sentimental synths, making for introspective flashes on the dancefloor. On November were greeted by grand melodies with huge, spacious pads and monumental breakdowns, the perfect ingredients to spark up those emphatic, hands-in-the-sky type of moments. Meanwhile, Monocloque flips the script and reveals ample pads in a spectral, dark sound palette, decked with ominous synths and looming resolutions. Splatters of percussion and haphazard chords are key on Compass North, rounding up the release in a similarly lofty yet dance-provoking manner.

SVT233 | Kellerkind – Playground

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Kellerkind unleashes sprightly melodies that liven up the floor in his Playground EP, consisting of an assortment of filler-free grooves.

Those Nights is outlined in bold sound strokes - radiating synths and catchy, twilight-drenched vocals lead to a near-apocalyptic breakdown. A straightforward, punchy slice, its arguably the danciest cut on the release, with the other three following closely. Meanwhile, Playground is centred around a tribal-infused melody accented by wind instrument loops with a predominantly eerie aesthetic.

A stripped-back cut with playful ethnic vocals, Lelelales charm lies in its minimalist backdrop that puts the emphasis on the vocals and exotic instrumental bits.

The Smooth Operator exhibits a subtler atmosphere, melding equal parts groove and feeling into a heady sound while remaining in the same auditory realm as the rest of the EP.

SVT232 | KlangKuenstler – Dimension Null

Cover Artwork KlangKuenstler – Dimension Null

Klangkuenstler returns to SVT with the release of his to the point, two-track Dimension Null EP.

The title cut Dimension Null sets the tone, with an attention-grabbing, dancefloor-filling excursion into gritty techno. Accented with a punchy bassline and a straightforward, uncompromising melody, it holds a tight grip on the listener, unveiling suspended chords followed by a hypnotising release.

At the heart of Eternum, an equally compelling but darker slice, lies an arpeggiated sequence that constantly shifts shapes and bounces off syncopated percussion pads. An electro inspired track with a rave sound aesthetic, it oozes understated confidence and dance appeal that is quintessential to any set.

SVT231 | Deorbiting – Paranorama

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Fresh faces Christoph Deckert and Christian Schilgen aka Deorbiting concoct delightfully level-headed string-based music in the Paranorama EP which includes two originals, one collaboration and three remixes. Paranorama is a lofty, majestic string-ridden composition, where sounds bounce like clouds off the fluid production. Synths adorn expansive pads in an overall immersive ambience that enchants and animates. Niko Schwinds remix takes a more dubby approach, while subtly maintaining the initial unrepressed atmosphere. Next up, Kalipo manages to reimagine the track into a riff-heavy, synth-indulging experience. Cara No, a joint effort with Aaaron, unveils a more moody setting, following in the same pensive yet stimulating resonance. On the flipside, Zero Wing showcases a gloomy soundscape with glitched out pads and eerie details. Sunken piano keys add to the melancholy, elevating the multi-layered construction. Kuriose Naturale adds shrilling bits and spiralling loops of impending doom, offering a more dramatic and acid-tinged version of the original.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT230 | Various Artists – Stil vor Talent Berlin I Tempelhoferfeld

Cover Artwork Various Artists – Stil vor Talent Berlin I Tempelhoferfeld

We return with the sixth installment of the beloved Stil vor Talent Berlin compilation series, which brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of Berlin's best repurposed space. Since Flughafen Tempelhof ceased operating in 2008, it has given hours upon hours of joy and peace to the city's public in the form of Tempelhof Feld, a gigantic park crisscrossed by the airport's former runways. The perfect retreat to unwind in, right on the border of Kreuzberg and Neukölln. As always, music is the common denominator and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visuals.

SVT229 | Hidden Empire – Mind Palace Remixed

Cover Artwork Hidden Empire – Mind Palace Remixed

Hidden Empire enlist an array of diversely skilled producers to take on their choice of tracks from the duos acclaimed debut album, Mind Palace. Japanese producer and Terminal M alum Drunken Kong chooses to remix Black Beauty, whose initial rolling bassline takes a step back, leaving way to a resonant construction made entirely of spacious elements: huge pads, grandiose synths and punchy kickdrums. One of Branko and Niklas most elaborate productions, Tornado, undergoes the rework treatment from fellow label artist Transcode. The initial synth riffs receive added arrays of strings that back it up and contribute to an overwhelming, cinematic menace. The exotism-infused Fafnir is the third track to be remixed, by none other than techno connaisseur Gregor Tresher. Its originally dense lead turns into a stripped down backdrop for polyrhythmic synth loops and syncopated kicks in a melancholic yet uplifting melody.

SVT228 | HRRSN – The War on Empathy

Cover Artwork HRRSN – The War on Empathy

Seasoned producer and performer HRRSN strikes up a fresh slice of his vocal-driven electro melancholia, with Kid Simius, BONDI and Schlepp Geist providing a side of grade A remixes.

Crystalline sounds paired with a sweeping ambience become the perfect backdrop for HRRSN’s profuse vocals on Better Off. Airy pads float alongside affecting harmonies, creating rhythm and emotion as the track culminates into a serene resolution.

Leipzig-based Schlepp Geist applies his movie soundtrack approach to production on the remix, adding immersive textures and percussive details that bring the track to new heights.

BONDI’s remix unveils a deep and searching tone, with added strings and glitched up patterns that reset the initial mood and put the chorus at the epicentre of the entire construction.
Stand Tall sees HRRSN diving deeper into the wistful territory that his sound palette encapsulates so effortlessly. Sustained notes and a light synth haze come to a boil just as the vocals reach an emotive peak: “Through you I got a glimpse of this feeling called love/I’m heading home”.

Retaining the raw emotion of the vocal, Kid Simius delivers an upbeat, disco-infused bit with a meandering synth melody that settles and gradually unfurls.

Closer Riptide provides an intense cinematic experience, with stirring piano pads bound to the artist’s crooning vocals. The track swells and reverberates, assisted by fluttering blips and taps that add to its moody suspense.

All in all, a release where HRRSN showcases maturity both as a singer and producer, with apt alternatives that make it a diverse and fulfilling assortment of soundscapes.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT227 | Oliver Koletzki I Niko Schwind – Noordhoek Remixed

Cover Artwork Oliver Koletzki I Niko Schwind – Noordhoek Remixed

Following the release of Oliver Koletzki and Niko Schwinds South African sonic exploration-turned album Noordhoek, three artists apply the remix treatment to their favorite tracks.

Andhim adds tropical flavor to the already lush Subati, bringing together syncopated layers and a latin-infused vocal, shifting perspectives and ultimately morphing the piece into a scintillating crowd mover.

Brazilian duo Xique-Xique take on Noordhoek with their prevailing, slow burner approach. Distant yet familiar soundscapes permeate and intertwine with dreamy pads, bringing the track to a serene simmer.

Known for his passion for afro house, Daniel Rateuke administers his trademark moves to Subati, which takes a renewed, groove-heavy form. Aptly operating tribal drums and indigenous vocals and percussion, the track becomes an avalanche of rhythm and energy that makes for a great mood-setter.

SVT226 | Teenage Mutants I Metodi Hristov – Teenage Mutants I Metodi Hristov

Cover Artwork Teenage Mutants I Metodi Hristov – Teenage Mutants I Metodi Hristov

Mainz duo Teenage Mutants explore the dark side of melodic techno in their Running EP, with Bulgarian tech house patron Metodi Hristov as guest remixer.

A power packed anthem, Rising uses an undulating bassline to map out rhythmic patterns, while looming synths add a raw feel to the overarching melody.

Title track Running unveils an arpeggio-heavy construction, as drum sequences build up an abstract melody, in a nervous rhythm that moves through a cavernous space brimming with sonic flares and distant synth echoes.

Metodi Hristov rewires Running, administering a dose of rolling, groove-driven electro to this unapologetically compelling slice of techno. The artist operates frenzied percussion and irregular synth layers that all come together in unison for repeated, slow burning yet effective breakdowns.

SVT225 | Elfenberg I Lake Avalon – Elfenberg I Lake Avalon

Cover Artwork Elfenberg I Lake Avalon – Elfenberg I Lake Avalon

Dutch producer Lake Avalon teams up with mysterious duo Elfenberg for a split EP consisting of four spatial, tribal-infused original tracks with exotic names.

The opener Atlantis acts like an immersion in viscous chords sustained for the entirety of the track, with synth arrays lighting up the lead in what can be described as an ultimate suspense-builder.

Celestia amps up the pace, while exploring a similar sound print characterised by radiating synth rays wrapped up in liquid percussion.

Elfenberg showcase a murkier soundscape, as Kigelia plunges in with a tribal drumline and ethereal percussion. Exotic elements come about in the shape of chanting vocals and atypical whistles, blending in seamlessly with the melody.

Last but not least, what makes Satao special is its evocative production, kicking off as a slow burner, with enough sometimes-subtle-sometimes-abrupt shifts to sustain an upbeat and punchy tempo fit for stirring up the dancefloor.

SVT224 | Jiggler – Rising

Jiggler loads up heavy summer vibes in his Rising EP, with heat delivered via three original tracks fit for the festival season.

Rising stays true to its name, packing fieriness from the kickoff. A high-spirited bassline zig-zags underneath scintillating synths, with the energy growing as the percussion and noisy bleeps build up.

Easing off the tension instilled by the previous track, Losing Me is the quintessential sun-drenched, buoyant summer melody complete with winding synths and highly euphoric leads.

Chasing the sun rounds off the light-filled release by unleashing distorted synth rays and glowing vapour trails that pass in subtly different configurations.

SVT223 | Various Artists – Schneeweiß 9

Cover Artwork Various Artists – Schneeweiß 9

Over the years, Berlin has been cited as Oliver Koletzkis main point of reference and, more importantly, his endless source of inspiration. His albums Großstadtmärchen and Großstadtmärchen 2 are wholehearted tributes of the German capital, as its importance is continuously hinted and charted. Friedrichshain, one of Berlins vibrant districts, has always held a special place in Olivers heart. This is where he started out when he first moved to the city, and this is where he lives now. Kreuzbergs wall paintings adorn Stil Vor Talent s cover sleeves and host their headquarters. There are little to no corners in the city that havent brought a spark of inspiration into the mix. The Schneeweiss compilation series, now at its ninth installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. Each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times, acting both as a reminder as well as a timeless sound capsule for the years to come.

SVT222 | Oliver Koletzki I Niko Schwind – Noordhoek

Cover Artwork Oliver Koletzki I Niko Schwind – Noordhoek

Extraordinary pieces of music have long stood in direct correlation to the physical surroundings that inspire them. When Oliver Koletzki and Niko Schwind packed up their Berlin studios last April to spend a month locked away in a cottage nestled in the stunning nature of Cape Towns Noordhoek area before heading to AfrikaBurn, little did they know that its long beaches, dramatic mountain views and the heritage of its indigenous people would have such a profound effect on the club-ready sound they had championed with a string of EPs and live-performances since 2015. The result of four weeks of geo-cultural stimuli and creative experimentation culminated in the album Noordhoek, released in May 2018 on Stil vor Talent.

While the productions on Noordhoek display the same on-point sound design of previous Oliver Koletzki and Niko Schwind releases, the impressive emotional depth and electronic floor-focus of its twelve tracks effortlessly merge with complex rhythmic textures to form a contemporary narrative on ancient dance rituals. After a roller coaster ride through twelve versatile yet coherent productions, one thing is certain as the ultimate crack of thunder crashes down on Noordhoek: South Africa fuelled the creative energy of two remarkable musicians, who where able to translate the abundance of their impressions into a truly original world of sound.

SVT221 | Sam Shure – Nandoo

Now at his second Stil vor Talent effort, Sam Shure rolls out five exotism-infused tracks in his signature style, including one collaboration and one remix in cahoots with label veterans Niko Schwind and Oliver Koletzki. Named after an exotic South American bird, Nandoo kicks off with a subtle bassline and gradually blossoms into a string-heavy breezy cut, as playful as it is dynamic. Label chief Oliver Koletzki amps up the exotic appeal, adding tribal vocals and eccentric yet organic-sounding elements, leading up to a tension-filled, dance-frenzy inducing break. With its slightly more sober musical range, Theben acts as a grounding agent, offering the perfect foundation for exploring. Piano loops, synth leads and oriental vocal elongations all make an appearance and amalgamate in an eclectic and lively piece. Simsim serves up an evenly warm and airy atmosphere, with the artist smoothly intertwining layers of strings with engaging synth leads.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT220 | Daniel Rateuke – Bagkat

Point House Records label owner and Dusseldorf club resident, Daniel Rateuke manifests his passion for afro-house rhythms in his first Stil vor Talent release with two dancefloor-ready numbers.

Title track Bagkat summons a tribal excursion into South African rhythms, dialing into a rhythmic mysticism by layering exotic percussions and nostalgic vocals. And impending sense of tension and release stirs up a constant excitement, a sonic trait that transcends onto the second cut.

Yenboo strikes out as an inherently heady, intense slice, with a bubbling energy and sweeping drive. Indigenous elements are omnipresent, soothing yet stirring in an array of harmonic invocation.

SVT219 | Various Artists – No Filler Just Killer

Cover Artwork Various Artists – No Filler Just Killer

Fourth time around the block, the No Filler Just Killer get up plunges with an energetic and wide-ranging volume of dancefloor weapons from label veterans and newcomers alike.

Prismode & Solvanes Octopus begins with an exposed kick suspended by intricate melodic strings and spare percussion. Driving but deep, it bears a sense of mystery that is both captivating and fresh, leading on to Kiko and Thomas Gandeys TX1, which dives even further into an otherworldly realm. With Umami, Heerhorst continues to explore the darker and more introspective side of tech, while Boy Next Door takes us down the rabbit hole with the stamina-brimming dungeon techno track Heron. Bjorn Stoerig shifts up the mood with Mettetin, a steady groove-tech journey with subtle tribal flavours. Irish forerunner Ejeca rounds up the lot with Zatoria, an arpeggio-heavy masterpiece boasting a sultry bassline and floating chords.

SVT218 | Giorgia Angiuli – No Body No Pain

Cover Artwork Giorgia Angiuli – No Body No Pain

Composer and multi-instrumentalist Giorgia Angiuli helms SVT218 in her trademark vibrating manner, offering up a total of five tracks, with newcomer Sam Shure and seasoned duo Moonwalk in charge of the remixes. Colourful and vivid - two words that not only describe Giorgias appearance but her overall performance and production style. The classically trained singer and producer is known for using an array of toy instruments to shape her sound, a versatility that makes its mark throughout the EP. Enlisting the talents of Kittball and Toolroom alumnus Lake Avalon, the artists put together a captivating, string-heavy piece centered around a meandering bassline entitled You Caress. Moonwalk take on remix duties, morphing the track into an intense synth-heavy construction coiled around the soaring vocal. No Body No Pain dives into the dark corners of melodic Techno through a whirlwinding exploration full of dynamism, while Because I Like It blends grave synths with dreamy atmospheres, courtesy of Angiulis ethereal vocal delivery. Sam Shures remake is infused with the emotional energy of the original, whilst plunging into its own wormhole of glitched vocals and undulating synth loops.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT217 | Rafael Cerato I Transcode – Rafael Cerato I Transcode

Cover Artwork Rafael Cerato I Transcode – Rafael Cerato I Transcode

SVT217 sees a split EP exploring deep tech and biting techno by French producer Rafael Cerato joined by Lunar Plane and Simon Doty on the A-side, with Manchester-based talent Transcode on the flip.

Rafael Cerato enlists Turkish duo Lunar Plane for two slices of tribal infused grooves. While Darkclaw opens up subtly and marches along a winding intro and zig-zagging lead, Guru takes the exotic mantras one step further. Centred around a hypnotic sitar loop, the build-up makes for an intense, hands-in-the-air moment at peak time, with an energetic release. Known for his remixing chops, The Dome finds Canadian Simon Doty lending his producer skills alongside Cerato in a dark and winding journey into late-night techno antics.

Previous Stil vor Talent signee Transcode pushes the envelope of his usual style with three spacious and dynamic tracks. Adonis elevates with its upbeat yet slightly nostalgic mood, while the meandering percussion holds the pieces foundation. Ominous synths and spacious leads mark Orbital as another exciting prospect aimed at stirring up the dancefloor. Skynet rounds up the release on a similarly haunting note, offering up darker textures in perfect contrast with the preceding tracks.

SVT216 | Hidden Empire – Mind Palace

Cover Artwork Hidden Empire – Mind Palace

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Bridging instrumental tact with melodic mysticism, live act and DJ duo Hidden Empire present their debut album Mind Palace, the fruit of their labour of one whirlwind year. On Stil Vor Talent they find a welcome home, having already gained traction with several releases on the label as well as other renowned imprints such as Suara and Filth On Acid.

Ranging from downtempo electronica to iterative techno with groovy house incursions, the diversity of the genres explored across the 16 tracks mirror the Cologne-based artists own sonorous influences as well as their diverse musical sympathies.

Fluid, atmospheric tracks set a consistently lush vibe overall, from the esoteric kickoff track Journey Into the Self to subtle warm-up tools like the oriental-instilled Hummus and Fafnir, or the couples first vocal collaboration Pure. Fellow Cologne singer Inga Nelke brings a touch of sensuality with her soft vocal chops atop a broken beat-infused melody accented with gripping piano chords.

But its in club tracks that the album abounds, found often in antithetical pairings, whether its the marriage of a Moog bassline and warm Caribbean rhythms in Detroit in Limbo or the juxtaposition of analogue and digital rhythms on In The Woods, created using sylvan recordings as percussion. Its the title track Mind Palace, however, that reaches the apex of antipolar combinations, displaying a breakbeat-heavy lead doused in exotic vocals perched onto a steady bassline, underlining the artists knack for innovative rhythms.

A nod to the classic heydays of acid comes in the shape of Acid Flashback, centred around a massive synth hook courtesy of the iconic Roland 303, a tinge slightly present on the spiralling fierce cut Asmoday, albeit a fraction more subtle.

Energy is one of the key traits of the album, as Branko and Niklas conceive a copious amount of hard-hitting tracks that amplify and engage towards the second half of the record. Black Beauty oozes stamina from the get-go, its relentless groove guiding a subdued bassline and minimal elements towards the peak point. With Natural Takeover, a tech powerhouse with a tenacious lead and ominous vocals, the album reaches its darkest corner of the Mind Palace universe.

All in all, the artists showcase a plethora of straightforward tracks with heterogeneous sound aesthetics, where a closer listen can only reveal further and more elaborate depths.

SVT215X | Various Artists – Stil vor Talent

Cover Artwork Various Artists – Stil vor Talent

coming soon...

SVT214 | EdOne I Marc Holstege – EdOne I Marc Holstege

Cover Artwork EdOne I Marc Holstege – EdOne I Marc Holstege

On SVT214 we find Dutch musician and producer Marc Holstege split the bill with previous Stil Vor Talent & Defected alum EdOne on a deep and mesmerising techno incursion comprising five original tracks.

EdOne kicks off proceedings with In the Shadow, a playful piece doused in a quasi-nostalgic mood, decked in dramatic, strain-inducing synths. A tension-filled track, with ample build ups and intense breaks that set the mood for the entire A side. Spiral stays true to its name, building up a story through convoluted layers while carving out big chunks of space through minimal elements. The main runners here are undulating synths, creating hooks and breaks, and aptly timed whistled chants that give the track a sense of mystery. Circle amps up the dark factor a notch, exhibiting eerie and cavernous sounds atop a deadpan lead.

Marc Holsteges first track Bisou subtly commands attention from the first bars by the way of heavy-hitting, subdued percussion. The focal point, however, is a psalm-like chorus, that raises spirits up and guides the melody along with a perky bassline.

On the opposite side of the spectrum, we have Chasing Shadows, a dim track with an overcast mood. A snaking bassline pools underneath the main synth before making a way to a climactic peak point.

SVT213 | Elfenberg – Continents

Mysterious Swedish duo Elfenberg craft complex yet warm, organic electronic explorations in their Continents EP, an eclectic mix of worldwide influences aggregated intro three original tracks.

Opening track Cadenza explores an enigmatic African theme built on steady percussion and hazy vocals. Adding dramatism and nostalgia with whirl-winding synths, the construction reaches a floating peak point, evolving into a shimmering crescendo.

Gaivota plays with guitar clips and vocal loops to create an atmosphere of fragility and sentimental isolation. A solitary kick holds the track together and imprints structure onto the predominantly wavy melody, making it a great build up track.

Named after a North American Native tribe, Meskwaki steps things up with a stronger rhythm accompanying the wistful tribal vocals and undulating synths. Powerful percussive reverbs and low pitched drums create a seeming sense of calm, only to steer into a masterful drop, accompanied by avian chirps and trills.

SVT212 | Sam Shure – Kasra

Sam Shure breaks the ice with his first EP on Stil vor Talent and his first one to kick off the year.
With the title Kasra, a name signifying king or ruler in the Persian language, Sam gives a nod to his Egyptian influences, whose sonorous traits can easily be picked up on all of the three original tracks included.

The centrepiece of the release, Kasra, unfolds as a dynamic composition ridden with sonic glints, whether its sudden vocal chops or exotic instrument reverberations. The tribal-infused vocals give it a luscious gloss, while the uplifting synth lead pushes the tension to the breaking point.

Following in the same sensuous vein, but taking off on its own terms, Senorita grips onto a main vocal lead, whose soft howls add a nostalgic dimension to its buzzing synth backbone.

Dystopia goes beyond a sonic exploration and summons an entire realm with its integral dreamy esthetic. Rolling out nimble percussion and hazy synths, its an overall euphoria-inducing track filled with catchy piano loops.

Atish is responsible for the Kasra remix, providing an upbeat and more functional alternative to the original. The initial tribal vocal loop is subdued and minimized, while theatrical synths take the spotlight, ensuring a release finale on a compelling note.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT211X | Various Artists – A Tribe Called Kotori

A Tribe Called Kotori creates a place of spirituality. At the Berlin-based gatherings forward-thinking music and psychedelic art installations coalesce into an electric atmosphere, which all 28 carefully curated tracks of the first A Tribe Called Kotori Compilation embody. The journey starts here.

SVT210 | Moonwalk – Fatima

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Moonwalk put the spotlight on exotic soundscapes in Fatima, a cinematic release with three original pieces, blending their usual lively electronic explorations with an oriental flair.

The title track commences with subtly rousing drums, gradually building up a melancholic groove, perched on a backdrop of warm pads and spiralling synths.

Another set of oriental-inspired percussion comes to life in Zed, a lengthy journey of winding pads and shimmery riffs. The wailing vocal makes for a distinctive sound bite, while blending in deftly with the aid of a dramatic lead merged in ethereal throbs.

Mosaic brings forth another apt fusion of electronic and otherworldly elements. The symbiosis between the two remains linear, with incidental swings to each side of the realm, proving the artists ability to steer through divergent moods and combine them into a unitary, curious composition.

SVT209 | Various Artists – Best Of Stil Vor Talent 2017

Cover Artwork Various Artists – Best Of Stil Vor Talent 2017

A diverse and driving selection of the very best of Stil vor Talent in 2017 representing the established and the new wave alike.

SVT208 | Various Artists – Reborn After The Road Remixed

Cover Artwork Various Artists – Reborn After The Road Remixed

2017 has been a productive year for Several Definitions. Between club gig travels and extensive studio time, the Swiss artist has managed to release his debut album, the cinematic Reborn After The Road. Not long after, he offers up a selection of three remixes alongside a never-before-released track to round off the year in style.

The always lively duo Township Rebellion bring a breeze of mystery to The Escape on the A side. The initial unrelenting cachet of the composition subsides, only to be replaced with winding synths and zippy glitches that convey an enhanced air of urgency.

Berliner house and techno 90s proponent Marco Resmann takes on Reborn After The Road, in a percussion-heavy reinterpretation with subtle nods to rave-centric, cavernous electronica.

Several Definitions album creation journey has been fruitful, and despite the length of the initial tracklist, we see a new creation emerge for the first time. Driving Bassline channels a monotonous vocal on an gyrating synth backdrop, powerful and spell-binding at the same time.

Kellerkind puts his mark on the resolute Dancing with the Valkyrie, giving it a new life by the way of clanging percussion. Playful drums intertwine with placid synths, shaping up one of the more interesting pieces on the release.

SVT207 | Kellerkind – Cosmic Dance

Marco Biagini, the creative force behind Kellerkind, takes on an astral approach in his EP Cosmic Dancer, which includes four original tracks and one rework.

The title track kicks off proceedings in a skillfully dynamic manner. Fueling up a lively atmosphere from the first bars, the melody takes shape with the help of tribal infused percussion. A soothing vocal adds to the mix, layering up to a highly strained peak point with a highly anticipated release.

'Take Me Down' offers a bassline-heavy soundscape, with chopped up vocals and an array of undulating synths. Unveiling element by element seems to be Kellerkinds speciality, as he whips up compelling constructions that unfold gradually.

On 'Metropolis' the instrumental takes a backseat, leaving centre stage to a wailing female vocal. Mysterious yet gripping, the voice adds slabs of depth, instilled as well by the artists use of glitchy effects to articulate the tune.

'Conjunct' dives into the same ambience as the title track, consolidating the overall celestial mood. The piercing vocal highs and rumbling lows of the drum lead combine to a nostalgic yet inspiriting effect.

Newcomer Felipe Puertes spins 'Cosmic Dance' into a stripped down, percussion-heavy alternative to the original. Lightly treading vocal chops lend the track a deeper side, while subtle bass gives more energy to an otherwise rapid pacing track.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT206 | Danito & Athina – Feather Of Zeus

Cover Artwork Danito & Athina – Feather Of Zeus

Danito & Athina bring their special blend of exotic soul and groove electronics to the plate in four original tracks on the Feather of Zeus EP.

'Dionysos' starts off as a straightforward Techno exploration, swiftly entwined with lively percussion and ethereal strings. Its a formula that combines the dance appeal of groovy elements and the aptly crafted House and Techno soundscapes that are specific to their style.

Channeling placid percussion and a serene melody, 'Feather' sets a peaceful tone through an inherently minimalist, yet highly engaging composition.

Named after a paradisiac Greek island, 'Kos' stirs up easygoing atmospheres atop a playful melody. Restful bird trills and a grave vocal add another dimension to the quixotic tableau.

'Zeus' rings in a familiar construction with neatly layered textures. Whether its zig-zagging synths or a fizzy bassline, theres a simplicity that permeates and prevails at every step.

SVT205 | Hidden Empire – Build Your Empire

Cover Artwork Hidden Empire – Build Your Empire

Branko and Niklas, also known collectively as Hidden Empire offer up three original tracks channelling an impulsive and deeply moving soundscape, fitting to their usual approach.

'Black Beauty' kicks in with an energetic groove, massive bassline rolling in from the first bars. Its a relentless excursion into a cavernous Techno territory that rings true to its title.

A different slice of powerhouse Techno comes in the shape of 'Build Your Empire', a track brimming with thrilling synths and dramatic escalation.

'Transcending Time' offers a more penchant, yet equally dark Tech expedition, accented with haunting sirens along strings of various suspense-building elements.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT204 | Various Artist – Schneeweiss 8

Cover Artwork Various Artist – Schneeweiss 8

Over the years, Berlin has been cited as Oliver Koletzkis main point of reference and, more importantly, his endless source of inspiration. His albums Großstadtmärchen and Großstadtmärchen 2 are wholehearted tributes of the German capital, as its importance is continuously hinted and charted. Friedrichshain, one of Berlins vibrant districts, has always held a special place in Olivers heart. This is where he started out when he first moved to the city, and this is where he lives now. Kreuzbergs wall paintings adorn Stil Vor Talent s cover sleeves and host their headquarters. There are little to no corners in the city that havent brought a spark of inspiration into the mix. The Schneeweiss compilation series, now at its eighth installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. Each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times, acting both as a reminder as well as a timeless sound capsule for the years to come.

Artwork by: Lars Teichmann
http://www.larsteichmann.com/

SVT203 | Reinier Zonneveld – Shiver

Cover Artwork Reinier Zonneveld – Shiver

Reinier Zonneveld welcomes autumn with a versatile three-piece release filled with energetic numbers aimed squarely at the dancefloor.

Shiver kicks in with a massive bassline with ample kicks, creating an overall feeling of impending emergence. Intricately crafted synth work etches in suspense one bar at the time, on a backdrop of pensive melodics.

Do Your Thing establishes an upbeat, compelling dynamic from the first bars. The darkest of the lot, with its brooding and overcast ambiance looming in atop fiendishly chopped vocals, it makes for the perfect secret weapon to amp up the tempo, stirring up the tension along the way.

Elegant Paradox shows off Zonnevelds classical side, as he shapes up arrays of arpeggiated strings neatly drawn together into a radial, positive-resounding composition.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT202 | Oliver Koletzki – The Arc of Tension Remixed II

Cover Artwork Oliver Koletzki – The Arc of Tension Remixed II

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The second installment of Oliver Koletzkis Arc Of Tension remix series sees the Stil vor Talent lead pass down the remix reigns to a diverse crew of fellow House and Techno artists.

Monaberry founders Super Flu take on A Star Called Akasha, bringing their whimsical flair into the mix. While it retains the initial tracks hypnagogic ambiance, the rework brings forth a bouncier, percussion and string-heavy lateral that aptly makes for a playful yet sombre mood.

Known for his inciting live sets, Berliner Midas104 puts on his producer hat for an interstellar journey into electronica on the Planetarium remix, bringing forth a minimal and synth-ridden composition.

The Township Rebellion troupe chime in on the B side, offering up their own slice of aerial vibe on the Through The Darkness redo. Percussion takes the lead, as the artists concoct a mysterious portion of choral harmonies and upbeat strings, resulting in a guided journey out of the dark ambiance.

Octopus Recordings label chief Sian takes on the Techno powerhouse that is They Cant Hold Me Back, resulting in an ever stronger dose of pitch black pounding rhythms. Taking cues from the original melodics, Sians version is a straight, relentless four to the floor upshot.

SVT201 | Several Definitions – Reborn After The Road

Cover Artwork Several Definitions – Reborn After The Road

After showcasing his knack for emotive productions via various EPs throughout his career, including chart-topping singles on Hot Since 82’s Knee Deep in Sound and Dave Seaman’s Selador, the Swiss artist Several Definitions now reveals his first full-length album. It should come as no surprise that the artist found familiarity in what he calls the “Berlin style” of electronic music and notably, that of Oliver Koletzki’s Stil vor Talent.

Reborn After The Road is an intense and emotional affair, consisting of 14 tracks crafted using field and live recordings, switching between analogue and digital to mould a sonic atmosphere that emblazons the artist’s core ethos. Although the personal experience that sparked the inspiration for the LP is far from pleasant, Several Definitions’ style is audibly resolute.

Reborn After The Road, the album’s eponymous track, creates a fitting intro for the healing process that is to follow. Its airy pads and majestic strings sonically stand at the epicenter of the expressive album. Several Definitions continues to explore these sounds on vaporous slices like Pontcéard 32 or the more acidical Last Breath. The mellifluous, feminine vocals of LaMeduza on Learn To Feel and Her, as well as Spanish singer Goldsun’s crooner talents on the introspective Trust, on the other hand, showcase Several Definitions’ ability to work the human voice into his musical explorations. Taking introspection one step further towards darker realms, Senelity then feels like a rite of passage into the deeper and more intense segment at the album’s core. Over You briefly signals a turning point, with its alarm-like synths and grave leads, which is then followed by the glitchy resistance on Modular Spaces. The Escape presents itself as a natural occurrence after the string of turbulent, sometimes conflicting feelings – it is a final attempt at evading the depths of animosity. Next, Dancing With Valkyrie comes in as a determined resolution, introducing a new wave of more enduring, complacent moods, also evident on Help and Don’t Stop To Fall. Preparing the exit by way of straight-to-the-point techno, Target Topic rolls into Her, the final piece of the emotional puzzle.

Conceptually, Reborn After The Road is the sonic vessel for a cathartic process, conjuring up atmospheres reminiscing of different phases in life: childhood, the strength of unconditional love, and the inevitable sorrow that accompanies death. The humanity of the emotions on show explains the music’s universal appeal, as Several Definitions offers the listener a glimpse into an artistic healing process.

SVT200 | Various Artists – Stil vor Talent Berlin - Alexanderplatz

Cover Artwork Various Artists – Stil vor Talent Berlin - Alexanderplatz

To celebrate our 200th release, the fourth installment of the Stil vor Talent Berlin compilation series brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of Berlin's metaphorical aorta.

Alexanderplatz or more specifically, its TV tower the 'Fernsehturm' is one of the city's most iconic spots, bustling with locals and tourists alike. A stroll through its subjacent U-Bahn station exemplifies Berlin's multitude and diversity like no other place in the city.

As always, music is the common denominator and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visual.

SVT199 | Oliver Koletzki – The Arc of Tension Remixed I

Cover Artwork Oliver Koletzki – The Arc of Tension Remixed I

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Oliver Koletzki follows up his latest full-length material, originally encasing 13 tracks with a series of remix EPs. The first of the two sees the label head's 'A Tribe Called Kotori' and 'Tankwa Town' rearranged, totaling four brand new mainstage-ready reinterpretations.

The main artist himself contributes an alternate version of the melodic electronica ballad 'A Tribe Called Kotori', the forerunner of the album. Dubbed 'Woodfloor', this variant boasts affluent rhythmical percussions, that swiftly and righteously amp up its dance-floor appeal.

Chris Schwarzwälder steps up with another reinterpretation of 'A Tribe Called Kotori', channeling on its dubby layer and injecting more zest through playful drums and a subtle slice of buzzy synths.

Usually known for his vibrant productions, Niko Schwind offers up a surprisingly laid-back yet highly captivating rework of the oriental folk-tinged Tankwa Town. The tracks initial Bengali instrumentation transfigures into its less acoustic, more glitchy and electronic sounding rendition.

Meanwhile, on the flipside, we find Berliner Kleintierschaukel conveying the prime arrangement into a harmony-heavy exploration. A deeply immersive piece, the remixs central earworm comes in the shape of aptly crafted sitar loops.

SVT198 | Teenage Mutants – Le Voyage

Cover Artwork Teenage Mutants – Le Voyage

Teenage Mutants sets sail in a new journey into deep tech, shaping up a mosaic comprising of five original tracks. Palais kicks off proceedings with a revving lead and ascending melody. The journey theme becomes evident from the outset, as the track marches along, gradually building up into an upbeat construction. Dub vibes aplenty come about in Couer, as tribal drums create a heavy-hitting yet pensive start. Anchored in sweeping synths and subtle elements, the percussion remains prominent throughout the cut, making it a great dancefloor weapon. Concorde, a term near-synonymous with aircrafts, one of three collaboration tracks with newcomer Heerhorst. It swiftly unveils dark and brooding atmospheres. With the help of an initial heavy kick drum doubled by percussive elements and an electricity-tinged lead, it conveys an intense ambiance. A male vocal chanting French lyrics kicks in, ultimately unveiling the reason for the overall morose mood: its all centered around love. Opera is a string-heavy arrangement where distorted loops reign supreme. Yet another slice of melancholy in the form of a moody lead makes its presence, instilling tension and dynamism. Breaking out into an array of synths at peak time, confusion intertwines with darkness, mixing together in the end. Jour plays upon a parallel sequence of loops, garnering complementary tones in a constant zig-zagging motion. Strobing noises and hellish melodies occupy opposing corners, mediated by a playful bassline.

SVT197 | Township Rebellion – Aviation EP

Cover Artwork Township Rebellion – Aviation EP

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German producer collective Township Rebellion sign a string-heavy three tracker of deeply blissful tech house collectively titled Aviation.

Dolores kicks in with an immense groove, setting up a grandiose backdrop from the get go. Scintillating synths and spacious arrangements send the track into euphoric heights, while the punchy bassline triggers instant movement.

Lumen bears a melancholic loveliness, revealing a rumbling bass and soft, airy pads. What intensifies the mood, however, is a haunting chord progression paired with a fittingly ghostly vocal, giving the track a new dimension.

Next Life consists of a back and forth dynamic piece, making use of the 1993 classic spoken word vocal-poem Get Up. Its upbeat and looming style adds a sense of impending doom, amping the tracks dance appeal.

SVT196 | Julian Wassermann – Lyra

Munich Based Julian Wassermann glides in between his usual areas of musical dexterity, blending Deep Techno and Electronica into a souring four-tracker.

First of the lot, Sol, offers up a fluid melody dotted with acidic synths. Evident from the get go, the track bears a clear cinematic underpinning, a common mark throughout the entire release. All elements are geared towards elevating the overall experience, resulting in a highly emotive and captivating piece.

Hazy atmosphere is the main theme in Lyra, a towering tech house exploration featuring misty vocals and zippy synths. Its a construction that sustains a light headed tension, equally immersive and spellbinding thanks to the airy vocal chops.

Lofty moods meet fiendish ambiance in Sirius, a whirlwinding cut fit for late night antics. Evoking a surreal, dungeon-like setting seems to come easy to the artist, who balances out light and obscure on the entirety of the EP.

Argon is not just a noble gas, but in this case a high strung slice of techno, powering through with arrays of metallic synths and an upbeat melody. Edgy elements combine with arching synths and snappy bites, building up a perfect dancefloor weapon to round the release off in style.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT195 | KlangKuenstler I Jiggler – KlangKuenstler I Jiggler

Cover Artwork KlangKuenstler I Jiggler – KlangKuenstler I Jiggler

At the intersection of house and deep tech, KlangKuenstler and Jiggler join forces and give a nod to the good ol rave days in their upcoming split EP. Klangkuenstlers 'Save The Rave' is a current-day take on a 90s classic sound aesthetic, when electronic keyboards reigned dancefloors. Complete with a brooding bassline and acid tinted flare ups, the resemblance to the rave sound is striking, yet the artist manages to put his own mark on the arrangement, adding plenty of bounce and energy. 'Impact' tells the story of a slow paced, gradually unfolding construction. Solemn strings build up tension, joined by eerie loops at its apex, making for an unpredictably stirring breakdown. Klangkuenstlers second offering 'Exodia' picks up on the rave segment as well, but the sequence is downplayed and carefully layered with wavy synths and processed percussion. For his double take, Jiggler explores deep techy atmospheres in 'Stairs', a powerful, bass-heavy cut with plenty of dancefloor appeal. Carving out a resonant melody, accented with lively vocals, the track strikes a perfect balance between upbeat and dreamy.

SVT194 | Giorgia Angiuli I Marc Holstege – Giorgia Angiuli I Marc Holstege

Cover Artwork Giorgia Angiuli I Marc Holstege – Giorgia Angiuli I Marc Holstege

Italian composer and multi-instrumentalist Giorgia Angiuli signs off on her first SVT release, cropping up her emotion infused, all-around sensorial acoustic in four original productions.
The Tenax Club resident is well known for her versatile sets, where she combines keyboards, drum pads and theremin sounds with those of sax, toy flute and trumpets. A diverse arsenal which allows her to constantly shape a vibrating and lively groove on the dancefloor.
Giorgias knack for versatility in her live sets is also easily distinguishable throughout the EP. Layering numerous instrument samples and loops, she paints an intricate picture on Hidden Garden. Airy pads prevail a heavily harmonious yet melancholic lead, while glitchy accents complete the scene. Distorted vocals paired with dreamy whimpers offer an enigmatic overlay, adding to the heightened mood.
Axial Tilt comes in centered around an arpeggiated piano loop, as radial synths chime in and out, on a backdrop of metallic bites. Interspersed are Giorgias ethereal vocals, adding more depth and colour to the entire construction as it drifts off to a full stop.
Sumptuous strings champion off Maaari, an emotion-ridden exploration of pensive synths. Lengthy, winding sequences gradually build up the melody, meeting at a highly intense peak point thats bound to stir up and animate its audience.
Mixing the dramatic with the serene, Alpas doesn't push you to move, but listen. The bassline is subdued, enveloped by upbeat blimps with the focus kept on the lead. The overall tone is bittersweet, packed with contrasting details that come together in the artists signature style.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT193 | Oliver Koletzki – The Arc Of Tension

Cover Artwork Oliver Koletzki – The Arc Of Tension

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On his sixth album "The Arc of Tension" the Berlin based DJ, label owner and producer OLIVER KOLETZKI yet again presents his remarkable vision of contemporary electronic music, while he assumes the role of a storyteller. The Arc of Tension speaks to its listener as a singular, self contained work, which communicates by way of its natural flow and arc of suspense. The latter is mirrored not only in the multifarious narrative of the actual album, but can also be understood as evidence for its creator's long musical history. While Koletzki focussed on a diverse range of vocal collaborations on his previous long players, he now moves on to a different form of storytelling, rooted in the quiet confidence of a veteran musician, as well as the hectic lifestyle of a globally in demand DJ. The Arc of Tension is the psychonautic journey through the various continents of Oliver's consciousness. The quiet chirps and warbles, which initially unfold on the opener 'A Tribe Called Kotori', thus act as a loose associative bridge to 'Der Muckenschwarm', Oliver's big breakthrough hit of 2005. The first minutes of the album leave no room for doubt we are immediately locked into an autobiographical world of sound that knows how to captivate from the get go. The dreamy, exotic timbres of the downbeat tracks 'By My Side', Tankwa Town' and 'Byron Bay' penetrate our minds in a subtle yet purposeful manner. But soon the tension tightens and organic sounds one by one evolve towards a sterner, electronic cadence. The bittersweet neon synths of 'Spiritual Not Religious' pave the way for the complex rhythm of 'A Star Called Akasha', an early highlight carried by melancholic cellos and contemplative piano chords. The ultimate turning point follows with 'Through the Darkness'. Here, at the album's centre, Koletzki starts continuously upping the tempo and leads the way with his very own, melodic interpretation of today's techno Zeitgeist, which he has been shaping since 2015's 'Iyéwaye'. 'Planetarium', 'They Can't Hold Me Back' and 'Chaturanga' exemplify, moreover, that a fusion of delicate musicality and sheer force leads to impressively ecstatic results. With its rough guitar chords and the acidic chitter of the TD303, 'Power to the People' rings in The Arc of Tension's ending, until we fully take off into space, weightlessly propelled by the ambient drones of 'The Day We Leave Earth'. Ultimately, what lingers is the feeling that we are being granted a deep glance into the innermost being of an outstanding artist.

SVT192 | Niko Schwind – La Musica Obscura

Cover Artwork Niko Schwind – La Musica Obscura

Throughout his more than a decade-long career, Niko Schwind’s own production filled sets have always aimed at transcending the audience from dancefloor reality into an otherworldly house and techno journey. His latest studio effort, La Musica Obscura playfully explores the boundaries of the two realms in four action packed tracks that spell pure energy.

Starting off with the title track, Fake Reality involves an ethereal ambiance made up of airy pads and lightning synths, while a fiendish vocal permeates every bar. Alternating strained build-ups with composed releases, each sequence dovetails fittingly into the next, painting a deep and dark techno incursion.
German trio Township Rebellion dive in on the remix, offering up a vibrant and melodic alternative of the original. Channeling on their own soundprint, the melody seems to have an added spring in its step, following a drilling yet highly danceable narrative.
Frisk commences with a tension inducing, stretched build up advancing at a steady pace into a hazy number. Itchy hi-hats accent the climax, breaking down into an array of zig zaggy synths that linger on. The Beat bears a certain touch that helps all of the tracks cohere, making the release come together as a whole.
On La Musica Obscura, Niko enlists fellow producer UV for a gradually developing low key groove. Biting synths rev up into a spiralling loop that progresses along with the construction, while keeping feet and shoulders moving.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT191 | Fideles I Transcode – Fideles I Transcode

Cover Artwork Fideles I Transcode – Fideles I Transcode

Techno meets Tech House in Transcode and Fideles’ latest work, a split release that sees each act put forth three original tracks packed with dancefloor heat.

UK forerunner Transcode initiates the journey with Magnetic Empathy, an attractive slice of subtle weaved Techno tension. Complementing its subdued nuance is Flutter, which unravels an array of arpeggiated strings, building up a slow paced yet a highly strained chunk of Tech House goodness. The most aggressive piece of Transcode’s triptych, Supremacy summons a dark and cavernous ambiance. A white noise dotted intro launches into a highly strung and progressively riveting Techno burner.

On the flipside, Innervisions alum Fideles channel their multi-layer productive chops kicking off with L’Alba. The main focal element is an ascending cluster of whirl winding synths. Tyred exposes a restrained bassline that stays constant throughout the track. What inspires is the sparkling melody crafted out of varying layers of bells and chimes.

Soft percussion announces Wired Mind, while swarms of dainty synths make up the melody. The track's uplifting riff creates an introspective mood, a fitting finale for an EP filled with club weapons.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT190 | Hatzler – Another Life

Hamburg based Mathias Hatting aka Hatzler doles out a slice of heavy hitting Techno in his Another Life EP, joined by Citizen Kain & Kiko as well as Bulgarian Tech House champ Metodi Hristov.

Collider kicks in with stomping bass and a high energy lead. Instilling an overall dark and dungeon like ambiance, glitched out synth pads dominate the melody, which booms and shuffles before settling on a single rhythm.

Citizen Kain & Kiko team up on the rework, bringing some French flair into the mix. Initiating proceedings is a highly strung, pulsating bassline that buzzes along, dotted with acidical noises and dissolving hi-hats.

Title track Another Life rings in via an undulating synth line, setting in motion a highly mesmerising array of rolling elements that conjure distant, cavernous frequencies. True to its name, the overall setting of the track evokes otherworldly soundscapes as the groove seems to orbit around alien-reminiscing dubs.

On the remix, Metodi Hristov slows down the pace, but keeps up the winding getalong. Metallic synths riff off towards a highly anticipated peak point, following a wavy path streamlined with erratic, ear-piercing synth bites.

All in all, an unhinged four-tracker where the artists’ experimentation makes it great for late-night antics.

SVT189 | Reinier Zonneveld – Centaur

Cover Artwork Reinier Zonneveld – Centaur

Reinier Zonneveld gets in touch with the spiritual side of techno, channeling airy grooves with new age influences in his Centaur EP.
Calling on the vocal prowess of Deva Premal, a musician known for her meditative spiritual new-age style, Reinier succeeds an unusual combination, pairing his trademark dynamic techno soundscapes with the songstress’ ancient Buddhist and Sanskrit mantra chants in Invocation.
Teaming up with Dutch veteran Secret Cinema results in Extreem, an upbeat and cloudy slice of mesmerising, straightforward deep tech that leaves no room for layovers. Dark synths, relentless basslines and cavernous elements come together to forge the perfect late night ambiance.
The eponymous title track comes in third, set forth by a chopped up vocal sample paired with a tight-knit lead line. Incisive sound bites introduce a sharp synth sequence that swiftly takes over and establishes itself as the central motif and relentless earworm.
A fitting finale to the release, The Groove stays true to its name, unfolding as a wavy melody with zig-zagging layers and sinuous details. Spring-like particles wonder about on a backdrop of rolling bass and hard hitting, punchy drum pads, crafting a piece that’s equally immersive as it is dance-inducing.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT188 | Various Artists – Schneeweiss 7

Cover Artwork Various Artists – Schneeweiss 7

Over the years, Berlin has been cited as Oliver Koletzkis main point of reference and, more importantly, his endless source of inspiration. His albums Großstadtmärchen and Großstadtmärchen 2 are wholehearted tributes of the German capital, as its importance is continuously hinted and charted. Friedrichshain, one of Berlins vibrant districts, has always held a special place in Olivers heart. This is where he started out when he first moved to the city, and this is where he lives now. Kreuzbergs wall paintings adorn Stil Vor Talent s cover sleeves and host their headquarters. There are little to no corners in the city that havent brought a spark of inspiration into the mix. The Schneeweiss compilation series, now at its ??? installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. Each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times, acting both as a reminder as well as a timeless sound capsule for the years to come.

Artwork by: Lars Teichmann
http://www.larsteichmann.com/

SVT187 | Hidden Empire I Boy Next Door – Hidden Empire I Boy Next Door

Cover Artwork Hidden Empire I Boy Next Door – Hidden Empire I Boy Next Door

In the DJ booth Hidden Empire and Boy Next Door all bring their immersive sets, packing up heat and energy on the dancefloor. The same can be said for their productions, which are industrious club catalysts, as they show in their latest joint release consisting of a power-heavy four tracker. Hidden Empire kicks off affairs with Lost in Time, a resounding deep tech incursion centered around a throbbing bassline and swift percussive arrangements. The groove carves out space through alternating buzzing synths and a hellish vocal, creating an acid-tinged dungeon-like atmosphere. This seems to set the tone for the entire release, as Get Lost brings to a focus an equally murky ambiance, filled with voluminous elements and heavy synth pads. An ominous vocal enhances the overall gloomy mood adding suspense, while arpeggiated chords bring in a contrasting slice of warmth and light. Boy Next Doors first offering comes in the form of Dael, a gradually unfolding marathon of a piece, dotted by zig-zagging synths on a backdrop of a fidgety, nervous bassline. The track evolves into a stripped down wavy synth cut, suitable for shifting up gears. Koba shows off BNDs systematic treatment of bangers featuring a tense bassline and anxious percussion. Using pounding drums and a dramatic rise, it eases into a cinematic construction with ample build ups and relentless loops. All in all, a set of intense dancefloor tools fit for late-night antics as well as transitioning swiftly into the after hours.

SVT186 | Moonwalk – Abstract

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Moonwalk kick off 2017 in their usual style, unrolling the first production effort of the year in the form of three original tracks and a collab with label mate Teenage Mutants.

Komet comes in swiftly with a low end throbbing bass, setting a murky mood. The duo apply one of their hallmarks, developing an uplifting winding groove that is equally enveloping as it is relentless, making for a great build-up track.
Recalling a celestial atmosphere, Abstract offers an upbeat tech house exploration featuring alert arpeggiators and an optimistic melody.
Odensa, a coop with Teenage Mutants emerges from the same dark standpoint, laden with earworm synth loops and a sunken bassline. While the combination provides a steady backbone, the groove is leavened by a chordal countermelody that seizes the main focus.

By far the gloomiest track of the bunch, Vite sees Moonwalk and Teenage Mutants join forces and intersect styles in a buzzing banger full of familiar elements. A paced rhythm, rave pads, dubby stabs and subtle kicks craft a relaxed, yet effective build-up. Moonwalk and Teenage Mutants’ knack for deep tech flourishes and synthetic tones finds perfect expressions in this EP, ranging from low to high energy heaters fit for any set time.

SVT185 | Various Artists – Mega City Servant Remixed

Cover Artwork Various Artists – Mega City Servant Remixed

After the resounding success of his debut album Megacity Servant, Reinier Zonneveld enlists the talents of four reputed producers to give a selected few of the tracks the remix treatment.
First up to bat is the SVT label chief himself, with an uplifting rendition of Abstinence. Morphing the initial winding groove into an elevating, lofty piece, Koletzki puts his signature mark while adding a dash of acid washed punch into the mix. Suaras top cat Coyu takes on Reiniers chart-topping collab with Cari Golden, Things We Might Have Said. Leveraging on one of late 2016s most rinsed vocal hooks, the Spanish producer amps up the pace, adding wonky leads and accents for a more fiery version of the original. Secret Cinema and Egbert team up for a near-psychedelic exploration on the EHT redo, building up an array of minimal tech sequences with wavering rhythm kicks and electric synths.
All in all, three unexpectedly contrasting offerings, rounding up complementary styles into a release brimful of dancefloor versatility.

SVT184 | Township Rebellion | Marc Holstege – Township Rebellion | Marc Holstege

Cover Artwork Township Rebellion | Marc Holstege – Township Rebellion | Marc Holstege

Joining forces from adjacent areas musically as well as geographically, Township Rebellion and Marc Holstege each contribute two resounding original cuts. The German producer collective initiates side A with Aphrodite, a spacious and majestic construction that pieces together uplifting synth arrays with a brooding bassline and an overall elevating groove. A slice of near-symphonic dub tech that elates and captivates at the same time. Gaia comes in progressively, kicking in with a stripped down bassline only to escalate into a full on body mover, powered by grave synths and pensive leads. Boomy percussion lays the base for industrial pads to amp up the highs, reinforcing the somber atmosphere. Holstege’s premier offering, ‘Mangata’ unfolds sequentially, as the producer pairs a deep, melodic intro ridden with celestial chords to a sunken kick drum and metallic percussion. Strings and harmony make up the main pillars of ‘Sonorous’, used to craft a melancholic and mesmeric deeep tech exploration. Warped synths announce a tense buildup, ultimately reverting to the overtone of the initial string motif.

SVT183 | Kellerkind – Fideles

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Fideles and Kellerkind cross paths into a split EP consisting of six original tracks showcasing their individual yet complemental production styles.

Haptic’s murmuring vocals are at the center of Vitamins, a playful exploration of fluid atmospherics. A clanging bassline provides the backdrop for whirlwinding synths, as the vocals build up an enveloping, dance-inducing tension. Wave Echoes kicks in lively from the get go: a relentless, steady percussion tied into a wandering baseline are the constant mainstays. The melody slowly develops as a fuzzy wandering pad adds another dimension, equally spacious as it is heavy.

Carving light with synth sweeps and spacious reverb, Illumino takes shape as a deep tech introspection. Accented with whirring bits and maintaining an elated undertone, it effectively embodies the ever-ascending, never-releasing groove that’s perfect for peak time hours.

Kellerkind steps up to the plate with Subzero, a slice of cavernous dub tech. Breathy vocals and sparse ethereal elements set a dreamy mood. Underlined by smooth piano chords, the vocal develops into a full fledged hymn that is both emotive and mesmerising. For his second take, the Swiss producer embarks on a techno tinged journey. Opting for distorted synths and a stomping bassline, he aptly crafts a near dungeon-like atmosphere only sweetened by a lush female vocal. Teaming up with Sven, they offer up Shakti Pan, a meeting point between tribal infused percussion and deep-set riffs. Hollowed out drums and bells chimes touch on chorus vocals and manage to create a highly immersive experience, rounding off the release on an uplifting note.

SVT182 | Teenage Mutants & Ed One – Chapter Two

Cover Artwork Teenage Mutants & Ed One – Chapter Two

Teenage Mutants & Ed One join forces and talents and devise a full-throttle four-track original release that takes no prisoners. Starting off the dive with an energy-ridden piece, \'Alive\' sets in with jangling percussion and a steady groove. The narrative centers on an upbeat melody with discrete tribal nods, gradually unfolding to reveal disparate, mystery infusing synth rises. A ghostly vocal ultimately appears, aptly bringing together the initial grooveplay and the surreal atmosphere. \'Uncharted\' takes on an equally cryptic note, embarking on a progressive journey filled with eerie pads and metallic loops. The producer pair manage to weave an expandingly mesmerising melody, zeroing in on the dramatic chords of the building lead synth. On the flipside, \'The Question\' emerges as the punchiest track on the release. With a rolling groove, bouncing bassline and laid back atmosphere, it makes for a perfect dancefloor warmer. Gliding pads alternate wavy synth chops, while arpeggiated synth flares provide a dark hazy undertone. A whirlwind of graveness, \'Kiko\' reveals an undulating introspective synth lead, with a stripped back bassline. Equally structured and immersive, it boasts an understated balance between depth and gloom, that makes it the most functional track of the release.

SVT181 | KlangKuenstler – Rise Against The Arp

Cover Artwork KlangKuenstler – Rise Against The Arp

Versatile producer and industrious DJ KlangKuenstler steps up with a fresh offering of four dancefloor-ready tracks, including two reworks. Despite its provocative title, Rise Against The Arp swiftly reveals its use of melodic arpeggios. Running against a backdrop of groovy percussion and zippy synth pads, the arps build up an immersive synth tunnel that’s an instant attention grabber. Enlisting Hector Couto for the rework, the second track offers a more mellow and laid-back version of the original. The arps lose prime position in favour of a gradually rising melody underpinned by relentless percussion. Do that once provides a more playful construction, balancing out the other half of the release. With old school house style vocals and a groovy yet haunting beat, it manages to strike all the right notes that define a tech infused house anthem. Arado shows off his penchant for developing groovy dubbed-out tracks on the remix. With a stripped back soundscape lined by chopped up vocals, his take proves an equally playful and hypnotic arrangement with an extra dose of bounce.

SVT180 | Various Artists – Stil vor Talent Berlin - Kottbusser Tor

Cover Artwork Various Artists – Stil vor Talent Berlin - Kottbusser Tor

The third instalment of the “Stil vor Talent Berlin” compilation series brings forth a new gang of carefully selected artists, gathered under the umbrella of another underground Berlin hotspot.
Kottbusser Tor is undoubtedly the beating heart of Kreuzberg, unashamedly pulsating 24/7 with the good, the bad and the ugly. There\'s no place quite like it, thanks to its raw charme.
As always, music is the common denominator and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visual.

SVT178 | Reinier Zonneveld – Megacity Servant

Cover Artwork Reinier Zonneveld – Megacity Servant

Channeling the energy echoing off dancefloors along his path, Reinier Zonneveld has been on a steady slope rolling out dance igniting productions while touring an intricate live set. Megacity Servant, the artist’s third studio effort, stands as a coherent 16-piece techno outfit tinged with experimental tones while playfully deconstructing classic acid and disco fragments. Coming from a classical music background, Reinier’s style of production ranges from cavernous powertracks to more concise trips subdued with melancholic piano-stemmed soundscapes, rounding up to a signature sound that is evident as it is enveloping.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT176 | Niko Schwind – Mr. Plastik

Cover Artwork Niko Schwind – Mr. Plastik

Book now!

Melodicity and punch are the two main accents of Niko Schwind’s \'Mr. Plastik\' EP.
\'Over the Trees\' unfolds with a floating groove, based around a thumping bassline with powerful percussion. Ultimately, Lil Magdalene’s delicate and ear-catching vocals make an appearance, balancing the grit of the instrumental with lush lyrics and building an entirely new dimension. Co-opted for the remix is label head Oliver Koletzki, who engages in a complete rework of the melody. Equally playful, but in turn minimalist and dramatic, a relentless synth groove directs the focus to the danceable elements. Uone joins Schwind on production duties for \'Mr. Plastik\', a minimalist tribal groove with heavily processed vocals and distorted synths. One for the body, not the mind, which also comes in the form of German Brigante’s Sunday Morning remix. The vocal hook stays centered with added winding synths and eerie sound bites , making for a perfectly spacious Sunday Morning groove.

SVT175 | Several Definitions – You Are Not Alone

Cover Artwork Several Definitions – You Are Not Alone

Dreamy aesthetics intertwine with dancefloor athletics in Several Definitions’ You Are Not Alone EP. The title track emerges via a slow paced wandering bassline, making for a gradually immersive intro. Padded with ethereal synths and aerial whizzes, Alone’s dreaminess increases tenfold showcasing the artist’s crafty melodic side. Hatzler jumps in on the remix, kicking off with a bumping bassline from the get-go. Injecting bass and grit is one of his known production traits, and he manages to give Alone a straightforward, still dreamy yet solid groove appeal. Antala sets off with thumping bass drums, laying the foundation for an ascending synth array. Melancholy is key, as grave synth loops layer onto dramatic strings, creating a tightly wound arrangement. Bjoern Stoerig’s rework comes with added drum loops and high pitched synths, as he aptly shifts the track’s dramatic high points, reconstructing the overall resonance. Despite its jovial name, Esmeralda comes in the form of a dark and murky melody, accented with sharp busts and winding synth bits. Esmeralda’s mood upholds the collective gloominess of the entire lot and offers up an intricate incursion into deep tech realm.

SVT174 | Various Artists – Schneeweiß VI Presented by Oliver Koletzki

Cover Artwork Various Artists – Schneeweiß VI Presented by Oliver Koletzki

Over the years, Oliver Koletzki has continuously cited Berlin as a point of reference and, more importantly, a source of inspiration. Two of his albums Großstadtmärchen and Großstadtmärchen 2 have been a direct ode to the capital. Friedrichshain, one of Berlins vibrant districts, has always held a special place in Olivers heat. This is where he started out when he first moved to the city, and this is where he lives now. Schneeweiss, one of Friedrichhain\'s best and most loved restaurants, is just around the corner. Over the course of eight years, the stylish eatery has impressed many a Berlin foodie with its contemporary take on alpine cuisine and attention to detail.

Music is part of the experience here, which is no surprise due to one of the owners extensive background in Berlins club scene of the early days. Pairing striking award-winning interior design with a homely laid-back atmosphere, Schneeweisswelcomes everyone with open arms: Kiez locals and celebrities, students and businessmen, hipsters and families all can be found here, Oliver Koletzki among them. Thus, after many a late-night label dinner an idea slowly formed. Why not join forces and collaborate on a compilation that represents both, Oliver Koletzki\'s and Schneeweiss taste? Compiled specifically with the restaurant in mind, SVT174 once again convinces as a tasty treat for the music connoisseur and a musical treat for the culinary aficionado. Bon Appétit!

SVT173 | Various Artists – Teenage Mutants vs. Moonwalk

Cover Artwork Various Artists – Teenage Mutants vs. Moonwalk

Dreamy melody crafters Moonwalk show off their techno side as they double up with label mainstay Teenage Mutants for a split-EP. Moonwalk set the coordinates signing off the incipient track, a pensive composition boasting a steady bassline traced with scintillating whirs. Lush vocals complete the melody, while additional metallic percussive pads densen the groove, trailing off to an abrupt halt. ‘Meteora’ props a cynical mood, as grave synths interlace, gradually unraveling a crisp and straightforward arrangement.

Teenage Mutants’ first contribution comes in the shape of the tribalesque vocal infused ‘Bokawa’. Kicking off with an immersive percussion, ‘Casio’ instantly comes off as a heavy hitting, dancefloor absorbing cut. Constant blipping ticks reveal the title connection, while synth sequences cushion the groove line. Despite using an array of additional elements, the bassline remains the centerpiece and ultimately makes for an incisive earworm.

SVT172 | Various Artists – Hidden Empire vs. Channel X

Cover Artwork Various Artists – Hidden Empire vs. Channel X

Hidden Empire and Channel X go back to back productionwise and set off a joint release with 6 original dancefloorready compositions. Apocalyptic vocals proclaim (This is) \'Not the End\' in the analogously entitled track, triggering the release on a dynamic and fast paced tone. With a playful groove laden with descending synths, the piece buzzes along on a backdrop of alternating noise leads.
\'Dinosaurs in Space\' evokes a far away land through cavernous soundscapes and metallic rattles, ranking as the series’ most spacious sounding cut. Pairing mechanical subsynths with high pitched bits and blobs, \'Elephants & Ants\' plays on contrasting elements as the murky melody unfolds in a steadfast fashion. After mainly focusing on their live performance.

Channel X return to the studio to dole out a matching set of three aptly crafted arrangements. An amalgamation of shadowy soundframes make up \'Before Midnight\', a deep tech exploration complemented by matchingly eerie vocals.
Spirited synths and a boiling bassline are the central tenets of \'Lift off\', as the melody rolls out gradually. \'Waves\' brings together slices of undulating synths and wobbly sound articulations, all in an upwinding manner. With a groovy vocal sample, the track deftly morphs into a movementinducing frenzy.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT171 | Pete Oak – Celsius

Pete Oak returns to SVT with a three piece EP chock full of murky melodies and introspective compositions. Kicking off the endeavor with Celsius, Oak reveals his penchant for soulful and emotive soundscapes early on. The first track unfolds as a slow paced ascending piece, ridden with scintillating bits and synths subtly winding up the entire groove. The outcome is a tense dancefloor cut with a spectral, ethereal appeal. Noctua takes off full energy from the get go, setting a gloomy mood by layering dense synths over a punchy bassline. Heavy distortion follows the break off, offering a striking release that goes to a full dramatic stop.

Similarly dynamic, yet with a completely different take on the up-tempo groove, Yama plays on assorted arrays of synths. Evoking a stirring atmosphere through timely crafted symmetries, it offers up a fitting, unwinding final track for the EP.

SVT170 | Worst Case – Rocket

Worst Case’s “Rocket” EP comes at us with two hard hitting originals and three reworks anchoring on the talents of some of the finest producers around at the moment.

“Rocket” opens up swiftly with an effervescent bustle, as the groove is slowly built up through ascending synth leads. The ear catching leit-motif though is an insurgent guitar sample, reminiscent of 70s power solos. Despite the overall oldschool flavour of the track, we’re quickly reintroduced to present day soundscapes, as we reach its peak point. Surprisingly enough, the tension is smoothly resolved and the original dynamic is reverted.

Centered on a setup of layered vocals, “General Opinion” offers an upbeat groove from the get go, bolstered by a carefully crafted array of ascending whizzes, tribal roars and clattering bells. Distant cut-outs of the vocals create a spacious and relaxed outro, unwinding to a full stop.

US sound traveler Clint Steward revamps “Rocket”, building up anticipation through percussive slabs. Promptly triggered cavernous bass snippets enthrall and intrigue, as the ambiance morphs into that of an otherwordly sonic journey.

Niko Schwind injects his trademark oomph, giving “Rocket” some extra boost. Balancing sharp chops with subversive synth detonations, the piece gains even more fire to fuel the dancefloor.
From the other side of the globe, Aussie Murat Kilic reshapes the audio storyline in “General Opinion” to a progressive, uplifting affair peppered with sunken ringers. Still playing upon a vocal sample from the original cut, the track shows off a jagged edge, displaying a deeper and darker version rendition of the latter.

SVT169 | Various Artists – No Filler Just Killer Vol. 3

Cover Artwork Various Artists – No Filler Just Killer Vol. 3

Having already laid out the groundwork as a compilation that means serious dancefloor business, the third installment of No Filler Just Killer comes with a fresh scoop of five original tracks that will amp up your club game.

First in rank is Oliver Koletzki, firing up proceedings with “The Heartless”, an energy packed piece rimmed with pulsating synths. The resolute bassline sets a dark ambient, while its low pitched vocals give the cut a raw techno dungeon feel. Electro veteran Asem Shama signs the second track, a relentless dance-inducing groove that kicks in from the first beat. Constructing a subtle build up, held up by clusters of glitchy motives, Magic’s Gonna Happen descends into a lingering, abrupt finale. Babylon Angels starts off deceivingly atmospheric, with a laid back approach and neutral vocals, only to dive immediately into a percussive dance frenzy. Aptly timed claves and clangs intertwine with the vocal sample, swaying the focus off the bassline at times and making way for a powerful break.

As the name suggests, Space of choice by newcomer Dabu Davout leads us into a cavernous land of ample sounds, reverbs and echoed vocals. The twisted melody morphs into a percussion driven groove at first, only to switch into a highly infectious synth-laden rave sequence leading up to a grandiose, hands-in-the-sky peak point.

Ferdinand Dreyssig’s stripped down Amnesie triggers off slowly but surely, only to amount to a thumping powerhouse banger. Warped leads and contorted stabs add to the spiralling groove, adding an uplifting dimension to its preceding layers.

SVT168 | Reinier Zonneveld – Parade at the Bazar

Cover Artwork Reinier Zonneveld – Parade at the Bazar

Reinier Zonneveled busts a move in his latest five-piece release consisting of four original efforts and a remix contribution by Pele.

Under You puts proceedings in motion, opening with a hard hitting bass that keeps the vibe going relentlessly throughout the track. The cutoff offers a slight release, only to amp up the dancefloor workout factor with subtle synth leads and staggering percussion. A churned down rework follows, as Pele injects a dub feel through tribalesque drum loops and wobbly synths, giving the track a spacious and atmospheric impression.

Floating about in sub bass and faint rattles, title track Parade at the Bazar emerges as an obscure exploration of the deep ends of techno. A stirring bassline holds the reins as the groove unfolds into a thumping breakdown with electro-mechanic blips.

Wrong Premises takes off with a mind boggling clanging sample that sets a mysterious mood. Punchy bass fills the space, while an artificial vocal sample locks the groove into place.

A multitude of layered claves and clanks charge up on Broken Sawtooth, all bearing the same common denominator: oscillating, saw-like sound bites. A dismal ambient develops, steadily trailing off into a melodic discharge lined with lush vocals.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT167 | Third Son – Form / Void

Third Son’s Form/Void EP materializes itself in the form of four original tracks with Teenage Mutants on remix duties.

The title track makes for a swift introduction into the EP’s overall mood, setting an enthusiastic and uplifting tone by way of aphasic percussion patterns and beaming synths. Instead of conglomerating elements at peak point, the British producer builds up anticipation by temporarily suspending them, intensifying the post breakdown release. Prospara is a dub-centered track with tribalesque hitting drums and patterns interspersed with hi hats and glitches. The multitude of layers increases exponentially throughout the track, while their versatility crafts a profound sense of space.Emerging from a solid and grave bassline speckled with high pitched synth cuts, Alaska frames a colder and darker atmosphere. The artist masterfully uses synth chords to assemble a recurring ascending groove that ultimately leads to a soft release.

Teenage Mutants puts on his remix hat and spins Alaska’s cold gloom into a spiralling and enthralling sonic trip with great club appeal. The final offering of Third Son’s sonic compound - Kepler Reprise - is the only track where the human element is made present, through the ghostly vocal sample. The track flows naturally as a wavy sound exploration that is at the same time down to earth and otherworldly, thanks to escalating and zippy synths.

SVT166 | Julian Wassermann & Oliver Deuerling – Monopterus

Cover Artwork Julian Wassermann & Oliver Deuerling – Monopterus

Munich based producers Julian Wassermann & Oliver Deuerling stick to their roots on their “Monopterus” EP. A sonic incursion into the deep ends of house and tech, the duo pay homage to their hometown, as each title track points us in the direction of a well known city landmark.

Much like the monument with the same name, “Monopterus” is a solid construction starting off with an exposed kick that’s soon suspended by intricate melody parts, spare percussion and ethereal synths. Björn Störig tones down the drama on the remix. By focusing on the percussive line, Störig reshapes the melody, giving the track a relentless groove with major peak-time appeal.

“Muechner Freiheit” surprises with its minimalist ambiental approach, as looped piano chords create a sense of celestial atmosphere. The track is stripped back and hypnotic, adding to its sense of airiness. “Schwabing” combines the complementary essences of the past two original tracks, fusing an atmospheric ambiance with a steady, energetic percussion. Hazy vocals increase the oneiric sensation, anticipating the uplifting and elating breakdown. The final track is a robust cut that\'s full of tension and brooding darkness. Whirring synths and electronic squelches intertwine with ghastly vocals, amping up the murky factor.“Omen” showcases an elegant exercise in layering unusual textures, and the perfect track to finish off the release.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT165 | Hatzler – AccenT

Hamburg based producer Hatzler’s EP is crafted to keep the dancefloor moving, with two original tracks and two remixes. ‘SkyT’ unfolds with a rolling groove that ascends abruptly into a throbbing, trance-inducing piece peppered with cavernous synth pads. ‘KreaT’ lays down hard hitting thumps from the get-go, doling out an undulating synth with whirring atmospherics. It’s these whirs that end up combining harmoniously with the swirling synth hook, leading to a highly anticipated peak time release. For his ‘SkyT’ remix, Sian amps up the theatrics, giving the track a dramatic dimension by infusing it with spacious reverb. Where Sian went down a more theatrical avenue, Ruiz plays down the emotion. Victor Ruiz’ take on ‘SkyT’ is a more stripped down approach, minimizing the elements and keeping the focus on the rolling bassline.

SVT164 | Koletzki & Schwind – Black Walls

Cover Artwork Koletzki & Schwind – Black Walls

Oliver Koletzki & Niko Schwind team up for a trip down the rabbit hole with “Black Walls”.

The title track fires off with a round of arpeggiated synths, a recurring pattern and focal point of the entire arrangement. Decked with sharp percussion and eerie synths, “Black Walls” unfolds like a downward spiral, in a mesmerizing and grave rhythm.

Reinier Zonneveld amplifies the depth of the track, by adding trance inducing layers. With the initial arpeggiated sequence at its core, Zonneveld infuses his own style of compact techno, reworking “Black Walls” into an entirely different rendition.

The closing track, although situated in the same deep and obscure registry, complements the raw power of the first two with the help of its smooth vocals. Paired with darker vocal pads and packing the same hypnotic rhythm, “My Vision” comes off as an imaginative melodic tech exploration.

SVT163 | Reinier Zonneveld – Rushchamber

Cover Artwork Reinier Zonneveld – Rushchamber

The energy and versatility we’re used to when Reinier Zonneveld takes the decks is immediately evident in his latest EP. Opening preceedings with “Sharp Bust”, a straight and to the point trancy bassline leads the way. Decked by mechanic stabs and hi-hats, the groove is simply hypnotic and relentless. ”Rushchamber”, on the other hand, bears a subversive groove, with a minimal and dark bassline. Glitchy cut up vocals give an eerie feel, as the whole atmosphere becomes more and more immersive by the way of multi-layered drums. The final offering, “Flatchat” is anything but flat. Its intricate groove shares the dark and immersive territory of the previous track, while another set of cut up vocals draw instant attention. A descending lead padded with reverb and stabby synths, the last track rounds up the release, ending on a grave and intense note.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT162 | Various Artists – No Filler Just Killer Vol.2

Cover Artwork Various Artists – No Filler Just Killer Vol.2

The second installment of “No Filler Just Killer” brings together a fresh batch of artists showcasing their dancefloor-ready weapons. Neapolitans Moonwalk finally release one of the hottest bangers of this summer and a Solomun favourite, “Phenomena”. Featuring fellow French producer Rafael Cerato, the groovy cut follows the producers’ outspoken motto of releasing quality deep house that doesn’t keep track of trends. Kellerkind’s “Destiny” slowly builds up on a gloomy, synth-laden bassline, sustaining a melodic tension even after the breakdown. Faint and discrete female vocal accents add an unpredictable depth and harmony, while metallic pads make up the backdrop. The third piece comes from Boy Next Door and unveils a rapid-paced pick up tune, where percussion sets the course. An array of synths, ranging from neutral to jarring add even more flow to the unrelenting dynamic of the track. We step into a dub infused area with Channel X’s ‘Supernova’, an otherworldly journey into spacious grooves lined up by restless zippy synths. The ever so charming KlangKuenstler is responsible for the closing number, entitled “Drunk in Chicago”. With a distinctively Chicago inspired tech-house lumpy bassline and rounded up synths, it’s an instant mesmerizer. After the hook, it only takes a wholesome drum pad loop to keep you on board and enjoy the ride.

SVT161 | Niko Schwind – Existence

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Niko Schwind’s latest output is a spellbinding five piece EP, with three original tracks and two remixes taking us down the rabbit hole.
‘Lost your Mind’ opens proceedings, building up on emerging synths that break down in a subversive atmosphere. Next up is ‘Existence’, a sinuous techy melody dotted by distorted cowbells intertwined with trippy vocals. Boy Next Door reworks the track, twisting it into its even more hypnotizing and entangling twin. Finally,‘Circles of Confusion’ seems to be composed of just that - circular cuts sprinkled with synths that round up the whole experience. Several Definitions gives the track a deep and dark reshape, using jarring synths and shuffling hi-hats that amp up the late night feel.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT160 | Various Artists  – 10 Years Stil vor Talent pres. by Oliver Koletzki

Cover Artwork Various Artists  – 10 Years Stil vor Talent pres. by Oliver Koletzki

Over the course of the past ten years, Stil vor Talent has striven to support emerging young artists, to continuously broaden and redefine its sound, and, ultimately, to create lasting memories, both on and off the dance floor. The dance floor is the place where we gather to leave the worries of our everyday lives behind, and, for those few moments, form a bond, which transcends the final track of the night. A bond between each other; between the artist and the dancer; between ourselves and the music. On \'10 Years Stil vor Talent\' we celebrate this bond and say \'Thank you\'.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT159 | Oliver Koletzki – Iyewaye Remixed

Cover Artwork Oliver Koletzki – Iyewaye Remixed

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\'Iyewaye\', Oliver Koletzki’s first release after the autobiographical I AM OK album, introduced a new facet of the artist’s sound. The EP catered to a darker and more raw aesthetic, a direction followed and deepened by the four remixes. First up is the title track \'Iyewaye\', turned into a lengthy tech infused introspection by Hatzler. Loosely centered around the initial vocals, Loco & Jam’s makeover explores the track’s captivating snappy narrative. The more rhythm focused \'Ipuza\' gets a special treatment from Hidden Empire who dial up the aggression of the percussion. Zakari & Blange downplay the track’s initial exotic elements, focusing on the rattling synths and giving it a late-night dancefloor rework.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT158 | Various Artists – Schneeweiß V

Cover Artwork Various Artists – Schneeweiß V

Schneeweiss V: a collaboration of neighbours.

Over the years, Oliver Koletzki has continuously cited Berlin as a point of reference and, more importantly, a source of inspiration. Two of his albums Großstadtmärchen and Großstadtmärchen 2 have been a direct ode to the capital. Friedrichshain, one of Berlins vibrant districts, has always held a special place in Olivers heat. This is where he started out when he first moved to the city, and this is where he lives now. Schneeweiss, one of Friedrichhains best and most loved restaurants, is just around the corner. Over the course of eight years, the stylish eatery has impressed many a Berlin foodie with its contemporary take on alpine cuisine and attention to detail.

Music is part of the experience here, which is no surprise due to one of the owners extensive background in Berlins club scene of the early days. Pairing striking award-winning interior design with a homely laid-back atmosphere, Schneeweiss welcomes everyone with open arms: Kiez locals and celebrities, students and businessmen, hipsters and families all can be found here, Oliver Koletzki among them. Thus, after many a late-night label dinner an idea slowly formed. Why not join forces and collaborate on a compilation that represents both, Oliver Koletzkis and Schneeweiss taste? Compiled specifically with the restaurant in mind, SVT158 once again convinces as a tasty treat for the music connoisseur and a musical treat for the culinary aficionado. Bon Appétit!

SVT157 | HVOB – Tender Skin/The Anxiety to please

Cover Artwork HVOB – Tender Skin/The Anxiety to please

The third and final EP from the latest album of HVOB is due for release on September 18.

HVOB\'s album \"Trialog\" was released in spring this year and continues to attract unwavering international interest. The interdisciplinary art project – prompting an invitation to perform a Boiler Room set in Vienna, touted by American Thump magazine as a contender for an \"Album of the Year\" award – is a perennial headliner on influential blogs and media such as XLR8R, Resident Advisor, i-D and ARTE after charting high on Beatport and iTunes. At the same time HVOB\'s world-wide tour continues to gather momentum, with concerts in cities from Cape Town and New York to Hong Kong and New Delhi.

The third and final EP from the \"Trialog\" album, \"Tender Skin/The Anxiety to please\", is now set for release on September 18. None other than Scuba and DJ Tennis have been enlisted to remix the double A side, the seventh EP from the electronic duo: Scuba manages to transform the fragility of \"The Anxiety to please\" into a subdued powerfulness, while the DJ Tennis remix of \"Tender Skin\" is similarly powerful and technoid.

\"Tender Skin/The Anxiety to please\" is released on September 18 as a double A side, on vinyl and digital on Stil vor Talent.

SVT156 | Various Artists – No Filler Just Killer Vol. One

Cover Artwork Various Artists – No Filler Just Killer Vol. One

An all-star cast compilation, “No Filler Just Killer” crams not one, not two, but four dancefloor bangers competing for peak time supremacy. Having recently released his “No Articial” EP, Several Definitions bring forth another mesmerizing tech house incursion in the form of the opening track “Us”. Fellow recent releasee Benotmane teams up with French house charmer Darlyn Vlys for “Quarantine”, a dive into the deep end of late night techno infused house fueled by the haunting, 80’s synth pop reminiscent vocals. Newcomers Hidden Empire give us a taste of their deeply moving soundscape with “Palmito”, a high strung techno anthem.Veteran Niko Schwind is responsible for the closing track, rounding up the assembly with the darkest and deepest track of the EP.

SVT155 | Various Artists – Stil vor Talent Berlin - Teufelsberg

Cover Artwork Various Artists – Stil vor Talent Berlin - Teufelsberg

The second instalment of the “Stil vor Talent Berlin” compilation series brings forth a new gang of carefully selected artists, gathered under the umbrella of another underground Berlin hotspot.

The former NSA station on the Teufelsberg hill is an emblem of Berlin’s tumultuous past, and a modern day pinnacle for alternative partygoers.
Offering the best panoramic view of the city, the 120-metre high artificial rise has been a constant source of creative flux, bringing together artists from all mediums.

As always, music is the common denominator and Oliver Koletzki delivers the perfect soundtrack with this new release, while Chrisse Kunst renders the visual.

SVT154 | Wind & Waves – No Artificial

Cover Artwork Wind & Waves – No Artificial

Self-disclosed as an artist ‘between house and techno’, Lausanne-based newcomer Jeremy Vieira aka Several Definitions rolls out his first release on SVT.

The EP opens up with ‘Wind and Waves’, a dark tech-house build up with uplifting synths accented by avian trills that give the track an eerie jungle mood, tailored for the late night freaks.

Boy Next Door is enlisted to add more depth and pace, turning the track into an even more profound nocturnal exploration, underlined by swirling analog synths.

The 7-minute long ‘Intro’ speaks for itself, as it gradually introduces the artist’s core sound elements that can be recognized shape shifting throughout the EP. Several Definitions hauled KlangKuenstler for the remix, giving the track a complete club anthem makeover with an infusion of wobbly synths and extra groove.

‘No Artificial Comments’ showcases yet again the artist’s knack for propulsion, as metronomic throbs develop a hypnotic synth-laden, last-track-of-the-festival, eyes-to-the-sky kind of feeling.

SVT153 | HRRSN – Modest Monuments

After the ghostly EP 'Skin and Bone', produced alongside partner in crime Marlon Hoffstadt, HRRSN is back on Stil vor Talent with a summer-ready arsenal of ear-catching tunes.
The kickoff track 'Foolish''s overtly nostalgic vocal hook evokes a sunset scene built up through hypnotic synths just before breaking down into a full-on immersive dance craze. Picking up the pace with zippy synths, Koletzki & Schwind twist the track into a late night trance infused anthem.
'Modest Monuments' takes us on another misty sounding journey backed up by a haunting bass-line and spheric vocals. On 'You Would Not Believe' we delve deeper into the estival ambience, with a boost of rolling tribal vocals highlighting the pulsating big-room bass, while Lars Moston's remix takes it to the other end of the spectrum, stealing the spotlight with trumpet instilled synths that overshadow the vocals.

SVT152 | Channel X – X

Revered live duo act Channel X showcase their acuminated production skills with their latest output. Aptly entitled 'X', the new EP marks a decade of the Berliners leaving their mark on the tech house scene. Opening track 'Out of control' draws you in immediately with its metallic percussion subdued by grave synths and deep horns, while the whispered, almost non-existent vocal sample adds to its overall deep and dark aesthetic. With its rolling bass-line ,"Refugia” seems to be the perfect club follow-up to ease the built-up rhythmic tension, while the Australian artist Uone gives the track an even lighter, energetic makeover. Despite its name, "Glowing" takes us on a dungeon ride by means of heavy hitting percussion, whilst Audiojack pump it with a dose of high-pitched fidgety synths for their killer remix.

SVT151 | Benotmane – Cross Hands

We welcome the Swiss newcomer Benotmane back on Stil vor Talent after
a year-long break, as he follows 2014's 'Sunqueen' with the impressive
'Cross Hands' EP. Kicking things off, 'Beyond' is a trance-leaning
peak-time track with a driving kick and an atmospheric synth-lead,
which also forms the foundation of Karmon's reduced and epically
building remix. Due to the tension between melancholy and euphoria,
handled masterfully by Benotmane, 'Abydos' is equally mesmerizing. On
his remix, Niko Schwind then translates 'Abydos's hypnotic qualities
into a darker, surprisingly techno oriented framework. 'Lemha',
another original, proves to be a trip into a paranoid realm of
shadows, perfect for the late hours. Lastly the title-track 'Cross
Hands' manifests itself as a romantic closing track aided by a
bittersweet chimes. Impressive stuff!

SVT150 | HVOB – Trialog

HVOB present their second album as an interdisciplinary work of art: ten physical processes are reflected in interactive installations, visuals and sounds.
With their successful debut album (‘HVOB’, 2013) and five EPs, HVOB have crafted a unique panoply of sound: intelligent and driving, challenging and melodic. ‘Trialog’, the second album by the producer duo Anna Müller and Paul Wallner, will be releases on April 17th.

I. Project

Above all, ‘Trialog’ is an interdisciplinary art project, comprising a discourse between the disciplines of sound, video and installation, realised by HVOB, the VJs licherloh and the visual artist Clemens Wolf.

The theme centres on ten ubiquitous physical processes, which are being documented and interpreted interactively on three artistic levels; via Clemens Wolf’s orchestrated processes, the lyrics and sounds of HVOB’s tracks, and the visuals by VJs lichterloh.

II. Album

Tearing, mixing, bursting, melting, oxidising, breaking, imploding, etching, bending, burning, track to video, video to artwork, artwork to track: ‘Trialog’ depicts the transformation of ten physical processes in ten tracks.

HVOB’s sound distinctively shapes the album, yet the duo now interpret their acoustic palette in darker, more accentuated, techno-leaning shades. Each of the ten tracks pursues its own individual dramaturgy: the opener ‘Azrael’ tears apart its built-up percussive tension, ‘Clap Eyes’ inches along frailly, ‘The Anxiety to please’ deepens and condenses until it implodes.

References, inspirations and associations between materials, processes and artistic disciplines create an artistic depth, which renders the album a highly complex and complete work of art.

III. Band

Within the space of three years, HVOB have not only established themselves within the international music scene by way of their releases, but also as a live-act. The duo strictly plays live and invariably performs with a drummer.

HVOB played in 20 countries in the past year alone; at CTEMF in Cape Town, the Berlin Festival or SXSW in Austin.

The conceptual framework of ‘Trialog’ will also be translated into a live-show. In dialogue with lichterloh and Clemens Wolf, HVOB have developed an audio-visual experience, which they’re presenting globally this year. Next to Europe, dates in Central and North America, Africa and Asia are already confirmed.

SVT149 | Iyéwaye – Oliver Koletzki

With 'Iyewaye', the first solo-EP after the release of his fifth album 'I am OK' last year, Oliver Koletzki shows himself in a new, but not altogether unfamiliar light: since his breakthrough in 2005 with 'Der Mückenschwarm' Koletzki hasn't sounded this hard.

Gone is the pop-angle, replaced by a dark sound-aesthetic and raw energy. But even here, in the Techno realm, Oliver Koletzki demonstrates his inimitable sense for melody: thus, the gloomy and driving framework of 'Iyewaye' is lit up by a crystal-clear synth-sequence. Similarly, 'Ipuza', which hypnotizes by way of reduction and repetition, is funky in its core thanks to a rolling tribal groove. Functional, but with heart and soul.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT148 | HVOB – Azrael/Ghost

‘Azrael’ and ‘Ghost’ form the two original tracks on HVOB’s sixth EP. Not only do they offer an acoustic and conceptual taste of this spring’s HVOB album, they are, moreover, accompanied by two remixes:

Pillow Talk from San Francisco (Wolf + Lamb, Life & Death) apply their sound to the pulsating and percussive arc of suspense that is album-opener ‘Azrael’, while The Field from Stockholm (Kompakt, Warp Records) dive into the ethereal fragility of ‘Ghost’.

‘Azrael/Ghost’ will be released on March 20 as a double-A vinyl and digitally on Stil vor Talent.

SVT147 | Illesnoise & Juli Holz – Illesnoise vs. Juli Holz

Cover Artwork Illesnoise & Juli Holz – Illesnoise vs. Juli Holz

With ‚Illesnoise vs. Juli Holz’ we present a split-EP by two young ladies, who masterfully know their craft.

During the past years, Illesnoise has made a name for herself in the Dutch scene as an unerring DJ with a distinctive feel for flow and melody. With ‘Nova’ she now celebrates her production debut. The result emphasises the maturity, which only a schooled DJ can bring to the table, as an enveloping bass-line glides through an arrangement of harmonic synth-bells and an emotive vocal loop. On his techno-leaning remix, Oliver Koletzki ups the tempo and focuses on peak-time atmospherics.

After a teasing hiatus, we are glad to welcome back Juli Holz, who has exchanged the emotional cotton candy for an altogether darker dance-floor-aesthetic. ‘Drive’ captivates by way of deep sawtooth bass and, of course, Juli’s brilliantly distinct voice, which can be heard here in the most diverse facets. Kind of leftfield, but marvellously danceable. Lastly, Dan Caster delivers a driving remix of epic proportions. Girl Power!

SVT146 | Koletzki & Schwind – She Wants Acid

Cover Artwork Koletzki & Schwind – She Wants Acid

Having established themselves within the global DJ circuit, label founder, producer and DJ Oliver Koletzki and his protégé Niko Schwind now team up for a floor-focussed live-project: Koletzki & Schwind. To be released on Koletzki’s own Stil vor Talent, ‘She Wants Acid’, their maiden collaboration, takes no prisoners.

The title-track is crafted around a booming groove, Witch Doctor-style stabs, and a vocal loop, until the duo plunge into a deranged acid break-down accentuated by ominous UFO synths. On ‘Fake-Return’, Koletzki & Schwind appropriate elements of trance, twisting them into a synth-led monster with growling sub bass. Lastly, jacking garage percussion and an old-school bass-lead drive ‘Sydney’, K&S’s homage to the golden age.

Having delved in to hip-hop, downbeat, or electro-pop with past solo productions, ‘She Wants Acid’ exemplifies one thing: Koletzki & Schwind are ready to party.

SVT145 | Aparde – Loom

Matching Berlin’s steel grey winter sky, Aparde’s cinematic electronica is of a moody yet moving quality. The Berlin based producer and live act kicks off the new year on Stil vor Talent with his ‘Loom’ EP, a stunning four tracker. ‘Equal’ establishes itself with emotive pads and growling bass, while on ‘Loom’ hopeful dub chords glide through a dense beat structure. ‘Urge’, meanwhile, focuses on a swelling trance lead to great effect. Lastly, ‘Cover’ combines a softly pulsating beat with longing vocals. Stunning!

SVT144 | Kellerkind – Move Me

Book now!

Just over a year has passed since the release of Kellerkind’s ‘Music is a Miracle’ album: now the Swiss talent finally delivers a new EP in the form of ‘Move Me’, which showcases how his sound has evolved. The title track is an atmospheric affair drawing you in with garage percussion, deep horns and icy synths, while the vocals add a layer of detachment. ‘Believe in You’ nods to classic Kellerkind by way of a disco groove – a neo-trance lead adds an extra twist however. Next up, Joachim Pastor turns ‘Move Me’ into a tour de force of musical wizardry, while Jiggler gets locked deep in the groove.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT143 | Joachim Pastor – Telfair

On our latest release, we welcome the Paris based musician Joachim Pastor with his stunning EP 'Telfair'. Here, Pastor, who has enjoyed a musical upbringing and has been mentored by Sébastien Léger, presents three playful and emotive tracks, that shine bright with warming melodies and nostalgic soundscapes. While 'Eche' is defined by romantic piano keys and bittersweet vocal loops, 'Hands High' bedazzles with epic strings and a crunchy beat. Lastly, the title track 'Telfair' showcases Pastor's musicality as it marries organic guitars with a piercing synth lead.

SVT142 | HVOB – Window

"Window": HVOB explores the boundaries of music

Music meets video meets installation: HVOB's new EP "Window" opens a trialogue between artistic disciplines.
The Viennese electronic duo HVOB has firmly established itself on the international electronic music scene with four EPs, a debut album and live appearances at festivals such as the Cape Town Electronic Music Festival and SXSW in Austin. The fifth EP, which was presented at this year's Parallel Vienna art fair and is about to be officially released, is the result of an artistic experiment by Anna Müller and Paul Wallner.

Above and beyond the music, "Window" is a complex art project. The EP is – like the electronic duo's follow-up album, scheduled for release in 2015 – the result of a trialogue with Vienna artist Clemens Wolf and the VJs lichterloh. At the heart of the project are materials and the processes of their transformation, addressed on all three artistic levels and wrapped up in a single work. Each track is therefore a self-contained piece comprising installation, music and video.

The EP is made up of four tracks: "Window", "Oxid" and two remixes of the title track. HVOB has been fortunate enough to collaborate with luminaries of the music industry: Gui Boratto interprets "Window" as a pulsating, emotive anthem to the joy of life, Acid Pauli places Anna Müller's vocals at the centre of an almost nine-minute journey through the HVOB world of sound.

The EP "Window" appears on the label Stil vor Talent and is available on vinyl and digitally from November 28.

SVT141 | Various Artists – Schneeweiss IV Presented by Oliver Koletzki

Cover Artwork Various Artists – Schneeweiss IV Presented by Oliver Koletzki

Schneeweiss IV: a collaboration of neighbours.

Over the years, Oliver Koletzki has continuously cited Berlin as a point of reference and, more importantly, a source of inspiration. Two of his albums – Großstadtmärchen and Großstadtmärchen 2 – have been a direct ode to the capital. Friedrichshain, one of Berlin’s vibrant districts, has always held a special place in Oliver’s heat. This is where he started out when he first moved to the city, and this is where he lives now. Moreover, the Stil vor Talent HQ is situated in the centre of the bustling Kiez.

So is Schneeweiss, one of Friedrichhain’s best and most loved restaurants. Over the course of eight years, the stylish eatery has impressed many a Berlin foodie with its contemporary take on alpine cuisine and attention to detail. Music is part of the experience here, which is no surprise due to one of the owners’ extensive background in Berlin’s club scene of the early days. Pairing striking award-winning interior design with a homely laid-back atmosphere, Schneeweiss welcomes everyone with open arms: Kiez locals and celebrities, students and businessmen, hipsters and families – all can be found here, Oliver Koletzki among them.

Thus, after many a late-night label dinner an idea slowly formed. Why not join forces and collaborate on a compilation that represents both, Oliver Koletzki’s and Schneeweiss’ taste? Compiled specifically with the restaurant in mind, SVT141CD convinces as a tasty treat for the music connoisseur and a musical treat for the culinary aficionado. Bon Appétit!

SVT140 | Oliver Koletzki – I am OK Remixed

Cover Artwork Oliver Koletzki – I am OK Remixed

Book now!

‘I am O.K.’, reads the name of the new album by the Berlin-based producer, DJ and label-owner Oliver Koletzki. The title’s ambiguity is, of course, deliberate: there’s a deeper meaning hidden behind the humorous facade that is Chrisse Kunst’s hand-drawn cover, which depicts an unadorned thirteen-year-old Oliver sporting nerd glasses and a striped jumper: I am Oliver Koletzki, raw and authentic. Because musically, on his fifth studio album, Oliver Koletzki looks towards the unaffected freshness of back in the day, and thus, consciously returns to his roots. On 'I am OK Remixed' we now present a string of high-calibre dance floor remixes to complete the package.

SVT139 | Boy Next Door – Living a Lie

Cover Artwork Boy Next Door – Living a Lie

Boy Next Door: quite contrary to the typical image advocated in American pop culture, a subliminally mysterious aesthetic dominates the music and visual style of the Berlin based producer and DJ of the same name. Instead of small town heartache in technicolor, BND stands for robust grooves, sharp hi-hats and infectious hooks – something he demonstrates on ‘Living a Lie’, his new track on Stil vor Talent. While the atmospheric original captivates with its emotional vocals and acidic licks, Oliver Koletzki focuses on a techno bass-line, spheric bleeps and a powerful drop. Our Swiss newcomer Benotmane also drags the original’s features into darker directions: here, cinematic synths mill through tight drum programming.

SVT138 | Hamlet – Piano

Just in time for autumn, Fran invites us into club music’s parallel world with the project Hamlet: aided by Oded K.dar (NÖRD / The Koletzkis) on the piano, she presents cover versions of beloved electronic classics such as ‘Sky and Sand’, ‘Limit to your Love’, ‘Howling’ or ‘Hypnotized’ on the fittingly titled album ‘Piano’. The initial idea came to the duo at a birthday party; the first baby steps followed the very next day. Surprised by the potential, the autodidactic singer Fran and the studied concert pianist Oded searched far and wide for the perfect grand piano, which they eventually found in the form of an old Steinway at the Greve Studio in Berlin. Thus, the drunken whim developed into fourteen beautiful covers over the course of numerous nightly recording sessions.

Reduced to vocals and piano, Hamlet let the original track’s essence resound. One is able to hear the soul of the song, as the minimalistic rendition enables breathing space. Moderat’s ‘Bad Kingdom’ or Kraftwerk’s ‘Das Modell’ suddenly appear like honest black and white portraits. The words and melodies, embedded in the harmonies of the piano, are like the wrinkles and peculiarities of a face stripped of make-up, emerging in a hitherto unseen fashion. A new aesthetic is created through the reduction. Removed from the club, the songs on ‘Piano’ are defined by their pure emotiveness – sometimes of a euphoric, sometimes of a melancholic nature – while they are also a nostalgic bridge to their original context. They seem like a vague memory of a late night; like the walk home in the quiet hour before dawn.

SVT137 | KlangKuenstler – State of Mind

Cover Artwork KlangKuenstler – State of Mind

With ‘Barfuß auf Wolken’, the young Berlin local KlangKuenstler doubtlessly released on of last year’s biggest tracks on Stil vor Talent. This summer he finally delivers his new ‘State of Mind’ EP, which showcases the full range of his trademark melodious sound in the form of three originals. The title track surprises with a forcefully rattling kick and driving garage percussion, which lay the foundation for trance-infused synths and a stretched bass-line. The flawless arrangement is completed by Lorenzo Hall’s striking voice. On ‘The Faith’, KlangKuenstler then mixes beefy deep house with animating disco vocals into the perfect club track. Lastly, things take a turn towards the epic, as ‘Heaven in your Arms’, a collaboration with Dayne S, is crafted for those really intense dance-floor moments. State of mind: excellent!

SVT136 | Stil vor Talent Berlin – Schlesisches Tor – Various Artists

Cover Artwork Stil vor Talent Berlin – Schlesisches Tor – Various Artists

For our new compilation series, Stil vor Talent takes you on a tour of Berlin. Capturing the essence and spirit of the German capital through the music we love, play and dance to. The journey begins at U-Bahnhof Schlesisches Tor in the heart of Kreuzberg: pulsating with life, right next to the Spree, a stone's throw from the city's illustrious club scene and our own headquarters. Selected by Oliver Koletzki, with artwork by Chrisse Kunst. Join us for a ride!

SVT135 | Niko Schwind – My Heart Is On Fire feat. Lil' Magdalene

Cover Artwork Niko Schwind – My Heart Is On Fire feat. Lil' Magdalene

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While 'Perfect Fit feat. Heartbeat' represented the softer, more organic moments of Niko Schwind's recent 'Grippin' World' LP, the second album single 'My Heart Is On Fire' showcases a tougher, more club-focused sound, that's complimented well by Niko's choice of remixers.

On the original of ‘Grippin’ World’, a monstrous bass-line wraps itself around Lil’ Magdalene’s beguiling voice. Bristol's rising stars Waifs & Strays pitch down the original's vocals and lay them over a grooving house framework accentuated by machine gun claps and stuttering vocal loops.
We are then treated to classical pumping piano house in the form of 'My Heart is on Fire', which wouldn’t have been out of place in early 90s Manchester. Lastly, Dale Howard turns in a muscular warehouse dub that perfectly round off a very solid DJ package.

SVT134 | Niconé & Sascha Braemer – Stay feat. Limon

Cover Artwork Niconé & Sascha Braemer – Stay feat. Limon

After a slightly longer break, Niconé & Sascha Braemer are finally back on Stil vor Talent. Their ‚Stay feat. Limon’ EP instantly showcases that the wait has been worth it though. On the title track, the trio creates a fusion of romantic synth leads, sensuous vocals and areal strings. ‘Tell Me’, also featuring Limon, is no less epic, but aims straight for the peak time with the help of driving chords and a healthy dose of bass. Next to the two hot originals, the Spaniard Henry Saiz delivers a remix reminiscent of The Human League. A creaking bass-line, crystalline synths and a distant vox catapult you straight to the 80s. The things that dreams are made of!

SVT133 | Synapson – Djon Maya Mai feat. Victor Démé

Cover Artwork Synapson – Djon Maya Mai feat. Victor Démé

Stil vor Talent is proud to present a true musical highlight for the summer season: 'Djon Maya Mai' by Synapson feat. Victor Démé. The original, which first surfaced last year and has since gathered countless plays on Soundcloud, finally sees a proper release here, complimented by heavyweight remixes by Oliver Koletzki, Sascha Braemer and Niko Schwind.
The original bedazzles with its slowly meandering nu-disco groove, uniquely beautiful vocals and sensual sunset guitar licks, creating a mix perfect for the open-air season and beyond. Oliver Koletzki cleverly accentuates the original's nuances on his Radio Rework, slightly upping the BPM. Sascha Braemer, another SVT stalwart, takes a wholly different route, as he turns 'Djon Maya Mai' into a stripped-back and synth-focused beast. Lastly, Niko Schwind delivers a UK garage interpretation that takes Synapson's sunny vibes deep into the club. Summer's just arrived!

SVT132 | Benotmane – Sunqueen

With the ‘Sunqueen’ EP we welcome young gun Benotmane to Stil vor Talent. After recently scoring with an excellent release on Hive Audio, the Swiss talent pulls out all the stops with three powerful original productions. The title-track steps into the spotlight with guns blazing, as its epic melodies and neo-trance feel will make for the perfect summer hymn during festival season. While the SVT newcomer Proud leads the original’s synthetic elements towards the sunset by way of a heart melting piano-roll, the Animal Trainer remix is laced with playful sounds and complex drum programming. ‘Special Agent Howling’, another original, presents itself as the dark counterpart to ‘Sunqueen’ – initially paranoia-laced, then filled with melancholic features, the track showcases Benotmane’s impressive sense for atmospherics. Manuel Moreno feeds off the original’s vibe and thus delivers a subtle and spherical remix. Lastly, the bass line of ‘Runnin’ thunders through the system, as Benotmane once again constructs an incredibly mature soundscape, which closes an extremely coherent first EP on SVT.

SVT130 | Oliver Koletzki – I am OK

Book now!

‘I am OK’, reads the title of the new album by the Berlin-based producer, DJ and label-owner Oliver Koletzki. The heading0’s ambiguity is, of course, deliberate: there’s a deeper meaning hidden behind the humorous facade that is Chrisse Kunst’s hand-drawn cover, which depicts an unadorned thirteen-year-old Oliver sporting nerd glasses and a striped jumper: I am Oliver Koletzki, raw and authentic. Because musically, on his fifth studio album, Oliver Koletzki looks towards the unaffected freshness of back in the day, and thus, consciously returns to his roots.

The nine years that follow his breakthrough with ‘Der Mückenschwarm’, which was released in 2005 on Sven Väth’s legendary Cocoon imprint, see Oliver travel to 211 cities in 39 countries. Next to the world’s most renowned clubs, he plays the large festival stages at Timewarp, Rock am Ring, Rainbow Serpent or MELT!. During the week, however, he’s locked in his studio. Thus, the successful long-players ‘Großstadtmärchen’ (2009) and ‘Großstadtmärchen 2’ (2012), as well as his debut ‘Get Wasted’ (2007), and ‘Lovestoned’ (2010), a collaborative effort with the singer Fran, are born.

Simultaneously, Oliver Koletzki’s label Stil vor Talent has been setting new trends in electronic music since 2006 as it has evolved into a stepping-stone for hot newcomer talents. Whether it’s the discovery of David August, Sascha Braemer or HVOB: Oliver’s knack as an A&R is almost uncanny. He does, however, always remain faithful to his penchant for melodic and emotional house music. Over the course of eight years, Stil vor Talent thus grew from a small DIY-operation into a large independent label with an attached booking agency and fashion branch. In 2012, Oliver Koletzki founds a second label, Light my Fire, which is focused solely on the dance-floor.

Similar to his philosophy as the head of two labels, the songs on ‘I am OK’ exemplify the effortless balancing act that has become a Koletzki-trademark: a breath-taking symbiosis of groove and melody. After the more pop-oriented long-players of recent years, Oliver returns to the club, without every losing sight of his unique musicality, of course. Throughout its 13 tracks and eight collaborations, we encounter music for festival stages, basement venues, and radio stations alike. Nods to elevating disco, old-school hip-hop, electronic broken-beat, smooth soul, UK garage, dub techno, mellow deep house, and clever electro-pop merge within a beautifully produced house music framework.

Things kick off with a bang – ‘Gravity’. Best known for the chart-topping Materia / Miss Platnum collaboration ‘Lila Wolken’, the Berliner Yasha lends his inviting voice to an electrifying explosion of torrential rolling bleeps, fat bass-lines and subtle guitar licks, weaved into an instantly addictive result by Oliver. Next up, NÖRD’s Leo Eisenach delivers emotional vocals on ‘After All’, which float through Oliver Koletzki’s tight arrangement of heavy electronica beats, areal synths, creaking bass and nostalgic piano keys. ‘Up in the Air’ featuring Fran takes a more organic approach, as it picks up where everyone’s favourite ‘Hypnotized’ left off: feel-good sunshine boogie led by Fran’s extraordinarily iconic voice. Summer is on its way!

A fact that is further emphasised by the following track, ‘Bring Me Home’. Helped along by a swaying groove, melancholic pads and soft piano melodies, this is an ode to the open-air season and all of its tender promises. Aided by German starlet Leslie Clio, Oliver Koletzki combines his love for 80s synthesizers with a satisfying bounce and the slightest hint of an Italo-bass-line on the stunning ‘No Man No Cry’. Oliver and HRRSN then impress on ‘So Wrong’, as the latter’s warm vocal chords and falsetto peaks compliment the former’s piano- and guitar-driven funk instrumental, turning the album’s sixth tracks into another stand-out.

After a hip-hop breather, which offers itself in the form of the deliciously old-school ‘Hommage’ to Oliver’s hometown of Brunswick together with local rap-legend MC Rene, ‘I am OK’ takes another turn towards the floor. On ‘Parachute’, Oliver teams-up with SUOL darling Meggy, whose recognizable vox is backed by a stepping garage groove, accentuated by bright chords and enveloping bass drops. The following track, ‘This Love’, offers similar UK-vibes, yet swaps the full vocal against chopped-up samples: an energetic peak-time tool for the up-to-date DJ. With ‘Streetknowledge’, the album’s most club-ready segment climaxes, as Oliver surprises with Basic Channel-esque dub techno chords that glide through a maze of tough bass-lines and razor-sharp percussion.

Many a Stil vor Talent fan’s heart will no doubt skip a beat in anticipation of the collaboration between HVOB and Oliver Koletzki. On ‘Bones’, the pairing proofs to be a match made in heaven as Anna Müller’s inimitable voice gets it’s most energetic outing to-date due to a trance-inducing progressive house foundation courtesy of Oliver. Thunder then introduces the penultimate track, ‘Too Soon’ featuring NÖRD, which bedazzles with its cinematic scope, epic synth melodies and heartache lyrics. Lastly, the echoing piano rolls and spoken-word of ‘Reality’ bid a gentle farewell, as Oliver quite literally walks us out of his unique musical world.

‘I am OK’ – Oliver Koletzki says modestly. In 2014, after 26 years as a musician, he clearly achieved what he set out to do. And his fifth album serves as testimony. Hypothetically he could have a bit of a rest. The energy of each new track here does emphasise, however, that he won’t retire any time soon: Oliver Koletzki is just getting started.

SVT129 | Niko Schwind – Grippin' World

Cover Artwork Niko Schwind – Grippin' World

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“You become responsible, forever, for what you’ve tamed”, Antoine de Saint-Exupéry writes in his modern fairy tale ‘The Little Prince’, in which his protagonist travels through various worlds in search of friendship and benevolence. The quote is, no doubt, fitting for Niko Schwind, since the Berlin-based DJ and producer consistently demonstrates a deeply anchored love for and close bond to house music, the art form he himself has tamed. As a DJ, he travels the globe, having played in Europe, Australia, Thailand, Brazil, the US and Mexico, and in his sets he creates a feeling of connectedness between himself and others, as well as within the crowd. On Stil vor Talent, Niko Schwind now presents the fruit of his labour in the from of his third album: ‘Grippin’ World’ captivates the listeners with its versatility and coherence, and kidnaps them to a world of sound, made up of elegantly reduced grooves, organic arrangements and accessible vocal-melodies.

‘Don’t Stop Your Love’ offers an inviting entrance with its full-bodied broken beats and dreamy chords, while the title’s lyric repeats itself to form a mantra. With ‘Perfect Fit’ we are handed an initial highlight, as Heartbeat’s warm voice and a simple guitar-loop form a flawless musical symbiosis, accentuated by a synthetically creaking bass-line. Niko thus proofs he’s more than capable of practicing restrained Minimalism with a pop-impact. Crystal clear claps and a stuttering rhythm then introduce ‘You Can’t Stop Me’, and provide the backbone for soulful r’n’b vocals, again sung by Heartbeat. Next, ‘Twenty-Four’ surprises as an old-school-leaning hip hop track – here, everything revolves around clever sampling, quirky instrumentation and a mildly paranoid lead melody; elements, which find meaning by the track title’s allusion.

Niko then ups the tempo on ‘My Heart Is On Fire’, one of two collaborations with the Australian singer Lil’ Magdalene. We are treated to classical pumping piano house, which wouldn’t have been out of place in early 90s Manchester. Thanks to a healthy dose of the TB-303, ‘Saturday’ initially also nods towards the old school, yet evolves into a grooving deep house burner. Timeless chords and soulful hooks set the tone, much like on the following track, ‘Suffering feat. Sergi’. Things take a turn for the tougher on the title-track ‘Grippin’ World’, as a monstrous bass-line wraps itself around Lil’ Magdalene’s beguiling voice. Niko then presents another slice of hip hop, which delights with feel-good piano-rolls and a pinch of funk.

Next up, ‘Beautiful Place’ is simply hypnotic due to the ominous spoken-word, which rides atop of dub chords and a pressing bass-line towards nirvana. Supported by Serge Erége’s wonderful voice, the relaxed groove and sunny synth-stabs of ‘Higher Love’ offer a contrast – light-footed tropical house crafted for the dance floor. Every journey must come to an end however, as taught by ‘The Little Prince’. Thus, ‘Fantasia’ bids us farewell with its nostalgic piano keys and sweet synths. “One sees clearly only with the heart. What is essential is invisible to the eye.” – on ‘Gripping World’, Niko Schwind clearly emphasises that music is the emotional extension of the heart.

Artwork by Peter Feiler: https://peterfeiler.com/

SVT128 | Niko Schwind – Perfect Fit

Cover Artwork Niko Schwind – Perfect Fit

Book now!

“You become responsible, forever, for what you’ve tamed”, Antoine de Saint-Exupéry writes in his modern fairy tale ‘The Little Prince’, in which his protagonist travels through various worlds in search of friendship and benevolence. The quote is, no doubt, fitting for Niko Schwind, since the Berlin-based DJ and producer consistently demonstrates a deeply anchored love for and close bond to house music, the art form he himself has tamed. As a DJ, he travels the globe, having played in Europe, Australia, Thailand, Brazil, the US and Mexico, and in his sets he creates a feeling of connectedness between himself and others, as well as within the crowd. On Stil vor Talent, Niko Schwind now presents the fruit of his labour in the from of his third album: ‘Grippin’ World’ captivates the listeners with its versatility and coherence, and kidnaps them to a world of sound, made up of elegantly reduced grooves, organic arrangements and accessible vocal-melodies.
With ‘Perfect Fit’, the first single of the album, we are handed an absolute highlight, as Heartbeat’s warm voice and a simple guitar-loop form a flawless musical symbiosis, accentuated by a synthetically creaking bass-line. Niko thus proofs he’s more than capable of practicing restrained Minimalism with a pop-impact. ‘Perfect Fit’ then gets the floor treatment: while Niko turns in a reduced, tool-oriented club cut, the hitherto unknown Proud bursts onto the scene with a dreamy arrangement centred around atmospheric synths on his remix. Grippin’!

Artwork by Peter Feiler: https://peterfeiler.com/

SVT127 | Various Artists – Schneeweiss lll

Cover Artwork Various Artists – Schneeweiss lll

Schneeweiss III: a collaboration of neighbours.

Over the years, Oliver Koletzki has continuously cited Berlin as a point of reference and, more importantly, a source of inspiration. Two of his albums – Großstadtmärchen and Großstadtmärchen 2 – have been a direct ode to the capital. Friedrichshain, one of Berlin’s vibrant districts, has always held a special place in Oliver’s heat. This is where he started out when he first moved to the city, and this is where he lives now. Moreover, the Stil vor Talent HQ is situated in the centre of the bustling Kiez.

So is Schneeweiss, one of Friedrichhain’s best and most loved restaurants. Over the course of eight years, the stylish eatery has impressed many a Berlin foodie with its contemporary take on alpine cuisine and attention to detail. Music is part of the experience here, which is no surprise due to one of the owners’ extensive background in Berlin’s club scene of the early days. Pairing striking award-winning interior design with a homely laid-back atmosphere, Schneeweiss welcomes everyone with open arms: Kiez locals and celebrities, students and businessmen, hipsters and families – all can be found here, Oliver Koletzki among them.

Thus, after many a late-night label dinner an idea slowly formed. Why not join forces and collaborate on a compilation that represents both, Oliver Koletzki’s and Schneeweiss’ taste? Compiled specifically with the restaurant in mind, SVT127CD convinces as a tasty treat for the music connoisseur and a musical treat for the culinary aficionado.

For the third instalment of the compilation, Oliver Koletzki is gathered stunning tracks by the likes of Teenage Mutants, Stimming, Chopstick & Johnjon, Edu Imbernon, Avatism and Lexy & K-Paul, filled with melancholic melodies, subtle sunshine and blissful energy. Bon Appétit!

SVT126 | Animal Trainer – Pollen / Keep Control

Cover Artwork Animal Trainer – Pollen / Keep Control

‘Pollen’ is directing us towards the peak time. Here, elements of neo-trance dance on top of a lush beat and driving percussion – a climax in any DJ set, no doubt. On their remix, Monkey Safari turn the original into a long-building masterclass of restraint with a peak that is to die for. Next, Jan Blomqvist lends his distinctive voice to the ballad ‘Keep Control’, supported by a beautifully fluid piano melody. The SVT mainstays Niconé & Sascha Braemer utilise their trademark sound palette on their rework, but know how to surprise us. Thus, they deliver a romantic and elevating remix of ‚Keep Control’. Rounded off by a radio edit and an instrumental version.

SVT125 | Bjoern Stoerig – Hold

After the recent success of 'Nouvelle Future', Björn Störig is back on Stil vor Talent with his 'Hold' EP, on which he explores his love for emotionally rich deep house. On 'Do Say Be', Björn once again enlists his good friend Dan Caster, as well as the vocalist Debbie Butts. The result is a laid-back, multi-textured love song, full of warm vocals, lush harmonies and subtle builds. Stunning! 'Hold' is more straight-faced. Here, a tight groove builds endless tension, while Björn showcases his exceptional musicality throughout. Next, 'Do Say Be' gets the remix treatment: Purple Disco Machine turns in a powerful, synth-driven remix, while Boy Next Door opts for a heads-down approach. Rounding things off, the Ukrainian duo Outstrip provide a classy, jazz-infused interpretation.

SVT124 | Animal Trainer – Wide

It has always been the great artist duos that really turned the wheels of cultural history: Ying and Yang, Laurel and Hardy, Siegfried and Roy. The latter’s connection to Animal Trainer definitely can’t be denied. While Siegfried and Roy might be taming white tigers though, Animal Trainer are specialising in vinyl and the dancing crowd. Both children of the illustrious nightlife of trend capital Zurich, Adrian Flavor and Samy Jackson have made a name for themselves with their Rakete parties, held mostly at their home base, the chic Hive club, as well as many other locations in and around Switzerland. As dedicated music lovers and passionate entertainers, it was a natural progression for the duo to channel their constant appetite for music and endless parties into their own sounds. Thus, their first baby steps were released on Stil vor Talent in the form of ‘Talkshow’ in 2008.

Today, in February 2014, after numerous releases on renowned labels such as Katermukke, Dantze, Off Recordings or their own Hive Audio, the joyous duo is presenting the debut album ‘Wide’ on Stil vor Talent. Over the course of the thirteen tracks featured, Animal Trainer reveal their playful side as ‘Wide’ isn’t just dominated by dance floor tracks. Thus, one encounters a healthy pop affinity, big melodies, refreshing deep house ballads, musical downtempo and a pinch of polka.

The opener ‘Come Along’ offers itself as a wonderfully mellow starting point thanks to its dreamy textures of warming acoustic guitars, soft trumpet notes and Jimi Jules’ unique voice. Next, the energy starts building gradually: while ‘How Does it Feel’ pairs the r’n’b vox of Natasha Waters with areal melodies and an accessible bass-line, ‘Killed You’ feels more upbeat due to its diva vocals and synth arpeggios. ‘Gone 4 Ever’ then turns out to be classic deep house through and through – the merry strings that sweeten the break are particularly convincing here. Animal Trainer show a completely new side to their productions on the excellent electronica track ‘The Walk’, on which dub chords pulsate through a broken beat structure and creaking synths. The fragile piano does, however, steal the show.

After ‘Shane’ goes around dressed in a classicistic house outfit, ‘Pollen’ is directing us towards the peak time. Here, elements of neo-trance dance on top of a lush beat and driving percussion – a climax in any DJ set, no doubt. Jan Blomqvist subsequently lends his distinctive voice to the ballad ‘Keep Control’, supported by a beautifully fluid piano melody. On ‘Krambambuli’ and ‘Crashed Tuesday’ Animal Trainer then put the foot on the pedal once more, as fun is the priority. Hence, both tracks feel like they are made with the Hive club in mind, which can’t be a coincidence. The title-track ‘Wide’ simultaneously manifests itself as a gloriously quirky trumpet-epos as well as the album’s undisputable highlight. Big emotions for the head and heart! Lastly, the trance-disco-groover ‘Everybody’ and the humorous electro-polka ‘My Town feat. Otoridia’ bid us farewell. As the last accordion notes ring out, one thing is certain: wild animals aren’t easy to tame, and in Animal Trainer’s case that’s great news.

SVT123 | Animal Trainer – Walk / Shane EP

Cover Artwork Animal Trainer – Walk / Shane EP

Both children of the illustrious nightlife of trend capital Zurich, Adrian Flavor and Samy Jackson – better know as Animal Trainer – made a name for themselves with their Rakete parties, held mostly at their home base, the chic Hive club. As dedicated music lovers and passionate entertainers, it was a natural progression for the duo to channel their constant appetite for music and endless parties into their own sounds. Thus, their first baby steps were released on Stil vor Talent in the form of ‘Talkshow’ in 2008. Today, in February 2014, after numerous releases on renowned labels such as Katermukke, Dantze, Off Recordings or their own Hive Audio, the joyous duo is presenting the debut album ‘Wide’ on SVT. Here, on the first of two EPs, two of the album’s highlights are featured alongside high calibre remixes by Oliver Koletzki, Oliver Schories and Zombie Disco Squad.

Animal Trainer show a completely new side to their productions on the excellent electronica track ‘The Walk’, on which dub chords pulsate through a broken beat structure and creaking synths. The fragile piano does, however, steal the show here. While Oliver Koletzki decides to significantly up the tempo on his epic, trance-inspired rework, Oliver Schories opts for a contemporary deep house interpretation built around a low-slung bass-line and emotive chords. ‘Shane’ is a classicistic house homage, alluring the listener with its springy step and feel-good vocal sample – key features that Zombie Disco Squad emphasise on their sprightly rude-boy remix.

SVT121 | Dan Caster – Bleeding

The first release of the new year has to be a special one, with 2014 being no exception. After strong EPs on Light my Fire and various remixes, Dan Caster presents an absolute treat on Stil vor Talent, his ‘Bleeding’ EP.

The title track kicks things off: here, Benjamin Franklin’s soulful voice carries us through a sea of dub chords, which slowly build into an emotionally charged climax. Kyodai’s remix then offers itself as an ode to classic deep house, as one encounters warming piano keys and saxophone sounds in perfect harmony with the original’s vocals. For ‘Nouvelle Future’ Dan enlists Björn Störig. It’s instantly obvious that the pair is a good match; their organic sunset-house is made for those epic dance-floor moments. Aided by a driving groove, Oliver Schories then accentuates the guitar and vocal elements of the original to great effect. Next up, Dan delivers an outright party-starter in the form of ‘Freaky, Noisy’, which, lastly, KANT reworks with a nod to electro for good measure.

SVT120 | Various Artists – Schneeweiß II presented by Oliver Koletzki

Cover Artwork Various Artists – Schneeweiß II presented by Oliver Koletzki

Schneeweiss II Presented by Oliver Koletzki: a collaboration of neighbours.

Over the years, Oliver Koletzki has continuously cited Berlin as a point of reference and, more importantly, a source of inspiration. Two of his albums – Großstadtmärchen and Großstadtmärchen 2 – have been a direct ode to the capital. Friedrichshain, one of Berlin’s vibrant districts, has always held a special place in Oliver’s heat. This is where he started out when he first moved to the city, and this is where he lives now. Moreover, the Stil vor Talent HQ is situated in the centre of the bustling Kiez.

So is Schneeweiss, one of Friedrichhain’s best and most loved restaurants. Over the course of eight years, the stylish eatery has impressed many a Berlin foodie with its contemporary take on alpine cuisine and attention to detail. Music is part of the experience here, which is no surprise due to one of the owners’ extensive background in Berlin’s club scene of the early days. Pairing striking award-winning interior design with a homely laid-back atmosphere, Schneeweiss welcomes everyone with open arms: Kiez locals and celebrities, students and businessmen, hipsters and families – all can be found here, Oliver Koletzki among them.

Thus, after many a late-night label dinner an idea slowly formed. Why not join forces and collaborate on a compilation that represents both, Oliver Koletzki’s and Schneeweiss’ taste? Compiled specifically with the restaurant in mind, SVT108 convinces as a tasty treat for the music connoisseur and a musical treat for the culinary aficionado.

For the second instalment of the compilation, Oliver Koletzki is gathered stunning tracks by the likes of Âme, Stimming, Chopstick & Johnjon, Kruse & Nuernberg, Teenage Mutants and Labtracks, filled with melancholic melodies, subtle sunshine and blissful energy. Bon Appétit!

SVT119 | MÖWE – Inside

MÖWE is a recently founded project by the Vienna based artists Mel and Clemens, who previously played together in the band Mary lost her Pathos. While the duo’s indie roots still shine through in the song writing, MÖWE’s sound is largely electronic and best described as melodious and emotionally uplifting. Here, on SVT119, they present two of their outstanding productions, while Björn Störig contributes a beefy remix.

The title track ‘Inside’ focuses on harmonic piano and guitar hooks that float over a bouncing beat and crisp percussion. As the duo’s heartbreakingly beautiful vocals climax in a bass-driven chorus, we find ourselves lost in a sea of bewitching sound. ‘Seven Days’ is then introduced by delayed vox and drops into an airy arrangement backed-up by Mel and Clem’s longing voices. Stunning! Lastly, SVT mainstay Björn Störig gives ‘Seven Days’ the dance floor treatment by pitching down the original’s vocals and laying them over an elastic deep house bassline.

SVT118 | HVOB – Lion

The Year of the Lion

New EP by internationally acclaimed Viennese electronic duo HVOB: "Lion" to be released on December 6.

"Dogs" was HVOB's debut EP launched at the end of 2012, and exactly one year later the electronic duo from Vienna are back with a vengeance: "Lion" is released on December 6. The new EP from HVOB contains two brand new tracks, with remixes by Stimming and Wolfram.

"Lion" remains true to the unmistakeable sound of HVOB, created by the young Viennese duo Anna Müller and Paul Wallner; like "Jack", "Always Like This" and "Dogs" before them, they are both melodic and intelligent, catchy and sophisticated.

The new tracks also come across as more precise and purposeful than their predecessors: "Lion" is a captivating blend of Anna Müller's almost stoically understated vocals and the pulsating beat of the bass.

The new EP is also a reflection of HVOB's first full year: the successful release of the debut album in March, top of the US Billboard Charts' "Next Big Sound" category, sell-out concerts and festivals throughout Europe – from Germany's Fusion Festival and appearances in England, The Netherlands and France to the Paris and Berlin Fashion Weeks.

From Stimming's remix you would think that he and HVOB were kindred spirits; his rich and intelligent sound transforms "Lion" into something of an HVOB anthem. Part of the New York music scene, Austrian Wolfram, who has collaborated with Hercules and Love Affair and Haddaway, contrasts HVOB with his typically intoxicating disco sound.

SVT117 | Ron Flatter & Nick D-Lite vs Klangkuenstler – Jetlands und Wolken

Cover Artwork Ron Flatter & Nick D-Lite vs Klangkuenstler – Jetlands und Wolken

While recent releases on Stil vor Talent have focussed on our core artists, it’s time to hark back to one of our core principles: to expose newcomer talents to the wider audience they deserve. Here, on ‘Jetlands und Wolken’ we showcase two irresistible tracks, which amaze and bedazzle in terms of production and accessibility. You might just have heard them in one of Oliver Koletzki’s sets this summer.

Kicking things off, Klangkuenstler’s ‘Barfuß auf Wolken’ has SVT written all over it due to its melodious musicality and emotional vibe. An airy synth hook wanders through drawn-out strings and melancholic guitars. ‘Jetlands’ by Ron Flatter & Nick D-Lite is equally emotive, merging similar sounds into a bitter-sweet track with a vocal hook that is undeniably moreish. As the electric guitar loop eventually leads into bird song and acoustic chords, all hands in the air are guaranteed. Summer might be over, but the memory of it remains!

SVT116 | Niconé – Let Love Begin Remixed

Cover Artwork Niconé – Let Love Begin Remixed

Every great album needs a solid remix EP! That’s what Niconé thought to himself after the recent release of his critically acclaimed ‘Let Love Begin’ longplayer. Thus he invited friends and artists he admires alike to reinterpret some of the highlights of the album. The results are as versatile as they are stunning.

Big-room piano work-out ‘Burnhain’ gets the treatment by three heavyweights of the scene. England’s Ejeca has been causing quite a stir with his signature mix of classic Jersey house and UK bass elements. Here, he turns in a tasteful mix of high-pitched vocals, which focuses on dub chords rather than the original’s piano melody. Teenage Mutants opts for the no nonsense approach as he delivers a straight house banger of driving hats and a bass-line to die for, while Mat.Joe chop up the piano hook and loop it over a new percussive skeleton.

SIS’s remix of ‘Querido’ is an epic twelve minute long journey that takes the original’s vocals into darker, drugged-out territories. Psychedelic! Similarly, Gunjah goes all out on his dramatic synth interpretation of ‘Let Love Begin’, which seems made with Ibiza closing parties in mind. Rampue’s version of ‘Candelaria’ is, in contrast, crafted for dark winter days as lots of melancholia runs through the veins of the track. Of course, Niconé was keen to turn in a remix himself and enlisted his good friend Philip Bader to give him a hand. The resulting reinterpretation of ‘Candelaria’ is an out-and-out tech house monster made for the peaktime.

SVT115 | Kellerkind – Music is a Miracle

Cover Artwork Kellerkind – Music is a Miracle

Book now!

Over the past couple of years, Kellerkind’s unique interpretation of house music has truly catapulted him out of the figurative basement and into the limelight. Whether it was the disco-infused cool of ‘Backflash’ or the tribal rhythms found on his debut-album ‘Basement Story’, through hard work, rather than by miracle, Marco Biagini matured into a producer who is at the top of his game. With ‘Music is a Miracle’ Kellerkind now delivers a sophomore album that offers itself as a diverse and surprising love letter to music, carrying his distinct handwriting.

On ‘Your Love’, Kellerkind organically eases us into the album as deep bongos float over casual guitar licks and drawn-out synth melodies. Gentle murmurs slowly form into a distant soul vocal while sunny saxophones create a relaxed and beautifully fragile vibe. ‘Don’t You Know It’ then tightens the screws. Here, cowbells and laser-synths scream trademark Kellerkind: sugary without being cheesy, laidback yet never losing sight of the groove. It’s time to warm up the discotheque, don’t you know!? Kellerkind does, as he proves on ‘I Know’ and treats us to filtered disco breaks, colourful chords and a smooth vocal hook.

Things get a little tougher on the next tracks. While ‘Give Me the Beat Back’ utilises a ghetto chant, dubbed out chords and hard-hitting snares to showcase a bouncy, UK-sounding bass-line, ‘Projection’ loops Jake The Rapper’s instantly recognisable voice and a classic disco riff to create seven minutes of moreish fun. ‘Music is a Miracle’, the album’s title-track, then reveals itself as a standout. Here, an extremely funky garage bass-line, Chicago strings and urgent trumpets surprise us as they drop after a Moodyman-esque monologue. Mantra-alert!

Taking a dreamier turn, Kellerkind’s ‘Feel It’ is wonky and mechanical as it builds into a melodic climax that leaves you lost on the dance-floor, suspended in time. A beautiful moment and possible highlight in any DJ set. On ‘It’s Like That’ a dusty dub-house groove then flows through clonking percussion and a pitched down vocal until classicistic chords eventually wash over the arrangement. Drawing us in even deeper, ‘Take This Higher’ combines a bittersweet piano, romantic string melodies and an elegantly repeated vocal hook, toughened up by a low-slung house bass.

Kellerkind reveals a completely new facet on the electronic ballad ‘Monologue’, which features Laura Wiesmann’s soulful vox. This is tasteful pop that bedazzles due to its reduced nature, honest vulnerability and musical softness. Lastly, the field recordings of an airplane security brief form the base for heavy piano notes, a distant beat and knackered strings on the nostalgic yet hopeful outro ‘Itchy Feet’. The title couldn’t be more fitting: Kellerkind doesn’t like to stand still, something he certainly proves with ‘Music is a Miracle’!

SVT114 | Kellerkind – I Know

Book now!

Over the past couple of years, Kellerkind’s unique interpretation of house music has truly catapulted him out of the figurative basement and into the limelight. Whether it was the disco-infused cool of ‘Backflash’ or the tribal rhythms found on his debut-album ‘Basement Story’, through hard work, rather than by miracle, Marco Biagini matured into a producer who is at the top of his game. With ‘Music is a Miracle’ Kellerkind now delivers a sophomore album that offers itself as a diverse and surprising love letter to music, carrying his distinct handwriting. This 12“ compiles two of the album’s highligts alongside three highcalibre remixes.

’I Know’ is trademark Kellerkind, as he treats us to filtered disco breaks, colourful chords and a smooth vocal hook, while ’Music is a Miracle’ presents a different style. Here, an extremely funky garage bass-line, Chicago strings and urgent trumpets surprise us as they drop after a Moodyman-esque monologue. Mantra-alert!

The B-side is then dedicated to the remixes of ’I Know’. While the British heavyweights Leftwing & Kody bring the heat thanks to energetic dub chords and an urgent acid bass-line on their tasteful interpretation, Oliver Koletzki surprises with a rave-tastic old-school UK hardcore mix. Lastly, Murat Kilic focuses on jacking percussion and a rolling bass-line on his grooving version.

SVT113 | Kruse & Nuernberg vs. Teenage Mutants – Love Ain’t Free

Cover Artwork Kruse & Nuernberg vs. Teenage Mutants – Love Ain’t Free

Teenage Mutants returns to Stil vor Talent with the aid of Kruse & Nuernberg to showcase the classicistic stroke of genius ‘Love Ain’t Free’. Here, instantly recognisable house-signifiers pay homage to the 90s New Jersey sound that is currently experiencing a revival. While a pumping garage Beat adds sufficient swing, a vivid chord arrangement lifts the mood to ecstasy. The icing on the cake comes in the form of soulful diva-vocals by Isis Salem that will catapult you straight to the heaving dance-floor of the infamous Zanzibar.

The remixes of ‘Love Ain’t Free’ paint two contrasting pictures. While Jiggler beds the original’s vocals within subtly mesmerising strings and a bass-line driven groove to create a slightly subdued vibe, Kry Wolf deliver a tough, almost psychedelic UK reinterpretation that focuses on chopped, pitched-down vocals and alien bleeps. Last but not least, ‘Miss You’ convinces as a dreamy garage track and marks the end of an excellent EP. Love ain’t free!

SVT112 | Niconé – Let Love Begin

Niconé, the versatile musician and likeable style-icon: unshaven and latently bleary-eyed, of course, but elegant and – thankfully – modest at the same time. Over the past years, Alexander Gerlach has become synonymous with a certain playful touch and light-hearted attitude that flows through his music and goes hand in hand with a laidback natural tenor. 2011 saw him release the hugely successful ‘Romantic Thrills’ album together with his good friend and constant partner in crime Sascha Breamer. Now, two years later, Niconé is presenting his first solo full-length, ‘Let Love Begin’, on Stil vor Talent.

Over the course of eleven tracks Niconé showcases a versatile and distinct vision of contemporary house music that is produced beautifully but, more importantly, isn’t afraid to surprise with maturity and playfulness. The title-track ‘Let Love Begin’ opens the album in ample style: brooding and mysterious, Niconé teases us into a deep sonic landscape of enveloping bass, moody piano keys and epic synth pads. Malonda, who recently lent her voice to H.O.S.H.’s ‘Life is Music is Life’ EP, acts as a shining light to guide us through the atmospheric first seven minutes. ‘Hysterminia’ is equally subtle with its delayed chords and a classy deep house bass-line, until wild claps and a dominant piano melody eventually open fire. After the success of ‘Caje’ a new collaboration with Narra was an absolute must. She bedazzles us next on ‘Candelaria’. Here, the melancholic melodies of a Spanish guitar propel the track forward, while a bouncy beat seems made with the summer in mind. ‘You Are My Best Meowfucker’ then pushes us into the club as a techy rhythm and repeated vocal hook draw us to the floor. The track’s twist offers itself in the form of a string loop that lends an oriental edge. Spicy and addictive!

A lesser producer would have perhaps placed the following track, ‘Heroiné’, at the album’s end due to its romanticism, fed by soft synths, gentle progressions and hopeful piano chords. At the center of ‘Let Love Begin’, it acts as a beautiful break, as eight minutes of pure endorphin inducing bliss. The calm before the storm, which follows in the form of ‘Burnhain’. Here, classic house sounds such as driving high-hats and 90s rave stabs offer a nod to the past, while hitting the zeitgeist. ‘Querido’, which features Sascha Braemer and the newly discovered vocal talent Yvy, initially drops the energy before exploding with Mediterranean life, castanets included for good measure. Next, ‘Keep it Deep’ does what it promises as Niconé leads us through an arrangement of aquatic depth with powerful bass hits vibrating underneath dub chords and Benjamin Franklin’s emotional voice: hypnotic, magical and toxic.

Niconé and Braemer hand us the antidote with ‘Wish U’, a track that already proved to be a standout on Stil vor Talent’s recent SVT100 compilation. Fun is of the essence, with a break so big it might just be inescapable. On the last two tracks Niconé moves away from the organic sounds that make up most of ‘Let Love Begin’ as ‘All Right’ and ‘Arr’ are distinctly techier. On the former, Melonda compliments the techno bass-line and old-school sample stabs beautifully, making for an unexpected highlight. On the latter – a collaboration with Gunjah – spherical, almost operatic synths float over a sleek bass bed, thus ending an epic journey on a dazzling high. Repeat and let love begin!

SVT111 | Niconé – Burnhain

Niconé, the versatile musician and likeable style-icon: unshaven and latently bleary-eyed, of course, but elegant and – thankfully – modest at the same time. Over the past years, Alexander Gerlach has become synonymous with a certain playful touch and light-hearted attitude that flows through his music and goes hand in hand with a laidback natural tenor. 2011 saw him release the hugely successful ‘Romantic Thrills’ album together with his good friend and constant partner in crime Sascha Breamer. Now, two years later, Niconé is presenting his first solo full-length, ‘Let Love Begin’, on Stil vor Talent. ‚Burnhain’ gives a taste of what’s to follow and is one of two 12“ EP accompanying the album.

On the A-side, ‚Burnhain’, classic house sounds such as driving high-hats and 90s rave stabs offer a nod to the past, while hitting the zeitgeist. ‘Querido’, which features Sascha Braemer and the newly discovered vocal talent Yvy, initially drops the energy on the B-side before exploding with Mediterranean life, castanets included for good measure. ‘You Are My Best Meowfucker’ then pushes us back into the club as a techy rhythm and repeated vocal hook draw us to the floor. The track’s twist offers itself in the form of a string loop that lends an oriental edge. Spicy and addictive! Let love begin..

SVT110 | Fran – We Are Planets

Not too long ago the Berlin based singer Fran released her impressively diverse solo-debut “Frantastic”. Now the wife of the successful DJ and producer Oliver Koletzki is back on Stil vor Talent with the “We Are Planets” EP, on which she presents two new self-produced tracks.

The title-track “We Are Planets” describes the fateful and inescapable pull between two lovers, who circle each other like planets bound by gravity on the one hand, while struggling for autonomy on the other, in order to not melt into and subsequently destroy one another. Fran’s vocals are carried by a bouncy beat and synths that remind of Daft Punk ca. “Human After All”. Danceable astrophysics! On “The Totalistic Heart”, Fran takes up the voice of a heart that sings to us about unconditional love and the highs and lows of a relationship. Here, romantic xylophone and glockenspiel sounds bedazzle us.

Oliver Koletzki, Fapples and Namito then take care of the dance-floor. While Oliver Koletzki crafts a bass-line driven pop-house framework on his “We Are Planets” remix, Fapples deliver a laidback deep house interpretation. Namito, on the other hand, focuses on dreamy synths and a solid dose of romance on his “Space Cookie Remix”.

SVT109 | Edu Imbernon feat. Sutja Gutierretz – Things I Do

Cover Artwork Edu Imbernon feat. Sutja Gutierretz – Things I Do

‘Things I Do’, Edu Imbernon’s new EP on Stil vor Talent, once again demonstrates what makes the charming Spaniard so unique – there’s always an air of mysticism and romance running through his floor-ready tracks. Partly due to a strong understanding of atmospherics and effects, partly down to a knack for working with great vocal talents. Like on ‘Mystery Inside’, Sutja Gutierrez lends his voice to ‘Things I Do’, which bedazzles as it journeys through an arrangement of floating pads, spherical echoes and delayed synths.

Next to the original version, Teenage Mutants delivers an excellent remix that focuses on Gutierrez’ vocals whilst building a low-slung house framework of driving high-hats, bittersweet melodies and a forceful bass line around it. Lastly, Los Suruba take you on a real trip as they reduce ‘Things I Do’ to a minimalist afterhours burner composed of eerie bleeps and acidic licks.

SVT108 | Various Artists – Schneeweiß presented by Oliver Koletzki

Cover Artwork Various Artists – Schneeweiß presented by Oliver Koletzki

Schneeweiss Presented by Oliver Koletzki: a collaboration of neighbours.

Over the years, Oliver Koletzki has continuously cited Berlin as a point of reference and, more importantly, a source of inspiration. Two of his albums – Großstadtmärchen and Großstadtmärchen 2 – have been a direct ode to the capital. Friedrichshain, one of Berlin’s vibrant districts, has always held a special place in Oliver’s heat. This is where he started out when he first moved to the city, and this is where he lives now. Moreover, the Stil vor Talent HQ is situated in the centre of the bustling Kiez.

So is Schneeweiss, one of Friedrichhain’s best and most loved restaurants. Over the course of eight years, the stylish eatery has impressed many a Berlin foodie with its contemporary take on alpine cuisine and attention to detail. Music is part of the experience here, which is no surprise due to one of the owners’ extensive background in Berlin’s club scene of the early days. Pairing striking award-winning interior design with a homely laid-back atmosphere, Schneeweiss welcomes everyone with open arms: Kiez locals and celebrities, students and businessmen, hipsters and families – all can be found here, Oliver Koletzki among them.

Thus, after many a late-night label dinner an idea slowly formed. Why not join forces and collaborate on a compilation that represents both, Oliver Koletzki’s and Schneeweiss’ taste? Compiled specifically with the restaurant in mind, SVT108 convinces as a tasty treat for the music connoisseur and a musical treat for the culinary aficionado.

Isolée’s stunning ‘Allowance’ opens the compilation on a bittersweet note, as melancholic autotune harmonies and a melodious loop glide over a cosy bass bed. Next, Serge Erège’s soulful voice, set against a backdrop of sunny synth stabs provided by Niko Schwind and Dunwich, leads into ‘From the Inside’ by Chasing Kurt. Here, a decisive bass-line supports the track’s incredibly emotive, velveteen vocals, making for an early highlight. The piano keys on Oliver Koletzki’s remix of ‘Once Again’ push things forward into ‘Love Lines’ by Artenvielfalt, the perfect summer track.

After the compilation peaks in Jonas Mantey’s beautifully epic ‘Sie ist Schön’, Oliver Koletzki’s ‘Bring Me Home’ enchants with guitar licks and a swaying groove. Danish duo Ost & Kjex provides feel-good vibes on their poppy ‘Indie’ to highly addictive results. Next, Andhim reinterpret HVOB’s ‘Always like this’, focussing on metallic percussion and a whole lot of melody, while former Bar 25 resident Dirty Doering makes you dream aided by Spanish guitars. Lastly, Stimming’s wonky ‘Window Shopping’ seamless flows into Oliver Koletzki & Fran’s jazzy classic ‘I Might’.

No doubt, this is just the beginning of a long-lastig collaboration: Bon Appétit.

SVT107 | Ryan Dupree – Can You Handle It

Cover Artwork Ryan Dupree – Can You Handle It

With ‘Can You Handle It’, we welcome back Ryan Dupree on Stil vor Talent after a longer hiatus. The result was definitely worth the wait though, as Ryan presents two catchy deep house weapons that can easily hold their own next to the genre’s big success stories of the past months. As a bonus, Ryan’s SVT100 compilation track can be found, alongside a convincing Teenage Mutants remix. While ‘Joy’ offers itself as an uplifting slice of house thanks to rolling percussion, chopped diva vocals and an elastic bass line, ‘Take Me Higher’ aims for the peak-time. Here, menacing acid sounds meet wild claps and a thunderstorm of synths. The title-track ‘Can You Handle It’ then focuses on a low-slung, driving bass line and pitched-down spoken word. Lastly, Teenage Mutants reduces the original’s elements to the essential to create a slow and spacious groover. You can literally smell the club’s sweat.

SVT106 | Marlon Hoffstadt & HRRSN – Skin and Bone EP

Cover Artwork Marlon Hoffstadt & HRRSN – Skin and Bone EP

After recent success stories on OFF Recordings, Play it Down and our SVT100 compilation, Marlon Hoffstadt teams up with vocalist HRRSN for a first EP on Stil vor Talent, ‘Skin And Bone’. Together, they present a musical, soulful style of deep house that mixes classic song writing with dancefloor sweat.

The stunning title track opens the A-side with melancholic piano keys and a subtle beat over which HRRSN’s memorable voice literally explodes. Beautifully understated and highly addictive! Following ‘Once Again’, with which many will be familiar from our recent compilation, ‘I’m Losing You’ then ups the tempo. Here, an elastic bass-line and elevating synth pads nestle around HRRSN’s R’n’B vox.

On the B-side, Oliver Koletzki and Diynamic’s H.O.S.H. find themselves on remix duties. While Koletzki beefs up ‘Once Again’, H.O.S.H. takes things into a darker direction on his mesmerising reinterpretation of ‘Skin And Bone’. Lastly, Marlon Hoffstadt & HRRSN collaborate with rapper Focus The Truth. The result? An old-school hip-hop track that makes for a surprising finish to an incredibly convincing EP. Skin and bone and a whole lot of talent.

SVT105 | Various Artists – Oliver Koletzki presents SVT100 -Special Collector's Box

Cover Artwork Various Artists – Oliver Koletzki presents SVT100 -Special Collector's Box

Limited Stil vor Talent 100 Collector's Box, presented by Oliver Koletzki

incl.
SVT100 CD
SVT103 Vinyl
SVT104 Vinyl
Poster
Special SVT100 Bag

SVT104 | Various Artists – Oliver Koletzki presents SVT100 - Part II

Cover Artwork Various Artists – Oliver Koletzki presents SVT100 - Part II

Who would have thought that, when Oliver Koletzki released his 'Blackout' EP as SVT001 almost eight years ago, Stil vor Talent would reach the catalogue number 100? With our 100th release, we can look back on lots of fantastic music, music by artists who have become part of a close-knit family of friends. On the surprising and unexpected, as well as a signature sound in constant development. Here, on the second of two vinyl releases we showcase some of the highlights of ‘Oliver Koletzki Presents Stil vor Talent 100’.

On the A-side, Niconé & Sascha Braemer’s ‘Wish U’ will clearly cause a stir on the dance-floor: bright synths, cheerful vocals and a 90s rave piano, what more does one want? Next, Ryan Dupree targets the peak-time with menacing synths and acidic bass-lines and thus surprises with a darker than usual sound.

Speaking of the 90s, Animal Trainer’s ‘Mental’ has a comparably old-school vibe to ‘Wish U’ and will make for an epic set closer: break-beat percussion and a stunning vocal dominate here. To close the EP, Björn Störig collaborates with all-rounder Meggy to create a piano-driven vocal house track with a classic feel. Perfection!

SVT103 | Various Artists – Oliver Koletzki presents SVT100 - Part I

Cover Artwork Various Artists – Oliver Koletzki presents SVT100 - Part I

Who would have thought that, when Oliver Koletzki released his 'Blackout' EP as SVT001 almost eight years ago, Stil vor Talent would reach the catalogue number 100? With our 100th release, we can look back on lots of fantastic music, music by artists who have become part of a close-knit family of friends. On the surprising and unexpected, as well as a signature sound in constant development. Here, on the first of two vinyl releases we showcase some of the highlights of ‘Oliver Koletzki Presents Stil vor Talent 100’.

Classy and understated, Sascha Braemer shines on ‘Need Someone’ featuring Stevo, a laidback, subtle and utterly beautiful track on the A-side. With ‘Thinking About You’, Kellerkind then provides a fine nu disco bomb that re-contextualizes classic strings and harmonies in a contemporary framework, while focusing on his trademark sound and a catchy vocal sample.

Staying true to our philosophy, we also warmly welcome some new faces to the family. The Berlin-based duo of Marlon Hoffstadt & HRRSN kick off the flip side with the positively poppy ‘Once Again’, on which HRRSN’s vocals make for a definite highlight. Last but not least and heavily anticipated, 17-year-old Jonas Mantey’s ‘Sie ist Schön’ exemplifies an impressive command over melody and arrangement – emotionally charged, tearjerkingly beautiful.

SVT102 | Always like this – HVOB

HVOB have only just released their impressive debut album, but the next EP is already on the way: "Always Like This" is almost a tribute to the Vienna-based electronic duo's current wave of success.
Number 1 in the iTunes Dance Charts in Austria and number 3 in Germany, number 3 in the Beatport Deep House Charts – and HVOB's eponymous debut album continues to win the band critical acclaim in a success story which began when the first snippets appeared on Soundcloud a year ago. HVOB's Berlin-based label Stil vor Talent, which is no stranger to success, has been delighted by one of its best selling albums to date.
HVOB's third EP is scheduled for release on April 26 – and the track selection seems to be more than mere coincidence. "Always Like This" is an accurate reflection of the young Vienna electro duo's life right now. Anna Müller and Paul Wallner are "super happy" with the way things are going, busy as they are with all the live appearances in cities like Berlin, Paris and Istanbul, long nights spent in the studio and the formation of new partnerships: alongside Four Artists, Primary Talent, one of the world's major booking agencies, will in future be looking after the interests of HVOB.
"Always Like This" is the third single from the album "HVOB". HVOB's cover of the track by British indie rock band Bombay Bicycle Club mixes warm synth pads with soft beats, while Anna Müller's distinctive voice puts an entirely new spin on the melancholy of the original. Oliver Koletzki and Andhim have both made remixes of HVOB's interpretation of "Always Like This": Oliver Koletzki's version is powerful, emotive and melodic, while Andhim's shows incredible attention to detail and is intensely deep and original.
HVOB, which stands for "Her Voice Over Boys", are Anna Müller and Paul Wallner, who formed the duo in spring 2012. Müller (composition, production, vocals) and Wallner (composition and final production) produce intelligent, sophisticated electronic music, which is both easy to listen or dance to. The Vienna duo, who favour live on-stage performances with the backing of a drummer, will be appearing at the Donaufestival in Krems, Lower Austria, the Lighthouse Festival on the Lanterna peninsula (Porec, Croatia), the Pratersauna in Vienna, the Übel & Gefährlich in Hamburg and the Ninkasi in Lyon. For more information and event dates visit: www.hvob-music.com.

SVT101 | Juli Holz – Rundfunksender

Cover Artwork Juli Holz – Rundfunksender

After a longer pause we welcome back Juli Holz with her rather nautical ‘Rundfunksender’ EP. Since her breakthrough with ‘Tränen auf dem Dancefloor’ and the Oliver Koletzki feature ‘Zuckerwatte’, Juli has been convincing listeners with an enchanting mix of poetic, often melancholic vocals and poppy melodies, without her losing sight of the dance floor. In a Juli Holz DJ Set one will encounter a broad range of styles, spanning from classic Chicago house to modern Bass – influences that Juli also incorporates here.

On the opener ‘Boot in die Nacht’ crisp claps flirt with a laid back grumbling 303 bass-line, while a hypnotic synth-motif and maritime samples support Juli’s singing. ‘Rundfunksender’ plays with similar old-school sounds, but ups the tempo aided by impelling hi-hats – especially convincing are the vocal melodies, however, that operate within a classic song structure. Dirk Leyers and Mike Wolf present two ‘Rundfunksender’ remixes alongside the original, on which Leyers focuses on synths and Wolf preaches reduction. Lastly, the creaky bass-line of ‘Schiffbruch’ animates, once again accentuated by crystal-clear percussion, bouncy pads and Juli’s heart breaking voice, of course.

‘Rundfunksender’ establishes just how much Juli has grown recently, both as a songwriter and as a producer. We say: Ahoy!

SVT100 | Various Artists – Oliver Koletzki presents SVT100

Cover Artwork Various Artists – Oliver Koletzki presents SVT100

Who would have thought that, when OLIVER KOLETZKI released his 'Blackout' EP as SVT001 almost eight years ago, Stil vor Talent would reach the catalogue number 100? With our 100th release, we can look back on lots of fantastic music, music by artists who have become part of a close-knit family of friends. We hear the surprising and unexpected, as well as a signature sound in constant development. We recognize the love given and care taken, by illustrators, graphic designers and everyone involved behind the scenes. Most of all, however, we look back on moments of pure bliss, spent on the dance floor with you, where the music comes into its own and works its magic.

Here, on ‘Oliver Koletzki Presents Stil vor Talent 100’, a compilation of 22 exclusive, previously unreleased tracks, we celebrate those who have made the label what it is today, our core group of artists. KELLERKIND and MURAT KILIC provide two nu disco tracks that both re-contextualize classic strings and harmonies in a contemporary framework, with the former showcasing his trademark sound and a catchy vocal sample, while the latter pairs filter house elements with a soulful, sunny guitar. BJÖRN STÖRIG collaborates with all-rounder MEGGY to create a piano-driven vocal house track with a classic feel. Equally classy and understated, SASCHA BRAEMER shines on both of his contributions. While ‘Need Someone’ featuring STEVO is laidback, subtle and utterly beautiful, NICONÉ & SASCHA BRAEMER’s ‘Wish U’ will cause a stir on the dance-floor: bright synths, cheerful vocals and a 90s rave piano, what more does one want? Speaking of the 90s, ANIMAL TRAINER’s ‘Mental’ has a comparably old-school vibe and will make for an epic set closer at the end of a long night. Similarly, the thunderstorm break of OLIVER KOLETZKI’s remake of ERICH LESOVSKY’s ‘One Word’ will leave you breathless.

While HVOB and JAN BLOMQVIST both represent their signature styles – melodic, driving, intelligent – some of our artists are aiming for a darker sound than usual. DAN CASTER proves how versatile he is with ‘You and I’, a bass-driven monster. RYAN DUPREE targets the peak-time with menacing synths and acidic bass-lines, while NIKO SCHWIND presents us with a sweaty beast in the form of ‘Lazy People’. On top, DAPAYK SOLO, AKA AKA feat. THALSTROEM and CHANNEL X provide us with energetic tracks that reference house and techno in equal measures, while appearing futuristic and otherworldly.

Staying true to our philosophy, we also warmly welcome some new faces to the family: The Berlin-based duo of MARLON HOFFSTADT & HRRSN kick off the compilation with the positively poppy ‘Once Again’, on which HRRSN’s vocals make for an early highlight. SEVERIN BORER relies on a contemporary, uplifting bounce and a naughty bit of sampling, while KATJUSCHA’s vox works perfectly within JAKOB FABER’s clever arrangement on ‘How to Describe’. BOY NEXT DOOR might not literally be a newcomer, but his ‘Heart Cut’ certainly does sound incredibly fresh. Slightly deeper, both OLIVER SCHORIES’ ‘Hidden Champagne’ and PETE OAK’s ‘Come In’ featuring NATALIE CONWAY are crafted for the depth of night by combining dominant bass-lines with melancholic timbres. Last but not least and heavily anticipated, 17-year-old JONAS MANTEY’s ‘Sie ist Schön’ exemplifies an impressive command over melody and arrangement – emotionally charged, tearjerkingly beautiful.

Thus, we look brightly towards the future, to new adventures to come. Adventures, which we cannot wait to embark on together with you – the fans and supporters – who are equally important, close to our hearts, and who have made it all worthwhile. Without you, all of this wouldn't be possible. Thank you.

SVT099 | Sascha Braemer – Animal Instincts

Cover Artwork Sascha Braemer – Animal Instincts

Sascha Braemer is back with his first solo-EP on Stil vor Talent since his massive 2011 hit ‘People’. Teaming up with friends old and new, the result – ‘Animal Instincts’ – is simply stunning as Braemer showcases the versatility of a producer at the top of his game and an ability to think outside the box.

Kicking things off, the EP’s title track features the iconic Jake the Rapper on vocal duties. Seamlessly marrying a dark rap with mysterious singing, Jake compliments Braemer’s flawless arrangement of swinging synths, rolling percussive elements and deep bass notes, all held together by a tight groove, perfectly. On ‘Yeahhh’, Braemer presents us with an epic slice of deep house with ethereal pads gliding over muted vocals and impelling toms.

Anna Müller, known as one half of HVOB, lends her beautiful voice to ‘You’ on the B-side. Here, Braemer has crafted an impressive framework of subtle guitar licks, heavy-hitting snares and a melancholic but catchy bass-line that makes for an atmospheric, almost haunting listen. As waves of acid swallow Müller’s sensuous vocals, we are left breathless. To round things off, Finnebassen turns ‘You’ into a bright club track that animates aided by sunny synths – funky!

SVT098 | HVOB – HVOB

It's the culmination of what has been a roller coaster debut year: the eponymous debut album by the phenomenal Vienna duo HVOB is a lesson in how versatile, intelligent and creative electronic music can be.

It's been just twelve months since the first snippets appeared on Soundcloud, during which time the young electronic duo HVOB (short for Her Voice over Boys) have been causing a real stir throughout Europe: "… this is what deep house sound should sound like. Pure love …" (hmwl.org, Sweden), "… sure to be spoken about …" (delicieuse-musique.com, France), "More please, and soon!" (thegap.at, Austria), "… sleek and beautifully crafted beats …" (electronicbeats.net, Germany).

HVOB have been a hit with the most influential music blogs and with the public: acclaimed appearances at the likes of Germany’s MELT! Festival, number 4 in the Beatport Deep House charts with their debut EP "Dogs", number 10 in the Top Live Acts of the Year and number 11 in the Best Singles of 2012 in DE:BUG’s readers' poll. At the end of 2012, leading Lebanese fashion designer Elie Saab used HVOB's music for the soundtrack of his collection video.

Vienna-born Anna Müller (composition, production, vocals) and Paul Wallner (composition and final production) are kicking off the second year of their collaborative project with another release, only this time with more than just tantalising snippets: their eagerly anticipated debut LP, "HVOB", released March 8, contains twelve tracks that showcase the duo's distinctive sound – intelligent and sophisticated, emotive and melodic.

The opening track "Hold Your Horses" could be a signature tune for HVOB: organic beats, soft piano sounds and Anna Müller's stunning voice give way to compelling deep house. Further highlights of the album: scheduled for release in February, the single "Jack" with its emotive beats, the complex electronic ballad "Fog Machine", and "Always Like This", HVOB's interpretation of the track by British indie rock band Bombay Bicycle Club.

HVOB, who on stage perform live and with a drummer, are planning a European tour after the album's release. Venues will include: Paris (as part of Paris Fashion Week), Berlin, Zurich; further information: www.hvob-music.com

SVT097 | HVOB – Jack

Their debut “Dogs” took the Beatport Deep House Charts by storm. With their second EP “Jack” the Vienna-based duo HVOB fuel the anticipation for their forthcoming debut album.

In 2012, a young duo from Vienna proved to be one of the great success stories of Europe’s electronic music landscape: HVOB (short for “Her Voice over Boys”) only uploaded initial snippets on Soundcloud last April, reached number 4 in the Beatport Deep House Charts with their debut EP “Dogs”, number 10 in the Top Live Acts of the Year and number 11 in the Best Singles of 2012 in DE:BUG’s readers' poll, while performing live at festivals such as Germany’s Melt!. Moreover, the year was concluded by a particular honour: the leading Lebanese-French fashion designer Elie Saab chose HVOB’s sound for his new collection video.

With their inaugural release, Anna Müller (composition, production, vocals) and Paul Wallner (composition and final production) managed to create an entirely new and unique world of sound: HVOB represent intelligent and sophisticated electronic music that is equally emotive and melodic.

2013 kicks off with the release of HVOB’s second EP: “Jack” will be available on vinyl and Beatport on February 22. Here, the duo presents two new original tracks in the form of “Jack” and “Moon”, while one will also find two prominent remixes of “Jack”. The Berliner DJs Niconé & Sascha Braemer weave the original’s driving beats and Anna Müller’s hypnotic voice into their own sound aesthetic, and Valencia’s Edu Imbernon transforms “Jack” into a dark and forceful deep house track.

Especially Edu Imbernon’s contribution highlights HVOB’s current standing within Europe’s scene: the Spaniard, who recently remixed “The Reunion” by The XX among others, was so impressed by HVOB’s sound that it led him to approach the young Viennese pair and offer a collaboration.

“Jack” is the precursor to HVOB’s debut LP, set to be released March 8. After the album release, HVOB, who on stage perform live and with a drummer, are going to embark on a European tour. Some stops include: Paris (as part of Paris Fashion Week), Berlin, Zurich – more infos: www.hvob-music.com.

SVT096 | Nörd – Keine Sterne

The new year reveals a couple of surprises on Stil vor Talent. Among others, we are venturing into the stormy waters of indie-pop with SVT096 ‘Keine Sterne’ by NÖRD, the label’s next extraordinary band project.

NÖRD are the brothers Paul and Leo Eisenach, who realise their unique musical ideas with drummer Matthias Wendl and the Israel-born keyboarder and sound tinkerer Oded ‘KD’ Kadar here in Berlin. They love the Beatles, the energy of The Police, The Eels’ eccentricity, the linguistic rollercoaster ride that good Hip Hop can be, football and electronic music. Together they sound like hyperactive pop, full of energetic guitars, weird and wonderful synths, big melodies and clever wordplays, which ‘Keine Sterne’ and ‘Ich Breche Zusammen’ prove instantly.

Oliver Koletzki injects the original mix of ‘Keine Sterne’ with a dose of electro-pop on his Radio Edit, but also caters for the DJs with his longer, non-vocal Remix, while Sascha Braemer & Dan Caster round off the EP in style with their after hour-centric interpretation.

SVT095 | Fran – The Spell

Musically, The Spell, the second single taken from Frans Frantastic LP, captivates instantly with its highly romantic marriage of pianos and soft, upbeat rhythms, while it tells of the moment one finally moves on from an old love. Fran proclaims enthusiastically I broke the spell you put on me in a purposely mock-gospel fashion. Thanks to its light-hearted nature, we are dealing with an instant earwig. While Joris Delacroix delivers a deep bass-line and creaking synths on his wonderful deep house mix, our remix contest winners Jeff & Jessey spin the disco ball and put a generous amount of funk and soul into The Spell, aided by live brass instrumentation and a French filter house bass-line. We promise that all hands will be in the air once the chorus kicks in. Next, Hauptstadtstudio gives Frans original a progressive touch on their peak-time techno work-out, before the 18 year- old Daniel Finke reinterprets The Spell as a bittersweet electronica ballad. Dazzling would be an understatement here. Finally, the big boys Oliver Koletzki and Dominik Eulberg take on Arcade Love to great effect.

SVT094 | Robosonic & Laura Weider – Feldrecord im Zirkus

Cover Artwork Robosonic & Laura Weider – Feldrecord im Zirkus

On a summer weekend in August during the crazy lifetime of the Berliner Bar 25, pianist Laura Weider challenged herself to a particular kind of concert in the circus. This 40 hour performance was witnessed as the ‘Longest Concert of a Solo Artist’ and subsequently made it into the Guiness Book of Wold Records.

Cord and Sacha – better known as the Kreuzberg based DJ & Production duo Robosonic – managed to tape the whole concert including the atmospherical sounds made by the pianist and the public alike. Samples from this field recording madness were then cut and distilled into sound confetti, touched with funny, weird and euphorical moments – such as the final countdown – and sprinkled into a club track!

SVT093 | Edu Imbernon & Los Suruba feat. Daniel Wilde – Leopard

Cover Artwork Edu Imbernon & Los Suruba feat. Daniel Wilde – Leopard

What better way to welcome the New Year than with a bang? That’s precisely why we once again got the extraordinary Edu Imbernon on board to follow up on last year’s outstanding ‘Mystery Inside’. On ‘Leopard’, Edu teams up with Barcelona residents Los Suruba and the vocal talent Daniel Wild to dazzling effect.

The original mix kicks off the A-Side with shuffling rhythms and atmospheric pads that make way for a beautiful synth bass-line, echoing bells and Wilde’s sensuous voice, driven forward by a sharp snare. Striking a perfect balance between restraint and euphoria, we are invited on a dreamy musical journey that arrests both, body and soul.

On the flip, things get colourful on Boy Next Door’s remix of ‘Leopard’ as neon disco chords lighten up a deep bass-line, while Wilde’s vocals are given ample room to work their magic. Last but not least, Sascha Braemer & Dan Caster create something entirely different by pitching down the vocals, replacing the original’s synths with enchanting guitar loops and steely high hats. Never surrender!

SVT092 | Channel X – Wonderland Remixed

Cover Artwork Channel X – Wonderland Remixed

While Channel X took us on a full-length musical journey through their very own ‘Wonderland’ in September, this follow-up remix package guarantees to drag you even deeper into the metaphorical rabbit hole thanks to mind-altering reworks by Doctor Dru, Robosonic, Nico Stojan and our competition winners, Juicy Jay & SH.

Officially the king of synths, Doctor Dru introduces us to his interpretation of ‘My 3 Wishes’ with drawn-out melodies straight from outer space until the vocal arrangement drops into a bass-laden groove. Catering for those big dance floor moments, we are then being treated to a majestic drop that will send you sideways. Stunning! Next, Robosonic tackle ‘Slowly Falling Leaf’, turning the summery vocal house jam featuring Natalie into a new beast entirely by the inclusion of fat horns, shuffling rhythmic patterns and a lot of taste.

On the flip-side, Upon You’s Nico Stojan presents a mix of ‘My 3 Wishes’ that will reveal its full magic in an after-hour setting as a subtle groove, wry clicks and druggy synths mingle with well chosen parts of the original’s vocal. Lastly, Juicy Jay & SH’s rework of ‘Slowly Falling Leaf’ takes us on a tropical cruise by striking the perfect balance between nu disco and modern trance, causing a serious endorphin rush in the process.

SVT091 | Niconé & Sascha Braemer – United Colors of Languages

Cover Artwork Niconé & Sascha Braemer – United Colors of Languages

Last year’s ‘Romantic Thrills’ album was testament to Niconé & Sascha Bramer’s impressive knack for delicate melodies and soothing vocals, seamlessly woven into powerful house music thanks to the warm pulse of the kick drum. Here, on their new EP ‘United Colors of Language’, the duo delivers three stunning tracks to rival their previous output in both, romanticism and danceability.

On the A1, the vocalist Narra once again lends her fabulous voice to an arrangement of harmonious guitar loops and euphoric build-ups. Much like ‘Caje’ before it, ‘Rej Senhor’ sets itself apart as an all-round secret weapon that will work in the club or at an open air, during peak-time and after-hour alike. A little more forward, ‘Cold World’ loops a fluidly rolling piano towards a break in which Niconé’s own vocals bedazzle. Finally, the pair draws us into an Algerian lullaby in the form of ‘Raoui’, which combines the empathy and melancholy of ethnic folk music with a hands-in-the-air groove.

With this standout EP Niconé & Sascha Bramer achieve what they set out to do – they prove that music is the most powerful language of all!

SVT090 | Fran – Arcade Love

Wild 8-bit bleeps and sharp synths introduce the wonderfully bouncy beats of 'Arcade Love', Fran's first single of her debut solo album 'Frantastic', which describes a feeling most of us are all too familiar with: you enter a room and your eyes lock with a perfect stranger. The electrifying moment feels like an eternity, charged by a feeling of intense desire… until it suddenly passes.

Oliver Koletzki then delivers his own interpretation of 'Arcade Love', adding an extra portion of eletronic funk by incorporating more synths and effects while keeping the original's structure intact. The climax? An indulgently cowbell-driven break leading into the final chorus.

Giving way to a softly pulsating beat, Oliver's remix flows into the beautifully rounded ‘Zen Dance’, on which Fran’s sweet voice simply bedazzles the listener as she presents her views on the often mindlessly celebrated hedonism prevalent in dance music culture.

This is a dazzling representation of all that 'Frantastic' stands for: a stunning, singular DIY-vision, brimming with the wonderful versatility of Fran's musical mind.

SVT089 | Fran – Frantastic

‘Are you ready for a journey into the mind of a girl who’s dedicated her heart to music?’, Fran asks daringly on ‘May I Introduce Myself’, the first song of her anticipated first solo LP, Frantastic. For those following contemporary electronic music, little introduction is necessary: the 33-year-old psychologist is known for her dreamy house collaborations with husband and producer/ DJ Oliver Koletzki, with whom she co-wrote hits such as ‘Hypnotized’ and the successful album Lovestoned. The time has, however, come for Fran to bare her musical self and let the wild desire to create run free. Far from the totalitarian fist of the major labels, Frantastic was born in complete autonomy with the help of newcomer producers Oded K.dar (MiMi Müller-Westernhagen / Eddy Stevens – Moloko) and Martin Seyer (Krabbz Soundsystem). The result is an impressively personal journey through the mind of an intelligent, emotionally rich songwriter, pitched against a diverse sonic backdrop of pop, electronica and folk.

Literally exploding, the aforementioned opener bursts of colour and confidence. Here, Fran’s uplifting lyrics ethereally flow over poppy electronica beats, climaxing in a chorus that proclaims ‘If you believe you can do anything!’ – a tongue-in-cheek mission statement Fran is clearly out to prove on Frantastic. ‘Sunglasses’ starts with a crunchy downbeat as Fran’s mesmerising voice lyrically considers the tension between anonymity and exposure in celebrity culture, while the song peaks in a piano-driven chorus. Things take a turn towards a more organic sound on ‘Since You’ve Been Gone’. Jazzed-up, soulful rhythms create a light-hearted vibe that initially stands in contrast with the Aretha Franklin inspired break-up scenario the narrator is proposing to her unfaithful lover. The chorus reveals the narrator’s moment of realisation, in which she asserts her own strength and independence: ‘Since you’ve been gone I’ve been hearing my soul’.

Next up, wild 8-bit bleeps and sharp synths introduce the wonderfully bouncy beats of ‘Arcade Love’, which describes a feeling most of us are all too familiar with: you enter a room and your eyes lock with a perfect stranger. The electrifying moment feels like an eternity, charged by a feeling of intense desire… until it passes. On ‘Frantastic’, the LP’s title track, Fran then shows a completely different side – her often highly feminine singing makes way for a tough, decisive semi-rap that reveals Fran’s attitude to life as she states ‘So I’ll keep rollin’ and creating ‘til the day that I drop and it’s the only thing I know that makes me high and makes me pop’. Giving way to a softly pulsating beat, ‘Frantastic’ flows into the beautifully rounded ‘Zen Dance’, on which Fran’s sweet voice simply bedazzles the listener as she presents her views on the often mindlessly celebrated hedonism prevalent in dance music culture. Musically, ‘The Spell’ continues the highly romantic marriage of pianos and soft, upbeat rhythms. While it – telling of the moment one finally moves on from an old love – proclaims ‘I broke the spell you put on me’ in a purposely mock-gospel fashion, the fast pace and cello arrangement of ‘Down’ emphasise the song’s empowering message at heart: don’t bring me down, because I will fight back.

The album slows down its tempo with ‘Psychoanalysis’, another particularly personal song due to Fran’s background in psychology. While languid synths and drawn-out, distorted guitars shiver over minimalistic drums, Fran deconstructs her patient’s layers to great effect. Next, Fran delivers another ballad in the form of ‘Ocean of You’, which, thanks to its gorgeously serene vocals and oceanic theme, stands in sharp contrast to the cool, almost paranoid feel of ‘Cheesecake Mountain’. Here, Fran perhaps reveals her darkest, most menacing self as high-pitched words of warning fly over an eerie musical landscape, part organic percussion, part disorienting electronica. Penultimately, ‘Scratch a Goodbye’ is placed perfectly as it serves as a last letter to a lover before the inevitable goodbye. On ‘Summer’, the Album’s heart wrenchingly intimate finale, Fran’s layered voice evokes an enchanting bird song, praising summer’s infinite promise of love. Recorded on her own balcony with only a ukulele and a toy drum machine, it encapsulates once more and most poignantly what Frantastic stands for: a stunning, singular DIY-vision, brimming with the wonderful versatility to be found in Fran’s musical mind, which, we are certain, is yet to be exhausted!

SVT088 | Klangkarussell – Sonnentanz

Cover Artwork Klangkarussell – Sonnentanz

Finally seeing a proper release on Stil vor Talent, Sonnentanz is the youtube sensation by Austrian newcomers Klangkarussell. The original version gets the remix treatment by Oliver Koletzki, Kellerkind and Phonique.

SVT087 | HVOB – Dogs

Their first Soundcloud snippets appeared in April, followed by the signing to Stil vor Talent in late spring and a summer of lauded festival performances, such as at the renowned Berliner Melt! Festival – this autumn HVOB (short for Her Voice Over Boys) now go on to deliver their virgin release: the ‘Dogs’ EP closes the circle of an impressive first year for the young electronica project.

‘Dogs’ combines all of the qualities with which the Vienna-based pair caused a stir across Europe during the past months: intelligent, equally driving and melodic, sophisticated electronic music – with an enchantingly feminine touch due to Anna Müller’s voice. Stil vor Talent mastermind Oliver Koletzki speaks of ‘a eureka moment on first listen, something that only happens once in a blue moon. HVOB are unique and timeless’.

On the A-side of the debut EP, ‘Dogs’ and ‘Let’s Keep this Quiet’ take the listener on a journey through HVOB’s distinctive sonic world of organic sounds, floating pads, propelling beats and Anna Müller’s beautiful voice. Müller is not only responsible for the vocals, but for composition and production, while Paul Wallner is accountable for the finishing touches of the production process.

On the flip side, ‘Dogs’ is then treated by Stil vor Talent heavyweights Oliver Koletzki and Niko Schwind: Koletzki utilises the original’s piano and vocal melodies, beefing them up with a driving bass line and his trademark synths, while Schwind places an emphasis on catchy claps, tambourines and Anna Müller’s voice.

We are eagerly awaiting the release of their first album early next year!

SVT086 | Dapayk & Padberg – Remixed

Cover Artwork Dapayk & Padberg – Remixed

Released in February, Dapayk & Padberg’s Sweet Nothings LP showcased an impressive grasp of contemporary electronic music, designed for headphones and dancefloors alike. Now, six months later, Stil vor Talent delivers a remix package that presents the reworks of competition winners Ariel Curtis and dry/wet dreams, as well as remixes by Ryan Dupree and Dapayk himself.

Kicking things off, Ryan Dupree offers a deep chugging house reinterpretation of title-track ‘Sweet Nothings’, on which melancholic pads make way for a heavy-hitting piano and synth workout, while the original’s mesmerising vocals breathe over a solid bassline. Next up, ‘Backyard’, one of the album’s mysterious standout songs, gets the Dapayk four-to-the-floor treatment: his club edit animates with crisp clicks and pulsating bass, ideal for the peak time.

The winners of our remix competition then share the B-side, offering two very different takes on ‘Fluffy Cloud’. First, things get positively out of hand on dry/wet dreams’ remix – an electronic big band fronted by Padberg gets our legs swinging as wild bleeps, sawing synths and deep horns stumble through the room. Ariel Curtis then takes things back to more familiar territory by creating an incredibly smooth deep house mix, perfectly suited for those sunny days thanks to a solid groove and those cooling pads. Stunning!

SVT085 | Channel X – Wonderland - Part I

Cover Artwork Channel X – Wonderland - Part I

For their second full-length, the infamous Berliners Channel X invite you to take a mad trip through their very own Wonderland. Inspired by Lewis Carroll’s classic psychedelic tale of Alice’s mind-altering experience in a colourful parallel universe, Miko and André Quasar offer a deeply euphoric peek down the musical rabbit hole. Here, on the first of two vinyl releases, party-approved tech house sounds meet tight deep house, crafted with a trained ear for detail, but, more importantly, a deep love for the dance-floor.

On ‘Scope’, Channel X chase us through their dream world’s most bizarre corners, where strange creatures lurk in the dark, prying with florescent eyes as they create a tripped-out soundscape of hypnotic synths, jack saw bass and delayed vocal stutters. ‘Evil’, a claustrophobic bomb, then builds heavy sub frequencies into a forceful groove, underpinned by sharp hi hats and a driving snare, getting those feet moving. The flip side bares ‘Feelings’, where a straight gut-hitting kick and disorienting wonky pads symbolise a free fall down the rabbit hole, until a short tick of the clock opens the door to a bouncy tech house groove and far-out guitar licks. As sirens usher in stretched-out female vocal samples and deep chords, any dance-floor will reach its climax. The upbeat ‘Delight’ is like a final party to see us off. Melodious, yet driving, the track is an extroverted treat that is deeply infectious due to its vocal hooks and disco edge.

SVT084 | Channel X – Wonderland

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